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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Unintended Consequences of Live Streaming Mass

Dr. Alfred Calabrese · April 21, 2020

IVE STREAMED Masses have become ubiquitous. Parishes have found ways to adapt to technology so as to reach the faithful via their computers and in their homes. Many, many people are genuinely grateful to their parishes and pastors for creating this way of staying in contact and offering Mass in the only way possible for now.  Without diving into the ongoing conversation about the absence of public Masses and the loss of the Sacraments to the faithful, I would like to offer some thoughts about possible long-term effects that watching live streamed Masses from home may have on all of us, especially if we are forced to continue this practice for much longer. Perhaps these consequences have already begun to take hold.

Consequences and Fears

1) Most parishes were probably not set up to become television production studios, yet many have made amazing strides and gotten very good at it. Multiple cameras, fade ins and cross fades, close ups and long shots, each week’s installment is better than the last. But is that a good thing? Even as production values increase, most parishes will probably never have the time or resources to become as adept as the non-denominational church that was, frankly, already built as a glorified TV studio. Nor do we want to, or need to. But if we take on some of those techniques and some of those production values, what will keep people from seeing that type of “screen” worship as just another option once the public celebration of Mass finally returns?

2) We all know that our attention spans are becoming eroded. Screens have done this to us. During live streamed Masses we can see people commenting, saying ‘hi’ to each other, thanking the priest, or asking why their internet is slow. This new participatio actuosa makes one question how much of the Mass we are actually seeing or hearing.  And so we question, are those things we have been lamenting for years, the loss of reverence, solemnity, sacred silence, and perhaps most of all, belief in the Real Presence, being eroded like so many spans of attention?

3) Imagine the difference between live theater and a movie. Both are important parts of the artistic milieu of our culture, and both have value, but they reach their audiences in different ways.  A high budget action movie is non-stop action and excitement, a visual and aural overload of the senses. Its appeal resides in keeping the audience constantly on the edge of their seats. A live play requires a different kind of participation. People have to relate in the here and now to living human beings, listen attentively to the spoken word, sometimes imagine things beyond what they see. We can watch a movie a hundred times over and it will always look and sound exactly the same, but a play is one and done. It will never be the same no matter how many times we go back to the theater.  And let’s face it, movies are more popular than live theater. Screens have become equivalent, for the most part, with entertainment.  Our screens give us constant, immediate, and usually quick bursts of satisfaction. We can look as long as we want, no investment required. If we don’t like it, we can move on. Not so in real life. The opposite of the captive audience, with an on-screen Mass, leaving is an easy thing to do. And if someone is not entertained, they can just change the channel. 

4) Liturgy, derived from the Greek, was a work for the people, with service at its root. In Christian use it is the official public ritual of the Church. It is incumbent on a communal response and participation with both the Divine and those gathered. I wonder if live streamed Masses even qualify as liturgy? Let’s face it, watching a Mass on a screen with almost no one in the church is weird. It’s off, it’s not right. Even weirder might be the Mass that is pre-recorded. I understand that some places, perhaps a cathedral or a parish specifically created for television, need to pre-record to meet national broadcast standards and time constraints. No argument there. But if the rest of us are going offer real liturgy, let’s at least do it live. Otherwise, is it even liturgy? 

What Will Happen When Public Masses Resume?

We all pray that people will return in huge numbers, and even that attendance will increase from what it was before the crisis. But some will still fear large crowds. Some at-risk folks may be required to stay at home a while longer. In this case, it may be necessary to continue to live stream.  If so, the messaging needs to be clear – the live streamed Mass can never be a substitute for the real thing. It is only a medium in extraordinary times and circumstances. Yet, inevitably, some people will ask for it to continue. They will cite the convenience factor, or that their children away at college can tune in, or that they can hear it better from home. We cannot let our liturgy become inculturated by the medium. We cannot become entertainers. If our live streamed Masses become too good, too slick, too produced, we could have problems down the road. Let us pray that this crisis ends soon and that there will be no more need to turn our parishes and cathedrals into TV studios. 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 22, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

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