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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It’s not too late to “Crown Mary”

Veronica Moreno · May 23, 2020

ROWING UP, my Catholic school was run by the Carmelite Sisters and May was always an exciting month! As we all know, the month of May is dedicated to our Blessed Mother and each year we would celebrate by participating in a “May Crowning”. The first communicants would dress in their best clothes to lead the procession, the entire student body would bring beautiful flowers to present to Mary, and one lucky girl would be chosen from the eighth grade class to crown the statue of our Blessed Mother.1

Dear reader, when I was thirteen, I was that ‘lucky’ girl!

The tradition of Marian devotions dates back to the early Church, but the specific origins of May Crowning is unknown. We do know, however, that in the 18th century, the practice of dedicating the month of May to Mary was instituted by Father Latomia of the Roman College of the Society of Jesus. Henceforth, the custom spread and in 1815 Pope Pius VII “granted a partial indulgence for participating in either a public or private devotion honoring Mary during the month of May; Pope Pius IX made the indulgence plenary in 1859.” 2 Today, these particular indulgences have been abolished.

It is also interesting to note that the spread of the dedication of the month of May to Mary may have been aided by the apparitions that took place between the 19th and 20th centuries, which included: Our Lady of the Miraculous Medal (1830), Our Lady of La Salette (1846), Our Lady of Lourdes (1858), Our Lady of Knock (1879), and Our Lady of Fatima (1917).

“My soul proclaims the greatness of the Lord;
my spirit rejoices in God my savior.
For he has looked upon his handmaid’s lowliness;
behold, from now on will all ages call me blessed.” (Luke 1:46-48)

As a mother, my family has participated in May Crowning ceremonies with our local homeschooling co-op for the past few years. Due to current circumstances, it was canceled this year. So we decided to have a May Crowning celebration of our own and the children were excited!

Now, mamas, please know that living liturgically in our domestic monasteries does not have to be difficult or extravagant. In fact, simple can be better and allows us not to get bogged down with the details of a ‘daunting’ task. That’s not to say that I frown upon planning, but to remember that we should not dread celebrating these beautiful feasts and devotions because they cause us more anxiety than joy.

The day was beautiful and it was quite simple to organize. All you need are flowers (store bought, from your garden, or cut-out paper bouquets), a statue of our Lady, a crown (made of real flowers/leaves, paper flowers, or a paper crown), and your voice!

There is no specific framework to the ceremony, but we chose to sing a few Marian songs, crown our Lady, present her with all of our flowers, and pray the Magnificat, to close. Some of the songs we sang were “Immaculate Mary”, “Salve Regina”, “Ave Maria”, and of course, “Flowers of the Rarest” as we crowned our Blessed Mother! You can organize the celebration to your liking, sing the Marian songs your family loves, pray a rosary, the Angelus, or three Hail Marys; it really is whatever works best for your family.

So, dear reader, the month of May has not yet passed us! I highly encourage you to honor our Blessed Mother by having a May Crowning in your home, remembering that we do all things for the greater glory of God. The point is not to have a perfect celebration, but to teach our children about the Truths and Traditions of our beautiful Faith. The point is to have them live and absorb these experiences, to have them embrace these rich customs as their own. The point of liturgical living is for them to identify as proud Catholics until they meet their Maker.

Please send me your May Crowning stories and pictures so I can write a follow-up post! Click here to send e-mail.

NOTES FROM THIS ARTICLE:

1 The Carmelite Sisters of the Most Sacred Heart of Los Angeles formerly taught and ran our local parish school. “Rooted in the Gospel, the Church and our Carmelite vocation, the Carmelite Sisters’ work in Catholic schools from California to Miami, Florida.” Link to the official website of the Carmelite Sisters.

2 Link to Catholic Herald article on article about the origins of May Crowning.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 23, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Thus in 1905 the Vatican Kyriale appeared with rhythmic signs and the following legend: “Præsens exemplar, rhythmicis signis a Solesmensibus monachis ornatum, typicae Vaticanæ editioni de cætero plane conforme repertum est.” (This copy, provided with rhythmic signs by the monks of Solesmes, completely agrees in every other respect with the Vatican original.)

— Dom Gregory Hügle, OSB

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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