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Views from the Choir Loft

Veterans Day: Remembering Those Who Made Our Music Possible

Keven Smith · November 9, 2020

HE MAN WHO enabled me to become a church musician was profoundly hard of hearing. I can’t remember a time when I didn’t have to over-enunciate in his presence, even though he was only 54 when I was born.

His 1980s-vintage hearing aids used to whistle sporadically, driving Grandma crazy. “Oh, Paul,” she would admonish (half perturbed, half amused, fully English), “turn your hearing aids down!”

Granddad would fiddle with the devices and then go on being the life of the party, relying heavily on lip-reading to help him along. Minutes later, those hearing aids would whistle again.

How could this man have made my life as a church musician possible? If Granddad and his brave colleagues in the United States Air Force hadn’t landed at Normandy, fascists could have conquered the world. I might not even be alive; tyrants might have slaughtered my Catholic family.

This Veterans Day, as always, I’ll be remembering Granddad.

“Well, Look Who’s Here!”

I’ll also be remembering Grandma. For every soldier, there’s a concerned wife back home taking care of the babies, hoping and praying for good news. But Grandma was even more than that. Before becoming a full-time Mom, she had been a nurse in the Royal Air Force. She met Granddad at a function that brought the U.S. and U.K. troops together.

Grandma was born just six days after Granddad in Chester, England. She never lost her prim accent. When I was a little kid in Phoenix, we used to visit my grandparents every Saturday evening. As soon as we came through the door, Grandma’s chipper voice would ring out, “Well, look who’s here!”

Grandma spent the last few decades of her 96 years in agonizing pain due to a botched hip replacement and the ravages of osteoporosis. She never complained. Whenever I called and asked her directly about her suffering, she’d say, “Oh, well, you know, it’s pretty bad, but….how are you? How is the music going?”

Happy Trails, Dear Grandparents

These two veterans stood up against fascism, which is one reason I’m here today. Another reason was their openness to life as they joyfully raised nine children. But there’s also a musical significance to this story.

Grandma was a performer at heart. Back in high school, she starred as Portia in The Merchant of Venice. She glowed whenever we asked her about it.

Meanwhile, Granddad loved to sing and didn’t let his impaired hearing stop him. When he and Grandma finally moved to Thunderbird Retirement Resort, he was called upon to introduce himself and his bride to their new neighbors. After summarizing their life story and providing stats on their three generations of offspring, he concluded, “And I can sing a little, too!”

He then sang “Happy Trails” but somehow managed to end on the seventh scale degree. (Had he been able to hear well enough to realize this, he wouldn’t have been even mildly embarrassed.)

I’m sure my grandparents passed along many of the traits that have enabled me to make music for God’s glory. Most importantly, though, they passed along their Catholic faith. 

The last time I saw my grandparents, Grandma was in the throes of dementia. I spent a day with them at their retirement home and had nearly the same conversation with Grandma about 30 times. Grandma was still Grandma, but we had to start over every 15 minutes. It was like compressing my entire life to fit into one conversation, one living room. It was a joy.

As afternoon turned to evening, I realized I needed to get going. Moments before I left, I leaned over to my Grandma as she sat in her rocker. I looked right into those Dresden blue eyes, sensing that it would be the last time. “Grandma,” I said, “I know you pray for me and offer up your sufferings for me. And I think that any spiritual progress I’ve made these past few years has happened because you were sitting here in Phoenix, praying Rosaries. So, thank you.”

I could see in her gaze that she understood me—and that, at least for a moment, she could recall the countless hours she had spent in prayer. Her response was unmistakably Grandma. “Oh, well…. I’m happy to do it!”

May my dear grandparents—and all those who fought to keep fascism from reaching our shores—rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: veterans day Last Updated: November 9, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

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