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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Outdoor Music Classes? Only in 2020!

Keven Smith · September 28, 2020

ERHAPS MANY Corpus Christi Watershed readers have already returned to normal or near-normal, liturgically speaking. But here in California, there are still many COVID restrictions in place. For example, in my diocese all indoor classes have been suspended.

The problem is, I normally offer four levels of musical instruction for children during the schoolyear. It’s something many families plan their schedules around. It’s something many kids look forward to. And it supplies our parish choir with a steady stream of new singers.

My pastor recently told me that, as per the diocesan guidelines, I can offer music classes this fall but they must be outside, in our parish courtyard. I initially balked at the idea, but then I thought, “Why not?” So I put word out—and received about 100 enrollments, shattering my previous record of seventysomething.

Either sacred music is alive and well or families are getting stir-crazy from the lockdown.

I planned a late start this schoolyear due to the heat wave and the horrendous air quality from the many California wildfires. Last Thursday, we finally held our first classes. Here are some thoughts on what I’ve experienced so far.

Overcoming the Challenges of Teaching Music Outside

Outdoor music classes do work. There are a few challenges: It’s hot and kids get thirsty easily. There’s no piano (unless I set up a portable keyboard) and no blackboard. We have to set up chairs. And it’s harder to hear the singers. But I think the benefits outweigh the drawbacks. Training in suboptimal conditions is better than no training at all. I can’t imagine telling our parish, “Sorry, no music program this fall due to COVID.” Of course, if the lockdown continues into the damp and chilly months, then I may have to suspend classes.

I’m frankly not too worried about how working outdoors will affect my classes. My greater concern is the same one I have every year: keeping families committed. I find that most children show a sincere enthusiasm for classes and enjoy the challenges therein, but their parents struggle to make the weekly commitment because there’s tremendous competition for their time. Even for homeschoolers, who theoretically have more flexibility than families that use schools, the dropout rate can be higher than we teachers would like.

I suspect it’s a cultural thing. We tend to take music less seriously than academic subjects, overlooking the fact that it’s an essential part of the formation of a child. We see it as something a student can somehow “pick up” even if he has missed a month’s worth of classes or rehearsals. And even among devout Catholics, I think there’s a lingering perception that when the week gets busy, sacred music is the logical first thing to skip.

Five Ways to Increase Engagement

None of us knows what could happen with COVID or other societal disruptions this fall. Regardless, here are five ideas for keeping a parish music education program going strong:

  • Require people to sign up. Invite parents to complete an online registration form, or hand them a printout. Even if you’re running a small program and you think you’ll already know everyone who participates, asking them to register sends the message that music class isn’t something to take casually.
  • Hand out rules and regulations. Put down on paper your class rules, such as staying in seats, no eating in class, and no cell phones.
  • Sell the benefits. Your goal is to increase signups and encourage participation all schoolyear, right? So tell the parents up front what their kids will get out of the classes. I don’t believe in selling music classes based on ancillary benefits such as “Kids who study music do better on standardized tests” or “Your child may earn a scholarship to study music at a university.” Sell music for its own sake. Mention that learning sacred music opens up a lifetime of serving the Church, enriching one’s spiritual life, and making sincere friendships based on charity. Anyone who doesn’t want these benefits probably doesn’t belong in your music program anyway.
  • Require notification of all absences. Provide your contact information and make it a rule that parents must tell you whenever their children will miss class.
  • Require notification of dropouts. Ask parents to let you know if their children plan on ceasing participation in the middle of the schoolyear. Unfortunately, there’s a tendency simply to stop showing up. This makes it hard on the teacher, who is left wondering whether a student may suddenly reappear after weeks of absences and need significant help catching up.

Whatever we do, let’s not give up. Our work is far too important—and I take the increased enrollment in my program as a sign that Catholics are hungrier than ever for beauty.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: music education Last Updated: September 28, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Last Fall, however, the bishop of Augsburg in West Germany, the Most Rev. Josef Stimpfle, ordered all parishes in his diocese to have a Latin High Mass at least once a month. This policy drew a letter of warm commendation from the apostolic nuncio to West Germany, Archbishop Guido del Mestri, who termed the decree “exemplary” and added, “The way chosen by you is one desired by the whole Church.”

— Latin Liturgy Association “Newsletter” (September 1980)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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