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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The “Winking” Part • Where’d Father Lasance Get It?

Jeff Ostrowski · November 30, 2020

HE INTROIT for Ash Wednesday—from chapter 11 in the book of Wisdom—says: “Miseréris ómnium, Dó­mine, et nihil odísti eórum quæ fecísti, dissímulans peccáta hóminum propter pæniténtiam et parcens illis.” A very popular Extraordinary Form hand-missal was published by Francis Xavier Lasance (d. 11 dec 1946). 1 Notice the way he translates that verse: “Thou hast mercy upon all, O Lord, and hatest none of the things which Thou hast made, winking at the sins of men for the sake of repentance, and sparing them.”

Where did Father Lasance get that translation, and why does it matter?

Whence Wisdom’s Winking?

When it comes to the Father Lasance liturgical translations, I had been under the impression he took his Ordo Missæ from a Catholic hand-missal published in 1806 (London) and the Scripture passages from the so-called “Douay-Rheims” translation. Let us look at the Father Lasance hand-missal, published—as far as I can tell—in the 1930s (English-only) and 1940s (English/Latin version). I believe Father Lasance took his translation directly from an 1806 (Roman Catholic) hand-missal published in London:

This translation seems to have been widely adopted; e.g. it appears in Mass and Vespers (Solesmes Abbey, 1957):

This translation does not come from the so-called Douay-Rheims Bible. The reason I say “so-called” is because what people call the “Douay-Rheims” is actually a revision by Bishop Richard Challoner (d. 1781), which is quite different from the authentic Douay-Rheims translation. The Douay-Rheims-Challoner does not use “wink,” and neither does Monsignor Ronald Knox, as you can see:

The original Douay-Rheims also does not use the word “wink”—instead using an unfamiliar word (“dissemble”) which the dictionary says means: conceal one’s true motives, feelings, or beliefs; disguise or conceal (a feeling or intention).

The 1990 Gregorian Missal does not use the word “wink,” as you can see:

The 1965 Missal does not use “wink,” as you can see:

Here is what the Westminster Bible says:

*  PDF Download • Westminster Bible
—The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England.

My understanding is that Father Adrian Fortescue (d. 1923) assisted William Wilfred Oates with the creation of a hand-missal, but I have never been able to obtain a copy. I would like to see what they did for the Ash Wednesday Introit.

Was He A Jesuit?

Some have asked whether Father Lasance was a Jesuit. Here is what a liturgical expert replied:

“Lasance was not a vowed member of the Company of Jesus. He was trained by them (classics and philosophy) at Xavier College in Cincinnati, did his theology at St Meinrad, and was ordained for the archdiocese of Cincinnati. It was during the last half of his life that he wrote the many prayer books, missals and devotionalia which were so widely used… He was not exactly of robust health, and he turned the years spent as an invalid to good use as a prolific author. It would not be inaccurate to refer to him as a spiritual son of St Ignatz, but more than that would be wide of the mark…”

Finally, here is how the Introit looked in the Middle Ages:

 


NOTES FROM THIS ARTICLE:

1   I have never been able to ascertain the exact date of publication for the Missal published by Father Lasance, and it really doesn’t matter because numerous feasts were added after Father Lasance had already died, such as the “new” feast of the Assumption in the 1950s (“Signum magnum appáruit in cælo”).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Father Lasance Missal Last Updated: December 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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  • Music List • “5th Sunday of Easter” (Year A)

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