• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Choir Roster? No. It’s a Love List!

Keven Smith · May 11, 2020

LL across the U.S., rumors abound that certain dioceses will soon return to some semblance of normal parish life. Indeed, they are mostly just rumors right now—and even if they prove true, they don’t necessarily indicate that we’ll all be given the green light to resume full choral activities right away.

Meanwhile, we all continue to feel a loss of connection with our choirs. If you’re part of a very small group, you may have found ways to stay in close communication—and perhaps even get together—with your colleagues. But if you’ve been blessed with a larger program like mine, you’re probably having trouble even picturing all the faces in your soprano section.

I had an idea the other day about how to overcome this challenge. All it takes is a little time and something you already have: a choir roster.

You’ve written down the names and voice types of all your singers, right? Take that list out of your briefcase, or pull it up on screen. Scan the list. What do you see? Names? No. You see faces. You can’t help but see them. And you hear voices—singing voices, of course, due to the nature of our work. But you also hear speaking voices. The voices that tell you stories at rehearsal break or share jokes after Mass. The voices that occasionally arrive in your voicemail on Sunday morning, sounding swollen, informing you of their absence today.

Your choir roster is full of people. And they’re some of the dearest people you’ll ever meet. You’ve been advised not to spend time with these people right now. But the restrictions don’t say anything about spending time with these people in spirit.

So keep that list handy. Don’t think of it as a choir roster. Think of it as a love list.

Spend time with your love list regularly. You can decide the exact schedule. Let your eyes stop on each one of those names for a few moments. Spend that time thinking about that person. You’ll naturally consider where that person is at in his or her musical and vocal development. But be sure to think also about your relationship with that person. Recall the things you enjoy discussing, the inside jokes you’ve developed, even the misunderstandings or difficulties you’ve encountered.

Take it one step further. Print your love list or make sure it’s accessible on your phone. Go to your church (if the doors aren’t locked) and spend a holy hour in which you pray briefly for each person on the list. Ask for God’s assistance in being exactly the choir director and friend each of those people needs you to be.

Spending time with your love list can help eliminate the possibility of awkwardness when we return to full choral activities—whenever that may be. Your singers will sense that they were never far from your mind. And you’ll feel ready to keep building your relationship with them as you work together to glorify God through music.

Try it. You’ll see.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: choir director Last Updated: May 13, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Oh, what sighs I uttered, what tears I shed, to mingle with the waters of the torrent, while I chanted to Thee, O my God, the psalms of Holy Church in the Office of the Dead!

— ‘Isaac Jogues, upon finding Goupil’s corpse (1642)’

Recent Posts

  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.