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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The “Winking” Part • Where’d Father Lasance Get It?

Jeff Ostrowski · November 30, 2020

HE INTROIT for Ash Wednesday—from chapter 11 in the book of Wisdom—says: “Miseréris ómnium, Dó­mine, et nihil odísti eórum quæ fecísti, dissímulans peccáta hóminum propter pæniténtiam et parcens illis.” A very popular Extraordinary Form hand-missal was published by Francis Xavier Lasance (d. 11 dec 1946). 1 Notice the way he translates that verse: “Thou hast mercy upon all, O Lord, and hatest none of the things which Thou hast made, winking at the sins of men for the sake of repentance, and sparing them.”

Where did Father Lasance get that translation, and why does it matter?

Whence Wisdom’s Winking?

When it comes to the Father Lasance liturgical translations, I had been under the impression he took his Ordo Missæ from a Catholic hand-missal published in 1806 (London) and the Scripture passages from the so-called “Douay-Rheims” translation. Let us look at the Father Lasance hand-missal, published—as far as I can tell—in the 1930s (English-only) and 1940s (English/Latin version). I believe Father Lasance took his translation directly from an 1806 (Roman Catholic) hand-missal published in London:

This translation seems to have been widely adopted; e.g. it appears in Mass and Vespers (Solesmes Abbey, 1957):

This translation does not come from the so-called Douay-Rheims Bible. The reason I say “so-called” is because what people call the “Douay-Rheims” is actually a revision by Bishop Richard Challoner (d. 1781), which is quite different from the authentic Douay-Rheims translation. The Douay-Rheims-Challoner does not use “wink,” and neither does Monsignor Ronald Knox, as you can see:

The original Douay-Rheims also does not use the word “wink”—instead using an unfamiliar word (“dissemble”) which the dictionary says means: conceal one’s true motives, feelings, or beliefs; disguise or conceal (a feeling or intention).

The 1990 Gregorian Missal does not use the word “wink,” as you can see:

The 1965 Missal does not use “wink,” as you can see:

Here is what the Westminster Bible says:

*  PDF Download • Westminster Bible
—The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England.

My understanding is that Father Adrian Fortescue (d. 1923) assisted William Wilfred Oates with the creation of a hand-missal, but I have never been able to obtain a copy. I would like to see what they did for the Ash Wednesday Introit.

Was He A Jesuit?

Some have asked whether Father Lasance was a Jesuit. Here is what a liturgical expert replied:

“Lasance was not a vowed member of the Company of Jesus. He was trained by them (classics and philosophy) at Xavier College in Cincinnati, did his theology at St Meinrad, and was ordained for the archdiocese of Cincinnati. It was during the last half of his life that he wrote the many prayer books, missals and devotionalia which were so widely used… He was not exactly of robust health, and he turned the years spent as an invalid to good use as a prolific author. It would not be inaccurate to refer to him as a spiritual son of St Ignatz, but more than that would be wide of the mark…”

Finally, here is how the Introit looked in the Middle Ages:

 


NOTES FROM THIS ARTICLE:

1   I have never been able to ascertain the exact date of publication for the Missal published by Father Lasance, and it really doesn’t matter because numerous feasts were added after Father Lasance had already died, such as the “new” feast of the Assumption in the 1950s (“Signum magnum appáruit in cælo”).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Father Lasance Missal Last Updated: December 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

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  • PDF Download • “Eb Organ Postlude”
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