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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Blessing of Epiphany Water”

Jeff Ostrowski · January 5, 2021

ATHER FORTESCUE says there are three “cardinal feasts” of the liturgical year: viz. EPIPHANY, EASTER, and PENTECOST. On the eve of the Epiphany—in other words, on 5 January (tomorrow night)—there is a special blessing of water: Benedictio Aquae in Vigilia Epiphaniae Domini. Below is the booklet we use at Saint Vitus Parish, which is run by the Priestly Fraternity of Saint Peter in the Archdiocese of Los Angeles. I’m sharing this rough draft of a booklet we use, in case anyone else needs to sing this ceremony; it contains the Gregorian chant scores reqired. I’m not saying it’s the greatest booklet in the world, but here it is:

*  PDF Download • BLESSING EPIPHANY WATER (18 pages)
—Blessing of the Waters on the Eve of the Epiphany; Gregorian Chant.

I scanned a few pages from the Rituale Romanum so you can see where Benedictio Aquae in Vigilia Epiphaniae Domini comes from. I wrote out the Tonus Solemnis (“Solemn Tone”) for the TE DEUM with a literal English translation by Rt. Rev. Msgr. Charles E. Spence. (The 1961 Graduale Romanum provides a total of three tones.) If you just want the TE DEUM for your congregation to sing at the end of the ceremony, print those 4 pages double-sided. Speaking of EPIPHANIA DOMINI, Ms. Eleanor Parker has posted an English “Book of Hours” (circa 1350AD) with exquisite illustrations depicting the entire narrative of the Magi and King Herod, in a series of pictures running across the bottom:

We begin with one king:

…plus two kings:

…equals three kings:

The Magi encounter the shepherds, who point the way to Bethlehem:

When we turn the page, they are arriving at Herod’s castle:

They tell Herod the purpose of their quest:

Troubled by what the Magi have told him, Herod sends letters gathering the “chief priests and scribes of the people”:

And they point out to him the prophecies which tell that Christ is to be born in Bethlehem:

Meanwhile, the Magi find the child and present their gifts, but are quickly warned by an angel—while sleeping still wearing their crowns!—to flee:

“They departed into their own country by another way,” and that’s the last we see of them. But Joseph is also warned by an angel:

…and takes his family to Egypt:

Learning that the Magi set sail from Tarsus, Herod orders the ships there to be burnt:

Having failed in his pursuit, he sends out his knights to kill children under two years old:

Katérva matrum pérsonat
conlísa deflens pígnora,
quorum tyránnus mília
Christo sacrávit víctimam.

And we see the massacre of the children, their mothers struggling against the soldiers:

This story is told on the very first pages of the Brébeuf hymnal—in Latin with a literal English translation—by the ABECEDARIUS, which is a very important Alphabetical Hymn by Caelius Sedulius, a Christian Poet who lived in the 5th century.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Benedictio Aquae, Katerva Matrum Personat, Te Deum Printable PDF, Te Deum With English, Te Deum with Latin, Vigilia Epiphaniae Domini Last Updated: January 5, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

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