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Views from the Choir Loft

ICEL added “Died” to the Nicene Creed • (I am not kidding!)

Jeff Ostrowski · October 27, 2020

HENEVER I DISCOVER something interesting, I follow the example of Josef Hofmann and jot it down 1 in a designated spot. An example would be how President Ronald Reagan chose someone as his Chief of Staff whose name was almost identical: Donald Regan. Well, today I have something to say which you might want to write down. You probably won’t believe it, but it’s true:

The Nicene Creed does not
say that Our Lord “died”—
the word “death” was added
in the 1970s by ICEL.

Now, it is certainly true that when we pray the Apostle’s Creed (not the Nicene Creed) we find these words:

“passus sub Póntio Piláto, crucifíxus, mórtuus, et sepúltus”
“suffered under Pontius Pilate, was crucified, died and was buried”

But the Nicene Creed says something different, as this 1957 Missal shows, and please pay careful attention the Latin taken directly from the official 1962 Missal:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“He was crucified also for us,
suffered under Pontius Pilate,
and was buried.”

This translation is nothing new, as this 1806 Missal shows. The 1965 Roman Missal says the same thing. But look at the rather strange way ICEL chose to translate this passage in the 1970s—adding “died” and tampering with suffered under Pontius Pilate:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“For our sake he was
crucified under Pontius Pilate;
he suffered, died, and was buried.”

To be fair to ICEL, the official Latin punctuation seems to have been modified in the 1970 version of the ORDO MISSAE—but there is still no mention of “death” (mórtuus). Was such a change justified? Was ICEL afraid that people might think Our Lord was somehow crucified yet did not die? Or was ICEL confused, unwittingly mixing up the Nicene Creed with the Apostle’s Creed? It is true that the Latin word “passio” could refer to the sufferings under Pontius Pilate (e.g. the unjust scourging) and also to our Lord’s death: the culmination of his sufferings. For example, consider the use of “passio,” as in Passio Domini Nostri Jesu Christi. The martyrdom of a saint is also called “passio.”

The revised (“MR3”) ICEL translation published circa 2010 also inexplicably adds the word “death” and thereby seems to downplay (for example) the unjust scourging of Our Lord:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“For our sake he was crucified
under Pontius Pilate; he
suffered death and was buried.”

It would be interesting to see if the word “death” was added in French, German, Italian, or any other language.

Since we are speaking of the “Passio” of Our Lord Jesus Christ, I would like to share some pages from an absolutely remarkable Roman Catholic manuscript:

*  (15th century MS.) • “Catherine of Cleves Hours”
—This is the greatest Dutch illuminated manuscript in the world.

Agony in the Garden • Arrest of Christ

Our Lord before Caiaphas • Christ is mocked

Our Lord before Pilate • Christ before Herod

Our Lord is unjustly scourged • Crowning with thorns

Carrying of the Cross • Preparation of the Cross

Our Lord’s Crucifixion • Joseph of Arimathaea before Pilate

Our Lord is taken down • The Lamentation

Our Lord is placed in the tomb • The Resurrection

The Holy Trinity • God the Father

God the Son

Three Divine Persons of the Trinity

Christ Accepts His Father’s Decree to Save Mankind

The Infant Christ is sent to earth

Man of Sorrows Returned to the Trinitarian Throne

The rulers of earth adore the Trinity

 


NOTES FROM THIS ARTICLE:

1   Josef Hofmann—the greatest pianist of all time—also had an excellent memory. He could hear a complicated piece of music just once and memorize it instantly. In concerts, he would play pieces he hadn’t thought about (much less practiced) for decades—which is why he would bring a copy of the program with him on stage, to find out what he was performing! Josef Hofmann once gave a series of twenty-one consecutive concerts in St. Petersburg without repeating a single piece, playing 255 different works from memory. Yet (according to Abe Chasins) Hofmann kept a little notebook with him at all times, and jotted down things he found particularly interesting so he could remember them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Josef Hofmann Pianist Extraordinaire, Nicene Creed, The Lord's Passion Last Updated: November 24, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III (“Kyrie Deus sempiterne”). This year, I am traveling from Singapore to serve as a member of the faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. Instructions • This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. Feel free to download the score:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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