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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Gifts of Abel the Just

Fr. David Friel · July 19, 2020

N UNCOMMON link unites today’s celebration of the Ordinary and Extraordinary Forms of the Roman Rite. On most Sundays, there is not a direct correspondence between the orations (i.e., the collect, super oblata, and post-communion) used in the two forms of the Roman Rite. Today, however, exactly the same prayer is used both as the secret for the 7th Sunday after Pentecost (EF) and the prayer over the offerings for the 16th Sunday in Ordinary Time (OF). Not only is this correspondence out of the ordinary, but the text of the prayer, itself, is rather unusual.

The Sacrifice of Cain and Abel, by Mariotto Albertinelli

Here is the text, along with the present English translation (ICEL, 2010):

Deus, qui legalium differentiam hostiarum
unius sacrificii perfectione sanxisti,
accipe sacrificium a devotis tibi famulis,
et pari benedictione, sicut munera Abel, sanctifica,
ut, quod singuli obtulerunt ad maiestatis tuae honorem,
cunctis proficiat ad salutem.

O God, who in the one perfect sacrifice
brought to completion varied offerings of the law,
accept, we pray, this sacrifice from your faithful servants
and make it holy, as you blessed the gifts of Abel,
so that what each has offered to the honor of your majesty
may benefit the salvation of all.

Particularly unusual for a super oblata is the mention of the Old Testament character Abel and the gifts he offered. A very similar allusion finds expression in the Roman Canon, which asks God to look upon the offerings of the Church “with a serene and kindly countenance, and to accept them, as once [He was] pleased to accept the gifts of [His] servant Abel the just.”

For many Catholics, this mention of Abel and the gifts he offered is a somewhat obscure reference. Today, therefore, is a fine opportunity to draw out the significance of Abel, allowing him to stand in the light of the Scriptures and the sacred liturgy.

BEL WAS the younger brother of Cain, and both brothers were sons of Adam and Eve. Ultimately, in a fit of jealously, Cain killed Abel—the first, but not nearly the last, example of murder in the Bible. The cause of this fratricide is explained in the Book of Genesis, chapter 4: “In the course of time Cain brought to the LORD an offering of the fruit of the ground, and Abel brought of the firstlings of his flock and of their fat portions. And the LORD had regard for Abel and his offering, but for Cain and his offering he had no regard. So Cain was very angry, and his countenance fell” (Gen 4:3-5, RSV). This is why Cain killed Abel.

The story does not explicitly say why Abel’s offering found acceptance before the Lord, nor does it explicitly say why Cain’s offering did not. Nevertheless, two reasons suggest themselves and find support in the New Testament.

Mosaic in Monreale Cathedral, Sicily

First, there is the external matter of what was physically offered. Abel was a herdsman, and he offered the firstlings of his flock—that is to say, the best he had to offer. Cain was a tiller of the ground, but for his offering, he failed to choose the first fruits of his produce. Cain offered not what was best, but simply what he had at hand. Sacrifice is always better, more pure, more complete when we offer the best of ourselves.

A second reason why Abel’s sacrifice was more excellent than Cain’s concerns the interior matter of the disposition with which these offerings were made. Again, Genesis does not speak directly to this, but the Letter to the Hebrews does. There it says: “By faith Abel offered to God a more acceptable sacrifice than Cain, through which he received approval as righteous” (Heb 11:4, RSV). The superiority of Abel’s gift stems from the fact that it was offered with faith and in righteousness. Those are the interior dispositions of a just man—dispositions which Cain evidently did not have. If Cain had been faithful and righteous, he would not have been provoked to murder his brother, since, as the Gospels remind us, we are known by our fruits (Matt 7:16 and 20). Abel’s offering was made from the heart, whereas Cain’s was perfunctory.

All of this helps us to make sense of our liturgical references to Abel. What is prayed in the super oblata today is really no different from what is prayed in the Roman Canon. In both cases, we ask God to look upon our offering and to regard it with the same favor with which He once regarded Abel’s sacrifice of old.

E SHOULD ask ourselves to what extent the personal sacrifice we make at the altar resembles the sacrifice of Abel. Insofar as the sacrifice offered at the altar is the sacrifice of Christ, it is perfect and lacking in nothing, wholly and eternally pleasing to God the Father. Insofar as it is also our sacrifice, all this remains an open question. 1 This is clear from the words of the priest, when he enjoins the faithful: “Pray, brethren, that my sacrifice and yours may be acceptable to God, the almighty Father.”

We make a pleasing and acceptable sacrifice to God 1) by offering what is truly best of ourselves and 2) by offering with faith and in righteousness—deeply, interiorly, with love and fervor and devotion.

Each time we approach the altar, may the Lord look upon our worship just as favorably as He looked upon the gifts of Abel the just!

Abel with Melchizedek, Abraham, and Isaac (Mosaic in Sant’Apollinare in Classe, Ravenna)


NOTES FROM THIS ARTICLE:

1   On this point, I am indebted to Milton Walsh, In Memory of Me: A Meditation on the Roman Canon (San Francisco: Ignatius Press, 2011), 129.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, History of the Roman Canon, prayer Last Updated: July 19, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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