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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Choir Roster? No. It’s a Love List!

Keven Smith · May 11, 2020

LL across the U.S., rumors abound that certain dioceses will soon return to some semblance of normal parish life. Indeed, they are mostly just rumors right now—and even if they prove true, they don’t necessarily indicate that we’ll all be given the green light to resume full choral activities right away.

Meanwhile, we all continue to feel a loss of connection with our choirs. If you’re part of a very small group, you may have found ways to stay in close communication—and perhaps even get together—with your colleagues. But if you’ve been blessed with a larger program like mine, you’re probably having trouble even picturing all the faces in your soprano section.

I had an idea the other day about how to overcome this challenge. All it takes is a little time and something you already have: a choir roster.

You’ve written down the names and voice types of all your singers, right? Take that list out of your briefcase, or pull it up on screen. Scan the list. What do you see? Names? No. You see faces. You can’t help but see them. And you hear voices—singing voices, of course, due to the nature of our work. But you also hear speaking voices. The voices that tell you stories at rehearsal break or share jokes after Mass. The voices that occasionally arrive in your voicemail on Sunday morning, sounding swollen, informing you of their absence today.

Your choir roster is full of people. And they’re some of the dearest people you’ll ever meet. You’ve been advised not to spend time with these people right now. But the restrictions don’t say anything about spending time with these people in spirit.

So keep that list handy. Don’t think of it as a choir roster. Think of it as a love list.

Spend time with your love list regularly. You can decide the exact schedule. Let your eyes stop on each one of those names for a few moments. Spend that time thinking about that person. You’ll naturally consider where that person is at in his or her musical and vocal development. But be sure to think also about your relationship with that person. Recall the things you enjoy discussing, the inside jokes you’ve developed, even the misunderstandings or difficulties you’ve encountered.

Take it one step further. Print your love list or make sure it’s accessible on your phone. Go to your church (if the doors aren’t locked) and spend a holy hour in which you pray briefly for each person on the list. Ask for God’s assistance in being exactly the choir director and friend each of those people needs you to be.

Spending time with your love list can help eliminate the possibility of awkwardness when we return to full choral activities—whenever that may be. Your singers will sense that they were never far from your mind. And you’ll feel ready to keep building your relationship with them as you work together to glorify God through music.

Try it. You’ll see.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 13, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

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