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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wedding Homily (7 min) by Fr. Valentine Young

Jeff Ostrowski · May 9, 2020

HOSE OF US who perform concerts realize that what happens in the practice room has little to do with what happens on the concert stage. Musicians must practice performing, because playing something perfectly in the practice room doesn’t guarantee a pristine performance on stage. 1 Like musicians, priests must “perform” their homilies in a compelling way. (The best sermon in the world is spoiled if the delivery is poor.) Father Valentine Young, OFM, gave our wedding homily on 14 April 2007. As expected, Father Valentine “hit it out of the park.”


Download the full sermon:

*  Mp3 Download • The Full Homily
—A marvelous Wedding Homily delivered by Fr. Valentine Young, OFM.

Father Valentine went to his eternal reward in January. Please pray for the repose of his soul.

UR WEDDING on 14 April 2007 took place during the Easter Octave, so a votive Mass (Missa pro sponso et sponsa) was not allowed, because Easter week “trumps” the votive Mass. The Mass formulary for each day of Easter week prescribes the Victimæ Paschali Laudes. On my wedding, it was sung from two different choir lofts, and I was allowed to conduct the piece:


All the polyphonic music was conducted by Dr. Lucas Tappan (he was not yet “Doctor” in 2007), who did a fabulous job. I am so grateful for what Lucas and his wife, Katie, did for us. Here’s a clip from the rehearsal:


The musical booklet was about 70 pages…yet there was time for one rehearsal only. (Gulp!)

To this day, I’m so grateful for the marvelous wedding present Dr. Tappan gave us! 2

Transcription:
Jeff & Cynthia’s Wedding Homily
14 April 2007 • “Immaculate Conception Chapel”
Corpus, Christi, Texas

ERHAPS the most thought of word on the occasion of a wedding is the word “love.” And that is certainly very fitting, because it is love which causes two people to commit and give themselves to each other for the rest of their lives. In one of his more memorable sermons or TV presentations, the late Archbishop Sheen once pointed out how the Greeks (in their language) had three different words for love. There is the word eros, which brings out or stresses the sensual aspects of love. (Our English word “erotic” is derived from this.) Then there is the word philia, which indicates more the love that family members have for each other. (Our English word “philanthropy” is derived from this.) Then there is the Greek word agape, which my English dictionary said “indicated God’s love for us.” This last word is the one used by St. Paul in his memorable discourse on love found in Chapter 13 of his First letter to the Corinthians. There is, however, another Greek word for love, found especially in the writings of St. Paul. The word is charis/charitos. (Our English word “charity” is derived from this.) We are all familiar or know that we often substitute the word love for charity and vice versa. The Franciscan theologian, Blessed John Duns Scotus (d. 1308AD), taught there was no essential difference between “charity” and what we know as “sanctifying grace.”

Much could be said to define and to describe “love.” All would agree that the most important element is not so much what is written or said, but what is done. In this sense we can say that the word love is an “action word.” It is shown and proven by what we do—not by what we think or say. One of the best descriptions I ever heard of love would be to say that if you loved someone, you wished and did for them what you would wish and do for yourself. I do believe that this covers all the important aspects of love.

Love is the one virtue or thing that we can do in imitation of God. Oh, yes…we certainly have the virtues of faith and hope. But God does not have faith or hope—because He doesn’t have to practice faith or hope. But God practices love, and that is the ultimate or final explanation as to why God made us. There is a short Latin philosophical principal about love: Amor est diffusivum sui. It may be a little awkward to translate, but the phrase basically means that love tends or wants to extend or spread itself. That is what led God to create us and the world. My own St. Francis of Assisi used to spread hours in prayer, pondering over—and weeping over—the fact that “love is not loved.” Very simply put, this means he was weeping over the fact that so many of us do not love God in return for His great love for us.

We are all probably familiar with what we Catholics refer to as “devotion to the Sacred Heart of Jesus.” Without going into a lot of detail, we know that our Lord Himself promoted this devotion through St. Margaret Mary. The main thrust or focus of this devotion is our love of and reparation for the fact that Christ’s great love for us is so often not appreciated or repaid. People do not love in return—nor repay—Christ’s love for us. Actually I like to think that St. Francis himself (about five centuries before St. Margaret Mary) was promoting this idea when he would complain that “love is not loved.”

It is love that causes two people to give themselves completely to each other in marriage. Everything else about marriage flows from this fact. The need for fidelity, permanence, and unity in marriage all flow from this fact. Yes, it is quite a commitment that two human beings take upon themselves when they give themselves to each other for the rest of their lives. That certainly has to be one of the main reasons why the Church wants us to surround this act or ceremony with our highest form of giving honor and glory to God, and invoking God’s help and blessing; viz. with the Holy Sacrifice of the Mass.

 


NOTES FROM THIS ARTICLE:

1   Similarly, organists must practice on the actual organ that will be used, because there’s more to playing the organ than pressing keys. A good organist constantly makes “adjustments” to the registration—and even the chordal voicings!—based on the acoustics of the church and the choral sound.

2 If you look closely in that excerpt, you can see my brother Mark who is now a priest. Mark filled in at the last second for an organist who canceled—and he sight-read the entire thing perfectly. It was amazing!  Mark is an organist, pianist, conductor, and singer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Missa pro sponso et sponsa, Rev Fr Valentine Young OFM Last Updated: May 10, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Just before he left Letchworth, as he well knew to meet his death, he turned and bade good-bye to his little church, and silently kissed the altar-stone on which he had so frequently offered Mass.”

— From the life of Father Adrian Fortescue

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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