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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Heresy du Jour? • (Orig. Published in 2019)

Guest Author · October 21, 2020

“A heretic is one who has a particular opinion.”
J.-B. Bossuet


ODAY, a great many people are confused about Catholic teaching on marriage and sexual activity, on the moral law and grace, and the forgiveness of sins, among other matters. Yesterday, in the very beginning of the 1970s, soon after the last Vatican Council, the Pope at that time, Paul VI Montini, had a strong impression that the Church was increasingly afflicted by secularization and the lack of internal unity. In a letter penned on 29 June 1972 (and published by Rogationist Fr. Leonardo Sapienza in La barca di Paolo in 2018) the pontiff’s concern called forth a letter in which he wrote:

“…We would say that, through some mysterious crack—no, it’s not mysterious; through some crack, the smoke of Satan has entered the Church of God. There is doubt, uncertainty, problems, unrest, dissatisfaction, confrontation. […] The Church is no longer trusted. We trust the first pagan prophet we see who speaks to us in some newspaper, and we run behind him and ask him if he has the formula for true life. I repeat, doubt has entered our conscience. And it entered through the windows that should have been open to the light: science.”

The post-conciliar wounds make themselves felt:

“…It was thought that, after the Council, sunny days would come for the history of the Church. Nevertheless, what came were days of clouds, of storms, of darkness, of searching, of uncertainty…We tried to dig abysses instead of covering them.”

In these parlous times for the Catholic Church a perceptive priest has called attention recently to a powerful prediction of the coming of a “counter-church” in which a “counter-magisterium” established by operatives within the Church seeks to dismantle the truths in the depositum fidei. Fulton Sheen’s seventy-year old prophecy 1 said that beside Christ’s Catholic Church…

“…the false prophet will create the other […] The false church will be worldly, ecumenical, and global. […] it will be the mystical body of the antichrist. The mystical body on earth today will have its Judas Iscariot, and he will be the false prophet. Satan will recruit him from our bishops. […] It will be a mystical body of the antichrist that will in all externals resemble the mystical body of Christ.”

But the empty pews at Sunday Mass, the disappearing confessionals in so many less-visited churches, the diminishing daily Masses in many areas today suggest to more and more Catholics that the smoke of Satan has thickened. Some suspect that the source of the smoke is the diabolical enemy of the Church who is trying to use the Church’s own weapons to confound it. To achieve this goal, the faith itself must be inverted; truth becomes false, falsehood is declared truth. Church and world must exchange places and directive roles, affecting the sacraments and divine worship.

There are today prelates who admonish their clergy by accusing them of “causing trouble” when they are “overzealous in their belief that many people are too casual in matters of liturgy and doctrine.” In the early XIXth century the Duke of Wellington, speaking of infantry battles, is said to have exclaimed, “All soldiers run away. The good ones come back.” Was he also thinking of the apostles fleeing from the very sight of the cross?

ERHAPS CONFUSED CATHOLICS can help themselves by recalling Mother Teresa’s famous remark, “God does not ask us to be successful; He asks us to be faithful.” Under such circumstances, what should the believer do? To settle this question, it may be helpful to consider an example from a similar period of tension and conflict in the IVth century: the “Father of Orthodoxy” Bishop Athanasius, of Alexandria (+373). When the Arians, with the Emperor on their side, were carrying everything before them and nearly all the bishops who had upheld the Nicene Creed were in exile or in prison, St. Anthony the father of monasticism, over an hundred years old, was on his death bed. “Fear not,” the old man told his monks, “for this power is of the earth and cannot last. As for the sufferings of the Church, was it not so from the beginning, and will it not be so until the end?” And Athanasius was hiding from the troops of Julian the Apostate by changing his hiding places frequently with the help of young monks. When capture seemed very near, Athanasius told the monk-scouts, “I have no fear, for many long years I have suffered persecution, and never has it disturbed the peace of my soul. It is a joy to suffer, and the greatest of all joys is to give one’s life for Christ.”

We ourselves might imitate such an example by starting with this prayer of Charles de Foucauld:

Father,

I abandon myself
into Your hands:
do with me what You will.

Whatever You may do,
I thank You;
I am ready for all, I accept all.
Let only Your will be done in me,
and in all Your creatures—

I wish no more than this, O Lord.

Into Your hands I commend my soul;
I offer it to You

With all the love of my heart,
for I love You Lord, and so need to
give myself, to surrender myself
into Your hands without reserve,

and with boundless confidence,
for You are my Father.


* * *


NOTES FROM THIS ARTICLE:

1   Archbishop Fulton J. Sheen: Communism and the Conscience of the West (1948) pp. 24-25.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen, Charles de Foucauld Last Updated: May 12, 2021

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

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