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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Place Me Among the Sheep, Not the Goats

Keven Smith · November 2, 2020

F THIS WERE a typical year, I’d be preparing for a sung Mass tonight for the Commemoration of All Souls. My parish choir loves singing the traditional Requiem Mass.

When I say we love it, I don’t mean that we merely don’t mind it or that we enjoy it about as much as the typical Sunday Mass. I mean that we love it above nearly any other Mass. I’ve asked many choir members over the years, “Would you rather sing a Requiem Mass or a Nuptial Mass?” Every last singer has chosen the Requiem.

There are several reasons for this affection. The Requiem chants are plentiful, colorful, and poignant, encompassing every mode except for 3 and 5. The liturgical texts deal with eschatology, which gives perspective to everything we believe and do as Catholics. Also, it’s always easy to see how much grieving families appreciate even the modest efforts of the handful of singers who are typically available to sing a midweek Requiem.

I love any Mass that includes a Sequence because the 1962 missal contains only five of them. The Dies Irae is one—and perhaps the best.

It’s Not Just About Wrath

Dies Irae conjures up images of righteous anger, fire, deafening noise, and judgment. Here in 2020, as the worst machinations of the world’s elite become apparent, it’s tempting to hope that the Day of Wrath will come soon. We trust that the return of Our Savior will mean swift judgment for those who want to prohibit public worship, promote deviant behaviors, and safeguard the “right” to dismember babies in the womb.

But we know that the return of Our Savior will also mean swift judgment for ourselves—we who are weak, lazy, selfish, and lukewarm.

Am I hoping for the Day of Wrath to come quickly? Would I dare? I prefer to focus on the inner stanzas of Dies Irae. In the ninth through fifteenth stanzas, beginning with “Recordare, Jesu pie,” we address Our Lord directly.

Here is where supplication reigns—where we focus on the things we can control.

Here is where we admit that, although nothing can slip His mind, our ingratitude has made us deserve to be forgotten.

Here is where we picture Our Lord faint and weary from seeking us—and yet we continue to wander off and hide.

Here is where we beg for forgiveness while there’s still time. Here is where our faces grow red with shame.

Here is where we dare suggest that if there was hope for Mary Magdalen and Dismas, perhaps there is hope for us. Here is where we admit that our prayers and sighs are worthless but beg nevertheless for a place among the sheep—not the goats.

Everything Is Better with Jerry Hadley

Even if my parish had the budget, I would have no interest in conducting an orchestral Requiem during an actual liturgy. I would much prefer to chant the traditional Requiem Mass. But I do enjoy listening to the Mozart Requiem and will always be grateful that Mozart set the middle stanzas of Dies Irae with such sensitivity. Here’s a performance of his Recordare that includes the late, great American tenor Jerry Hadley (oh, and Leonard Bernstein). May it inspire you to more fervent prayer this All Souls Day.

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: dies irae, Extraordinary Form 1962 Missal, Gregorian Chant, Requiem Last Updated: November 8, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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President’s Corner

    PDF Download • 3 September
    According to the MISSALE RECENS, the Feast of Saint Gregory the Great occurs on 3 September (the date Gregory became pope). Formerly, his feast was celebrated during Lent, on 12 March (the day Gregory died). In Latin, the feast is: Die 3 Septembris: S. Gregorii Magni, papæ et Ecclesiæ doctoris. you can download the Latin Introit, the Latin Offertory, as well as the Communion with gorgeous fauxbordon in English. Abbat Joseph Pothier—along with Dom André Mocquereau, Bishop Laurent Janssens, Father De Santi, and other Gregorian superstars—sang with a choir of 1,210 voices (from 36 different Roman colleges) under the direction of Monsignor Antonio Rella. That Mass included the “Alma cohors,” a special SEQUENCE for Saint Gregory…much to the dismay of those who believe in strict adherence to rubrics. The Mass on 11 April 1904 was celebrated by Pope Saint Pius X, at the great GREGORIAN CONGRESS held in Rome “to mark the 13th Centenary of the death of Saint Gregory the Great.” Someday, there’s much I’d love to say about this congress. We even have recordings (!) from it (made in 1904 by the Gramophone Company) with choirs conducted by Dom Pothier, Dom Mocquereau, Dom Janssens, Monsignor Rella, Baron Kanzler, and others.
    —Jeff Ostrowski
    New Bulletin Article • “7 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article is called: “Professor Bouyer’s Regret.”
    —Jeff Ostrowski
    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

Recent Posts

  • Is ‘Chant’ a Generic Word for ‘Sing’ ? • No!
  • PDF Download • 3 September
  • PDF Download • “Full, Conscious, & Active Participation” (12-page pamphlet)
  • New Bulletin Article • “7 September 2025”
  • Online Breviary With Chant

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