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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Crown Him with Many Crowns” (Diademata) • Brébeuf Hymnal #752

Jeff Ostrowski · August 13, 2020

ID YOU HEAR the exciting news? They discovered why Franz Schubert’s “Unfinished Symphony” was never completed! The answer is……   (Sorry; horrible joke from grad school.) Speaking of “missing” stuff, if you haven’t explored the rehearsal videos for each individual voice at the Brébeuf hymnal website, you’re really missing out! In these days of Covid-19 suffering, you can save eons of rehearsal time by having your volunteer singers utilize these! (Singers feel more confident if they can run through their line.)

The hymn “Crown Him with Many Crowns” was written by Matthew Bridges, a disciple of Saint John Henry Newman. Cardinal Newman was never consecrated a bishop—similar to how Avery Cardinal Dulles was a priest and cardinal. The Brébeuf hymnal sets it to DIADEMATA, a sensational tune. (I suspect “Diademata” means crown or diadem.)

Rehearsal videos for each individual voice await you at #752.

Some Catholic hymnals contain pedestrian language with uninspired rhymes. The Brébeuf hymnal promotes sophisticated rhyme schemes, and “Crown Him with Many Crowns” is a good example:

Crown him with many crowns,
The Lamb upon his throne;
Hark! how the heav’nly anthem drowns
All music but its own:
Awake, my soul, and sing
Of him who died for thee,
And hail him as thy matchless king
Through all eternity.

Brébeuf #804 has—in my humble opinion—a rhyme scheme worthy of Msgr. Ronald Knox. Composed by Fr. Dominic Popplewell, FSSP, the entire hymn is based on the book of Genesis, and it’s married with “Rendez à Dieu,” a hymn melody written by Louis Bourgeois (d. 1561), who helped produce the Genevan Psalter and was once imprisoned (3 December 1551) for changing the melodies of well-known psalms “without a license.” This is wonderful melody, and can be found in many Catholic hymnals such as: Adoremus Hymnal (1997) #515; Catholic Hymn Book (London Oratory, 1998) p. 190; Dr. Theodore Marier’s Hymnal (BACS Publishing, 1983) #329. Consider the fourth verse:

4. Evening and morning alternating,
ocean and air were fraught with life,
down in the deep proliferating,
amid the lofty currents rife.
Those sick of sin, physician holy,
direct to penitence profound,
by virtue rising, ever lowly:
so let thy healing grace abound.

Quite impressive!

Here is a beautiful picture of our Lord Jesus Christ, but the 15th-century artist did not include a crown:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Crown Him with Many Crowns, Diademata, Jean de Brebeuf Hymnal Last Updated: August 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

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