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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veterans Day: Remembering Those Who Made Our Music Possible

Keven Smith · November 9, 2020

HE MAN WHO enabled me to become a church musician was profoundly hard of hearing. I can’t remember a time when I didn’t have to over-enunciate in his presence, even though he was only 54 when I was born.

His 1980s-vintage hearing aids used to whistle sporadically, driving Grandma crazy. “Oh, Paul,” she would admonish (half perturbed, half amused, fully English), “turn your hearing aids down!”

Granddad would fiddle with the devices and then go on being the life of the party, relying heavily on lip-reading to help him along. Minutes later, those hearing aids would whistle again.

How could this man have made my life as a church musician possible? If Granddad and his brave colleagues in the United States Air Force hadn’t landed at Normandy, fascists could have conquered the world. I might not even be alive; tyrants might have slaughtered my Catholic family.

This Veterans Day, as always, I’ll be remembering Granddad.

“Well, Look Who’s Here!”

I’ll also be remembering Grandma. For every soldier, there’s a concerned wife back home taking care of the babies, hoping and praying for good news. But Grandma was even more than that. Before becoming a full-time Mom, she had been a nurse in the Royal Air Force. She met Granddad at a function that brought the U.S. and U.K. troops together.

Grandma was born just six days after Granddad in Chester, England. She never lost her prim accent. When I was a little kid in Phoenix, we used to visit my grandparents every Saturday evening. As soon as we came through the door, Grandma’s chipper voice would ring out, “Well, look who’s here!”

Grandma spent the last few decades of her 96 years in agonizing pain due to a botched hip replacement and the ravages of osteoporosis. She never complained. Whenever I called and asked her directly about her suffering, she’d say, “Oh, well, you know, it’s pretty bad, but….how are you? How is the music going?”

Happy Trails, Dear Grandparents

These two veterans stood up against fascism, which is one reason I’m here today. Another reason was their openness to life as they joyfully raised nine children. But there’s also a musical significance to this story.

Grandma was a performer at heart. Back in high school, she starred as Portia in The Merchant of Venice. She glowed whenever we asked her about it.

Meanwhile, Granddad loved to sing and didn’t let his impaired hearing stop him. When he and Grandma finally moved to Thunderbird Retirement Resort, he was called upon to introduce himself and his bride to their new neighbors. After summarizing their life story and providing stats on their three generations of offspring, he concluded, “And I can sing a little, too!”

He then sang “Happy Trails” but somehow managed to end on the seventh scale degree. (Had he been able to hear well enough to realize this, he wouldn’t have been even mildly embarrassed.)

I’m sure my grandparents passed along many of the traits that have enabled me to make music for God’s glory. Most importantly, though, they passed along their Catholic faith. 

The last time I saw my grandparents, Grandma was in the throes of dementia. I spent a day with them at their retirement home and had nearly the same conversation with Grandma about 30 times. Grandma was still Grandma, but we had to start over every 15 minutes. It was like compressing my entire life to fit into one conversation, one living room. It was a joy.

As afternoon turned to evening, I realized I needed to get going. Moments before I left, I leaned over to my Grandma as she sat in her rocker. I looked right into those Dresden blue eyes, sensing that it would be the last time. “Grandma,” I said, “I know you pray for me and offer up your sufferings for me. And I think that any spiritual progress I’ve made these past few years has happened because you were sitting here in Phoenix, praying Rosaries. So, thank you.”

I could see in her gaze that she understood me—and that, at least for a moment, she could recall the countless hours she had spent in prayer. Her response was unmistakably Grandma. “Oh, well…. I’m happy to do it!”

May my dear grandparents—and all those who fought to keep fascism from reaching our shores—rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: veterans day Last Updated: November 9, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion for Sunday
    The COMMUNION ANTIPHON with fauxbourdon psalm verses for this coming Sunday (3 May 2026) is elegant and poignant. It’s such a shame it only comes every three years. This piece—along with all the musical scores for this coming Sunday, which is the 5th Sunday of Easter (Year A)—can be downloaded free of charge from the flourishing feasts website. By the way, how is it already 2026?
    —Jeff Ostrowski
    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

Recent Posts

  • PDF Download • Communion for Sunday
  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant

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