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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Order of the Mass without a Congregation” (1970)

Andrea Leal · September 12, 2020

NE OF THE CONTROVERSIES during the 1960s, now long-since forgotten, was the question of whether the private Masses of a priest could be said in the vernacular. The Second Vatican Council had declared as follows: “since the use of the mother tongue…frequently may be of great advantage to the people, the limits of its employment may be extended.” Although the Council had declared that the use of the Latin language was to be preserved in the Latin rites, (see Section 36.1) the reformers probably realized that once the Mass was in the vernacular, it would only be a matter of time before even private Masses would be changed to the vernacular.

I thought about this when I came across this interesting document from 1970 for Masses without a congregation:

*  PDF Download • Order of Mass (1970)
—NIHIL OBSTAT by Daniel V. Flynn; IMPRIMATUR by Joseph P. O’Brien.

In case somebody couldn’t download the PDF file, here are some screenshots:

74697-ORDER-of-Mass-1970
74697-ORDER-of-Mass-1970-B
74697-ORDER-of-Mass-1970-C

A few months ago, there was a controversy involving plagiarism, “ad orientem” celebration, and the Most Reverend Peter Christensen (Bishop of Boise, Idaho). Without rehashing the entire controversy, one of the false statements Bishop Christensen made—which was actually plagiarized from a priest named Fr. Paul Turner—is as follows:

“There has been an attempt to justify the ad orientem practice because the Order of Mass indicates places when the priest should face the people. (However, it never asks him to turn away, [!!!] as the preconciliar Missal did.)”

Articles by my colleagues have demonstrated the above statement is false; but it is interesting that the “Order of the Mass Without a Congregation” does actually tells the priest when he should face the Altar and when he not should face the Altar. This just goes to show that you cannot just take everything you find on the Internet at face value. Question everything, and whenever possible, go directly to the source.

As an aside, for those interested in the restoration of the Traditional Mass, it is important to remember that there are in fact small steps that can be taken to move towards a Mass which is more traditional in it’s expression. For example, although today Las Vegas has the Extraordinary Form, it was not always so. Before it was the EF, it was first a Novus Ordo Mass in Latin, ad orientem. The Novus Ordo in the vernacular but celebrated ad orientem is a simple but profound way to return focus to Christ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Ad Orientem, Bishop Peter Christensen Last Updated: September 12, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— §16, De Musica Sacra (1958)

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