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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The “Winking” Part • Where’d Father Lasance Get It?

Jeff Ostrowski · November 30, 2020

HE INTROIT for Ash Wednesday—from chapter 11 in the book of Wisdom—says: “Miseréris ómnium, Dó­mine, et nihil odísti eórum quæ fecísti, dissímulans peccáta hóminum propter pæniténtiam et parcens illis.” A very popular Extraordinary Form hand-missal was published by Francis Xavier Lasance (d. 11 dec 1946). 1 Notice the way he translates that verse: “Thou hast mercy upon all, O Lord, and hatest none of the things which Thou hast made, winking at the sins of men for the sake of repentance, and sparing them.”

Where did Father Lasance get that translation, and why does it matter?

Whence Wisdom’s Winking?

When it comes to the Father Lasance liturgical translations, I had been under the impression he took his Ordo Missæ from a Catholic hand-missal published in 1806 (London) and the Scripture passages from the so-called “Douay-Rheims” translation. Let us look at the Father Lasance hand-missal, published—as far as I can tell—in the 1930s (English-only) and 1940s (English/Latin version). I believe Father Lasance took his translation directly from an 1806 (Roman Catholic) hand-missal published in London:

This translation seems to have been widely adopted; e.g. it appears in Mass and Vespers (Solesmes Abbey, 1957):

This translation does not come from the so-called Douay-Rheims Bible. The reason I say “so-called” is because what people call the “Douay-Rheims” is actually a revision by Bishop Richard Challoner (d. 1781), which is quite different from the authentic Douay-Rheims translation. The Douay-Rheims-Challoner does not use “wink,” and neither does Monsignor Ronald Knox, as you can see:

The original Douay-Rheims also does not use the word “wink”—instead using an unfamiliar word (“dissemble”) which the dictionary says means: conceal one’s true motives, feelings, or beliefs; disguise or conceal (a feeling or intention).

The 1990 Gregorian Missal does not use the word “wink,” as you can see:

The 1965 Missal does not use “wink,” as you can see:

Here is what the Westminster Bible says:

*  PDF Download • Westminster Bible
—The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England.

My understanding is that Father Adrian Fortescue (d. 1923) assisted William Wilfred Oates with the creation of a hand-missal, but I have never been able to obtain a copy. I would like to see what they did for the Ash Wednesday Introit.

Was He A Jesuit?

Some have asked whether Father Lasance was a Jesuit. Here is what a liturgical expert replied:

“Lasance was not a vowed member of the Company of Jesus. He was trained by them (classics and philosophy) at Xavier College in Cincinnati, did his theology at St Meinrad, and was ordained for the archdiocese of Cincinnati. It was during the last half of his life that he wrote the many prayer books, missals and devotionalia which were so widely used… He was not exactly of robust health, and he turned the years spent as an invalid to good use as a prolific author. It would not be inaccurate to refer to him as a spiritual son of St Ignatz, but more than that would be wide of the mark…”

Finally, here is how the Introit looked in the Middle Ages:

 


NOTES FROM THIS ARTICLE:

1   I have never been able to ascertain the exact date of publication for the Missal published by Father Lasance, and it really doesn’t matter because numerous feasts were added after Father Lasance had already died, such as the “new” feast of the Assumption in the 1950s (“Signum magnum appáruit in cælo”).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Father Lasance Missal Last Updated: December 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

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  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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