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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

ICEL added “Died” to the Nicene Creed • (I am not kidding!)

Jeff Ostrowski · October 27, 2020

HENEVER I DISCOVER something interesting, I follow the example of Josef Hofmann and jot it down 1 in a designated spot. An example would be how President Ronald Reagan chose someone as his Chief of Staff whose name was almost identical: Donald Regan. Well, today I have something to say which you might want to write down. You probably won’t believe it, but it’s true:

The Nicene Creed does not
say that Our Lord “died”—
the word “death” was added
in the 1970s by ICEL.

Now, it is certainly true that when we pray the Apostle’s Creed (not the Nicene Creed) we find these words:

“passus sub Póntio Piláto, crucifíxus, mórtuus, et sepúltus”
“suffered under Pontius Pilate, was crucified, died and was buried”

But the Nicene Creed says something different, as this 1957 Missal shows, and please pay careful attention the Latin taken directly from the official 1962 Missal:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“He was crucified also for us,
suffered under Pontius Pilate,
and was buried.”

This translation is nothing new, as this 1806 Missal shows. The 1965 Roman Missal says the same thing. But look at the rather strange way ICEL chose to translate this passage in the 1970s—adding “died” and tampering with suffered under Pontius Pilate:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“For our sake he was
crucified under Pontius Pilate;
he suffered, died, and was buried.”

To be fair to ICEL, the official Latin punctuation seems to have been modified in the 1970 version of the ORDO MISSAE—but there is still no mention of “death” (mórtuus). Was such a change justified? Was ICEL afraid that people might think Our Lord was somehow crucified yet did not die? Or was ICEL confused, unwittingly mixing up the Nicene Creed with the Apostle’s Creed? It is true that the Latin word “passio” could refer to the sufferings under Pontius Pilate (e.g. the unjust scourging) and also to our Lord’s death: the culmination of his sufferings. For example, consider the use of “passio,” as in Passio Domini Nostri Jesu Christi. The martyrdom of a saint is also called “passio.”

The revised (“MR3”) ICEL translation published circa 2010 also inexplicably adds the word “death” and thereby seems to downplay (for example) the unjust scourging of Our Lord:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“For our sake he was crucified
under Pontius Pilate; he
suffered death and was buried.”

It would be interesting to see if the word “death” was added in French, German, Italian, or any other language.

Since we are speaking of the “Passio” of Our Lord Jesus Christ, I would like to share some pages from an absolutely remarkable Roman Catholic manuscript:

*  (15th century MS.) • “Catherine of Cleves Hours”
—This is the greatest Dutch illuminated manuscript in the world.

Agony in the Garden • Arrest of Christ

Our Lord before Caiaphas • Christ is mocked

Our Lord before Pilate • Christ before Herod

Our Lord is unjustly scourged • Crowning with thorns

Carrying of the Cross • Preparation of the Cross

Our Lord’s Crucifixion • Joseph of Arimathaea before Pilate

Our Lord is taken down • The Lamentation

Our Lord is placed in the tomb • The Resurrection

The Holy Trinity • God the Father

God the Son

Three Divine Persons of the Trinity

Christ Accepts His Father’s Decree to Save Mankind

The Infant Christ is sent to earth

Man of Sorrows Returned to the Trinitarian Throne

The rulers of earth adore the Trinity

 


NOTES FROM THIS ARTICLE:

1   Josef Hofmann—the greatest pianist of all time—also had an excellent memory. He could hear a complicated piece of music just once and memorize it instantly. In concerts, he would play pieces he hadn’t thought about (much less practiced) for decades—which is why he would bring a copy of the program with him on stage, to find out what he was performing! Josef Hofmann once gave a series of twenty-one consecutive concerts in St. Petersburg without repeating a single piece, playing 255 different works from memory. Yet (according to Abe Chasins) Hofmann kept a little notebook with him at all times, and jotted down things he found particularly interesting so he could remember them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Josef Hofmann Pianist Extraordinaire, Nicene Creed, The Lord's Passion Last Updated: November 24, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

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