• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The “Winking” Part • Where’d Father Lasance Get It?

Jeff Ostrowski · November 30, 2020

HE INTROIT for Ash Wednesday—from chapter 11 in the book of Wisdom—says: “Miseréris ómnium, Dó­mine, et nihil odísti eórum quæ fecísti, dissímulans peccáta hóminum propter pæniténtiam et parcens illis.” A very popular Extraordinary Form hand-missal was published by Francis Xavier Lasance (d. 11 dec 1946). 1 Notice the way he translates that verse: “Thou hast mercy upon all, O Lord, and hatest none of the things which Thou hast made, winking at the sins of men for the sake of repentance, and sparing them.”

Where did Father Lasance get that translation, and why does it matter?

Whence Wisdom’s Winking?

When it comes to the Father Lasance liturgical translations, I had been under the impression he took his Ordo Missæ from a Catholic hand-missal published in 1806 (London) and the Scripture passages from the so-called “Douay-Rheims” translation. Let us look at the Father Lasance hand-missal, published—as far as I can tell—in the 1930s (English-only) and 1940s (English/Latin version). I believe Father Lasance took his translation directly from an 1806 (Roman Catholic) hand-missal published in London:

This translation seems to have been widely adopted; e.g. it appears in Mass and Vespers (Solesmes Abbey, 1957):

This translation does not come from the so-called Douay-Rheims Bible. The reason I say “so-called” is because what people call the “Douay-Rheims” is actually a revision by Bishop Richard Challoner (d. 1781), which is quite different from the authentic Douay-Rheims translation. The Douay-Rheims-Challoner does not use “wink,” and neither does Monsignor Ronald Knox, as you can see:

The original Douay-Rheims also does not use the word “wink”—instead using an unfamiliar word (“dissemble”) which the dictionary says means: conceal one’s true motives, feelings, or beliefs; disguise or conceal (a feeling or intention).

The 1990 Gregorian Missal does not use the word “wink,” as you can see:

The 1965 Missal does not use “wink,” as you can see:

Here is what the Westminster Bible says:

*  PDF Download • Westminster Bible
—The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England.

My understanding is that Father Adrian Fortescue (d. 1923) assisted William Wilfred Oates with the creation of a hand-missal, but I have never been able to obtain a copy. I would like to see what they did for the Ash Wednesday Introit.

Was He A Jesuit?

Some have asked whether Father Lasance was a Jesuit. Here is what a liturgical expert replied:

“Lasance was not a vowed member of the Company of Jesus. He was trained by them (classics and philosophy) at Xavier College in Cincinnati, did his theology at St Meinrad, and was ordained for the archdiocese of Cincinnati. It was during the last half of his life that he wrote the many prayer books, missals and devotionalia which were so widely used… He was not exactly of robust health, and he turned the years spent as an invalid to good use as a prolific author. It would not be inaccurate to refer to him as a spiritual son of St Ignatz, but more than that would be wide of the mark…”

Finally, here is how the Introit looked in the Middle Ages:

 


NOTES FROM THIS ARTICLE:

1   I have never been able to ascertain the exact date of publication for the Missal published by Father Lasance, and it really doesn’t matter because numerous feasts were added after Father Lasance had already died, such as the “new” feast of the Assumption in the 1950s (“Signum magnum appáruit in cælo”).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Lasance Missal Last Updated: December 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up