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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choir Roster? No. It’s a Love List!

Keven Smith · May 11, 2020

LL across the U.S., rumors abound that certain dioceses will soon return to some semblance of normal parish life. Indeed, they are mostly just rumors right now—and even if they prove true, they don’t necessarily indicate that we’ll all be given the green light to resume full choral activities right away.

Meanwhile, we all continue to feel a loss of connection with our choirs. If you’re part of a very small group, you may have found ways to stay in close communication—and perhaps even get together—with your colleagues. But if you’ve been blessed with a larger program like mine, you’re probably having trouble even picturing all the faces in your soprano section.

I had an idea the other day about how to overcome this challenge. All it takes is a little time and something you already have: a choir roster.

You’ve written down the names and voice types of all your singers, right? Take that list out of your briefcase, or pull it up on screen. Scan the list. What do you see? Names? No. You see faces. You can’t help but see them. And you hear voices—singing voices, of course, due to the nature of our work. But you also hear speaking voices. The voices that tell you stories at rehearsal break or share jokes after Mass. The voices that occasionally arrive in your voicemail on Sunday morning, sounding swollen, informing you of their absence today.

Your choir roster is full of people. And they’re some of the dearest people you’ll ever meet. You’ve been advised not to spend time with these people right now. But the restrictions don’t say anything about spending time with these people in spirit.

So keep that list handy. Don’t think of it as a choir roster. Think of it as a love list.

Spend time with your love list regularly. You can decide the exact schedule. Let your eyes stop on each one of those names for a few moments. Spend that time thinking about that person. You’ll naturally consider where that person is at in his or her musical and vocal development. But be sure to think also about your relationship with that person. Recall the things you enjoy discussing, the inside jokes you’ve developed, even the misunderstandings or difficulties you’ve encountered.

Take it one step further. Print your love list or make sure it’s accessible on your phone. Go to your church (if the doors aren’t locked) and spend a holy hour in which you pray briefly for each person on the list. Ask for God’s assistance in being exactly the choir director and friend each of those people needs you to be.

Spending time with your love list can help eliminate the possibility of awkwardness when we return to full choral activities—whenever that may be. Your singers will sense that they were never far from your mind. And you’ll feel ready to keep building your relationship with them as you work together to glorify God through music.

Try it. You’ll see.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 13, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Re: Low Mass: “It is desirable that in read Masses on Sundays and feast-days, the Gospel and Epistle be read by a lector in the vernacular for the convenience of the faithful.”

— 1958 document, issued under Pope Pius XII

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  • New Bulletin Article • “14 September 2025”

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