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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Outdoor Music Classes? Only in 2020!

Keven Smith · September 28, 2020

ERHAPS MANY Corpus Christi Watershed readers have already returned to normal or near-normal, liturgically speaking. But here in California, there are still many COVID restrictions in place. For example, in my diocese all indoor classes have been suspended.

The problem is, I normally offer four levels of musical instruction for children during the schoolyear. It’s something many families plan their schedules around. It’s something many kids look forward to. And it supplies our parish choir with a steady stream of new singers.

My pastor recently told me that, as per the diocesan guidelines, I can offer music classes this fall but they must be outside, in our parish courtyard. I initially balked at the idea, but then I thought, “Why not?” So I put word out—and received about 100 enrollments, shattering my previous record of seventysomething.

Either sacred music is alive and well or families are getting stir-crazy from the lockdown.

I planned a late start this schoolyear due to the heat wave and the horrendous air quality from the many California wildfires. Last Thursday, we finally held our first classes. Here are some thoughts on what I’ve experienced so far.

Overcoming the Challenges of Teaching Music Outside

Outdoor music classes do work. There are a few challenges: It’s hot and kids get thirsty easily. There’s no piano (unless I set up a portable keyboard) and no blackboard. We have to set up chairs. And it’s harder to hear the singers. But I think the benefits outweigh the drawbacks. Training in suboptimal conditions is better than no training at all. I can’t imagine telling our parish, “Sorry, no music program this fall due to COVID.” Of course, if the lockdown continues into the damp and chilly months, then I may have to suspend classes.

I’m frankly not too worried about how working outdoors will affect my classes. My greater concern is the same one I have every year: keeping families committed. I find that most children show a sincere enthusiasm for classes and enjoy the challenges therein, but their parents struggle to make the weekly commitment because there’s tremendous competition for their time. Even for homeschoolers, who theoretically have more flexibility than families that use schools, the dropout rate can be higher than we teachers would like.

I suspect it’s a cultural thing. We tend to take music less seriously than academic subjects, overlooking the fact that it’s an essential part of the formation of a child. We see it as something a student can somehow “pick up” even if he has missed a month’s worth of classes or rehearsals. And even among devout Catholics, I think there’s a lingering perception that when the week gets busy, sacred music is the logical first thing to skip.

Five Ways to Increase Engagement

None of us knows what could happen with COVID or other societal disruptions this fall. Regardless, here are five ideas for keeping a parish music education program going strong:

  • Require people to sign up. Invite parents to complete an online registration form, or hand them a printout. Even if you’re running a small program and you think you’ll already know everyone who participates, asking them to register sends the message that music class isn’t something to take casually.
  • Hand out rules and regulations. Put down on paper your class rules, such as staying in seats, no eating in class, and no cell phones.
  • Sell the benefits. Your goal is to increase signups and encourage participation all schoolyear, right? So tell the parents up front what their kids will get out of the classes. I don’t believe in selling music classes based on ancillary benefits such as “Kids who study music do better on standardized tests” or “Your child may earn a scholarship to study music at a university.” Sell music for its own sake. Mention that learning sacred music opens up a lifetime of serving the Church, enriching one’s spiritual life, and making sincere friendships based on charity. Anyone who doesn’t want these benefits probably doesn’t belong in your music program anyway.
  • Require notification of all absences. Provide your contact information and make it a rule that parents must tell you whenever their children will miss class.
  • Require notification of dropouts. Ask parents to let you know if their children plan on ceasing participation in the middle of the schoolyear. Unfortunately, there’s a tendency simply to stop showing up. This makes it hard on the teacher, who is left wondering whether a student may suddenly reappear after weeks of absences and need significant help catching up.

Whatever we do, let’s not give up. Our work is far too important—and I take the increased enrollment in my program as a sign that Catholics are hungrier than ever for beauty.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: music education Last Updated: September 28, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

Recent Posts

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  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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