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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Stunning Harmonies! • “Hail, Holy Queen Enthroned Above” (Hymn #783)

Jeff Ostrowski · May 7, 2020

XPERTS find themselves in agreement when it comes to the Saint Jean de Brébeuf Hymnal, which has been called “the incomparable and indispensable book” for Catholics who attend Mass in the Ordinary Form (as well as the Extraordinary Form). This marvelous book contains all the hymns for the feasts of the liturgical year, going above and beyond every expectation. It also contains by far more Marian hymns than any other Catholic pew book.

The following rehearsal video demonstrates the stunning Brébeuf harmonies:


Rehearsal videos for each individual voice await you at #783.

Jesuit Martyrs’ Devotion to the Blessed Virgin:

HE FIRST saints in North America to be canonized by the Catholic Church are commonly known as “The Jesuit Martyrs of North America.” Six of the eight were priests: Isaac Jogues, Jean de Brébeuf, Gabriel Lalemant, Antoine Daniel, Charles Garnier, and Noël Chabanel. Two were lay assistants: René Goupil and Jean de Lalande. These men had a strong devotion to our Lady, and named their primary mission after the Blessed Virgin: “Sainte Marie.”

The Hurons, Brébeuf reported, “acknowledged the Commandments to be very just and very reasonable. They thought these were matters of great importance, worthy of being discussed at the councils.” They admitted the logic of his conclusions about God and His attributes. But, alas, “They know the beauty of the truth,” he commented sadly; “they approve of it, but they do not embrace it… They condemn their wicked customs, but when will they abandon them?” The step from belief to action was a long step, and they hesitated to pass from acknowledgment of God’s existence to conformity with His laws. Among the young, progress was more marked. Three little girls had mastered the catechism so thoroughly and gave such clear evidence of interior piety that Brébeuf and Daniel judged them ready for Baptism. Inviting the whole village to attend the ceremony, which took place on the feast of the Immaculate Conception, December 8, they performed the ritual with all possible solemnity. The chapel was thronged with Hurons when the three girls, beautifully appareled and ornamented with strings of wampum and porcelain, renounced Satan and all his works and received the waters of regeneration. The Jesuit community that morning dedicated the Huron mission to the Immaculate Conception of the Blessed Virgin. They promised to offer twelve Masses in the ensuing year toward accomplishing in Huronia the construction of a permanent church named after the Immaculate Conception. “We believe,” wrote Brébeuf, “that the Blessed Virgin has accepted our humble devotions. Before the end of December we baptized twenty-eight.”

From early childhood, Father Charles Garnier had a special devotion to the Blessed Virgin, whom he called his mother. “It is she,” he once said, “who carried me in her arms through my youth and placed me in the Society of her Son.” He had taken a vow to uphold until his death the belief in her Immaculate Conception (not at that time declared formally a dogma of the Catholic Church). It was on the vigil of this feast that he died—a Martyr of Jesus Christ—at the age of forty-four.

I hope these two excerpts have given you slight indication of the depths of their devotion to the Mother of God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal Last Updated: May 7, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

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  • PDF Download • “Atténde Dómine”
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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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