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Views from the Choir Loft

The Gifts of Abel the Just

Fr. David Friel · July 19, 2020

N UNCOMMON link unites today’s celebration of the Ordinary and Extraordinary Forms of the Roman Rite. On most Sundays, there is not a direct correspondence between the orations (i.e., the collect, super oblata, and post-communion) used in the two forms of the Roman Rite. Today, however, exactly the same prayer is used both as the secret for the 7th Sunday after Pentecost (EF) and the prayer over the offerings for the 16th Sunday in Ordinary Time (OF). Not only is this correspondence out of the ordinary, but the text of the prayer, itself, is rather unusual.

The Sacrifice of Cain and Abel, by Mariotto Albertinelli

Here is the text, along with the present English translation (ICEL, 2010):

Deus, qui legalium differentiam hostiarum
unius sacrificii perfectione sanxisti,
accipe sacrificium a devotis tibi famulis,
et pari benedictione, sicut munera Abel, sanctifica,
ut, quod singuli obtulerunt ad maiestatis tuae honorem,
cunctis proficiat ad salutem.

O God, who in the one perfect sacrifice
brought to completion varied offerings of the law,
accept, we pray, this sacrifice from your faithful servants
and make it holy, as you blessed the gifts of Abel,
so that what each has offered to the honor of your majesty
may benefit the salvation of all.

Particularly unusual for a super oblata is the mention of the Old Testament character Abel and the gifts he offered. A very similar allusion finds expression in the Roman Canon, which asks God to look upon the offerings of the Church “with a serene and kindly countenance, and to accept them, as once [He was] pleased to accept the gifts of [His] servant Abel the just.”

For many Catholics, this mention of Abel and the gifts he offered is a somewhat obscure reference. Today, therefore, is a fine opportunity to draw out the significance of Abel, allowing him to stand in the light of the Scriptures and the sacred liturgy.

BEL WAS the younger brother of Cain, and both brothers were sons of Adam and Eve. Ultimately, in a fit of jealously, Cain killed Abel—the first, but not nearly the last, example of murder in the Bible. The cause of this fratricide is explained in the Book of Genesis, chapter 4: “In the course of time Cain brought to the LORD an offering of the fruit of the ground, and Abel brought of the firstlings of his flock and of their fat portions. And the LORD had regard for Abel and his offering, but for Cain and his offering he had no regard. So Cain was very angry, and his countenance fell” (Gen 4:3-5, RSV). This is why Cain killed Abel.

The story does not explicitly say why Abel’s offering found acceptance before the Lord, nor does it explicitly say why Cain’s offering did not. Nevertheless, two reasons suggest themselves and find support in the New Testament.

Mosaic in Monreale Cathedral, Sicily

First, there is the external matter of what was physically offered. Abel was a herdsman, and he offered the firstlings of his flock—that is to say, the best he had to offer. Cain was a tiller of the ground, but for his offering, he failed to choose the first fruits of his produce. Cain offered not what was best, but simply what he had at hand. Sacrifice is always better, more pure, more complete when we offer the best of ourselves.

A second reason why Abel’s sacrifice was more excellent than Cain’s concerns the interior matter of the disposition with which these offerings were made. Again, Genesis does not speak directly to this, but the Letter to the Hebrews does. There it says: “By faith Abel offered to God a more acceptable sacrifice than Cain, through which he received approval as righteous” (Heb 11:4, RSV). The superiority of Abel’s gift stems from the fact that it was offered with faith and in righteousness. Those are the interior dispositions of a just man—dispositions which Cain evidently did not have. If Cain had been faithful and righteous, he would not have been provoked to murder his brother, since, as the Gospels remind us, we are known by our fruits (Matt 7:16 and 20). Abel’s offering was made from the heart, whereas Cain’s was perfunctory.

All of this helps us to make sense of our liturgical references to Abel. What is prayed in the super oblata today is really no different from what is prayed in the Roman Canon. In both cases, we ask God to look upon our offering and to regard it with the same favor with which He once regarded Abel’s sacrifice of old.

E SHOULD ask ourselves to what extent the personal sacrifice we make at the altar resembles the sacrifice of Abel. Insofar as the sacrifice offered at the altar is the sacrifice of Christ, it is perfect and lacking in nothing, wholly and eternally pleasing to God the Father. Insofar as it is also our sacrifice, all this remains an open question. 1 This is clear from the words of the priest, when he enjoins the faithful: “Pray, brethren, that my sacrifice and yours may be acceptable to God, the almighty Father.”

We make a pleasing and acceptable sacrifice to God 1) by offering what is truly best of ourselves and 2) by offering with faith and in righteousness—deeply, interiorly, with love and fervor and devotion.

Each time we approach the altar, may the Lord look upon our worship just as favorably as He looked upon the gifts of Abel the just!

Abel with Melchizedek, Abraham, and Isaac (Mosaic in Sant’Apollinare in Classe, Ravenna)


NOTES FROM THIS ARTICLE:

1   On this point, I am indebted to Milton Walsh, In Memory of Me: A Meditation on the Roman Canon (San Francisco: Ignatius Press, 2011), 129.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, History of the Roman Canon, prayer Last Updated: July 19, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
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    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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