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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Resplendent Beyond Reckoning” • Sherborne Missal (1399AD)

Jeff Ostrowski · August 28, 2020

HE SHERBORNE MISSAL is the largest (and most lavishly decorated) Medieval Missal from England to have survived the Reformation. The manuscript was produced for the Benedictine abbey of St Mary’s in Sherborne, Dorset, circa 1399AD. The principal artist—a Dominican friar named John Siferwas—included his portrait and coat of arms several times in the manuscript. We were made aware of this by Father Lawrence Lew. One of the attendants of the Blessed Virgin Mary (next to the Cross) has braided hair, so I guess young women did that even in the 1400s:

74922-Sherborne-Missal-CRUCI
74920-Sherborne-Missal-C

Similar to the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary there appear to be fantastic little images of the different motions the priest makes during the Canon:

Priests who want to help congregations follow the Mass should really look into the Jogues Missal, because it provides photographs alongside the Ordinary of the Mass, in addition to having the complete Lectionary readings (ABC) and complete Propers in Latin and English.

The Sherborne Missal is now available
in its entirety to view online.

Meménto, Dómine, famulórum famularúmque tuárum…

…in primis quæ tibi offérimus pro Ecclésia tua sancta cathólica…

Communicántes, et memóriam ve­ne­rántes, in primis gloriósæ semper Vírginis Maríæ…

Qui prídie quam paterétur, accépit panem in sanctas ac venerábiles manus suas…

Hanc ígitur oblatiónem servitútis nostræ, sed et cunctæ famíliæ tuæ…

Quam oblatiónem tu, Deus, in ómnibus, quaésumus, benedíctam, adscríptam, ratam, rationábilem, accep­tabilémque fácere dignéris…

Præcéptis salutáribus móniti, et divína institutióne formáti, audémus dícere…

The level of detail is astounding:

Notice how the monks along the side have the words (on little white flags) to the Ave Regina Caelorum, which matches the drawings:

Roráte cæli désuper et nubes pluant justum…

Nunc scio vere, quia misit Dóminus ángelum suum…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Medieval Manuscripts Last Updated: August 29, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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