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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Stunning Harmonies! • “Hail, Holy Queen Enthroned Above” (Hymn #783)

Jeff Ostrowski · May 7, 2020

XPERTS find themselves in agreement when it comes to the Saint Jean de Brébeuf Hymnal, which has been called “the incomparable and indispensable book” for Catholics who attend Mass in the Ordinary Form (as well as the Extraordinary Form). This marvelous book contains all the hymns for the feasts of the liturgical year, going above and beyond every expectation. It also contains by far more Marian hymns than any other Catholic pew book.

The following rehearsal video demonstrates the stunning Brébeuf harmonies:


Rehearsal videos for each individual voice await you at #783.

Jesuit Martyrs’ Devotion to the Blessed Virgin:

HE FIRST saints in North America to be canonized by the Catholic Church are commonly known as “The Jesuit Martyrs of North America.” Six of the eight were priests: Isaac Jogues, Jean de Brébeuf, Gabriel Lalemant, Antoine Daniel, Charles Garnier, and Noël Chabanel. Two were lay assistants: René Goupil and Jean de Lalande. These men had a strong devotion to our Lady, and named their primary mission after the Blessed Virgin: “Sainte Marie.”

The Hurons, Brébeuf reported, “acknowledged the Commandments to be very just and very reasonable. They thought these were matters of great importance, worthy of being discussed at the councils.” They admitted the logic of his conclusions about God and His attributes. But, alas, “They know the beauty of the truth,” he commented sadly; “they approve of it, but they do not embrace it… They condemn their wicked customs, but when will they abandon them?” The step from belief to action was a long step, and they hesitated to pass from acknowledgment of God’s existence to conformity with His laws. Among the young, progress was more marked. Three little girls had mastered the catechism so thoroughly and gave such clear evidence of interior piety that Brébeuf and Daniel judged them ready for Baptism. Inviting the whole village to attend the ceremony, which took place on the feast of the Immaculate Conception, December 8, they performed the ritual with all possible solemnity. The chapel was thronged with Hurons when the three girls, beautifully appareled and ornamented with strings of wampum and porcelain, renounced Satan and all his works and received the waters of regeneration. The Jesuit community that morning dedicated the Huron mission to the Immaculate Conception of the Blessed Virgin. They promised to offer twelve Masses in the ensuing year toward accomplishing in Huronia the construction of a permanent church named after the Immaculate Conception. “We believe,” wrote Brébeuf, “that the Blessed Virgin has accepted our humble devotions. Before the end of December we baptized twenty-eight.”

From early childhood, Father Charles Garnier had a special devotion to the Blessed Virgin, whom he called his mother. “It is she,” he once said, “who carried me in her arms through my youth and placed me in the Society of her Son.” He had taken a vow to uphold until his death the belief in her Immaculate Conception (not at that time declared formally a dogma of the Catholic Church). It was on the vigil of this feast that he died—a Martyr of Jesus Christ—at the age of forty-four.

I hope these two excerpts have given you slight indication of the depths of their devotion to the Mother of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal Last Updated: May 7, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

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