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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Crown Him with Many Crowns” (Diademata) • Brébeuf Hymnal #752

Jeff Ostrowski · August 13, 2020

ID YOU HEAR the exciting news? They discovered why Franz Schubert’s “Unfinished Symphony” was never completed! The answer is……   (Sorry; horrible joke from grad school.) Speaking of “missing” stuff, if you haven’t explored the rehearsal videos for each individual voice at the Brébeuf hymnal website, you’re really missing out! In these days of Covid-19 suffering, you can save eons of rehearsal time by having your volunteer singers utilize these! (Singers feel more confident if they can run through their line.)

The hymn “Crown Him with Many Crowns” was written by Matthew Bridges, a disciple of Saint John Henry Newman. Cardinal Newman was never consecrated a bishop—similar to how Avery Cardinal Dulles was a priest and cardinal. The Brébeuf hymnal sets it to DIADEMATA, a sensational tune. (I suspect “Diademata” means crown or diadem.)

Rehearsal videos for each individual voice await you at #752.

Some Catholic hymnals contain pedestrian language with uninspired rhymes. The Brébeuf hymnal promotes sophisticated rhyme schemes, and “Crown Him with Many Crowns” is a good example:

Crown him with many crowns,
The Lamb upon his throne;
Hark! how the heav’nly anthem drowns
All music but its own:
Awake, my soul, and sing
Of him who died for thee,
And hail him as thy matchless king
Through all eternity.

Brébeuf #804 has—in my humble opinion—a rhyme scheme worthy of Msgr. Ronald Knox. Composed by Fr. Dominic Popplewell, FSSP, the entire hymn is based on the book of Genesis, and it’s married with “Rendez à Dieu,” a hymn melody written by Louis Bourgeois (d. 1561), who helped produce the Genevan Psalter and was once imprisoned (3 December 1551) for changing the melodies of well-known psalms “without a license.” This is wonderful melody, and can be found in many Catholic hymnals such as: Adoremus Hymnal (1997) #515; Catholic Hymn Book (London Oratory, 1998) p. 190; Dr. Theodore Marier’s Hymnal (BACS Publishing, 1983) #329. Consider the fourth verse:

4. Evening and morning alternating,
ocean and air were fraught with life,
down in the deep proliferating,
amid the lofty currents rife.
Those sick of sin, physician holy,
direct to penitence profound,
by virtue rising, ever lowly:
so let thy healing grace abound.

Quite impressive!

Here is a beautiful picture of our Lord Jesus Christ, but the 15th-century artist did not include a crown:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Crown Him with Many Crowns, Diademata, Jean de Brebeuf Hymnal Last Updated: August 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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  • Request From Australia
  • PDF Download • “Anima Christi”

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