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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Resplendent Beyond Reckoning” • Sherborne Missal (1399AD)

Jeff Ostrowski · August 28, 2020

HE SHERBORNE MISSAL is the largest (and most lavishly decorated) Medieval Missal from England to have survived the Reformation. The manuscript was produced for the Benedictine abbey of St Mary’s in Sherborne, Dorset, circa 1399AD. The principal artist—a Dominican friar named John Siferwas—included his portrait and coat of arms several times in the manuscript. We were made aware of this by Father Lawrence Lew. One of the attendants of the Blessed Virgin Mary (next to the Cross) has braided hair, so I guess young women did that even in the 1400s:

74922-Sherborne-Missal-CRUCI
74920-Sherborne-Missal-C

Similar to the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary there appear to be fantastic little images of the different motions the priest makes during the Canon:

Priests who want to help congregations follow the Mass should really look into the Jogues Missal, because it provides photographs alongside the Ordinary of the Mass, in addition to having the complete Lectionary readings (ABC) and complete Propers in Latin and English.

The Sherborne Missal is now available
in its entirety to view online.

Meménto, Dómine, famulórum famularúmque tuárum…

…in primis quæ tibi offérimus pro Ecclésia tua sancta cathólica…

Communicántes, et memóriam ve­ne­rántes, in primis gloriósæ semper Vírginis Maríæ…

Qui prídie quam paterétur, accépit panem in sanctas ac venerábiles manus suas…

Hanc ígitur oblatiónem servitútis nostræ, sed et cunctæ famíliæ tuæ…

Quam oblatiónem tu, Deus, in ómnibus, quaésumus, benedíctam, adscríptam, ratam, rationábilem, accep­tabilémque fácere dignéris…

Præcéptis salutáribus móniti, et divína institutióne formáti, audémus dícere…

The level of detail is astounding:

Notice how the monks along the side have the words (on little white flags) to the Ave Regina Caelorum, which matches the drawings:

Roráte cæli désuper et nubes pluant justum…

Nunc scio vere, quia misit Dóminus ángelum suum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Medieval Manuscripts Last Updated: May 8, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

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