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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do Not Let Your Voice be Silenced

Andrea Leal · April 10, 2020

HEN the news broke that public Masses were suspended, it is an understatement to say that many of us were quite distraught. In fact, some of us were downright heartbroken. Several of my friends were determined that they should not be deprived of the Sacraments and went to SSPX. When the suspension of public Masses extended to all sacraments, my shock and sorrow was even greater. I was sorely tempted to go the SSPX route as well.

The debate about whether going to SSPX is acceptable has been ongoing amongst my friends, with people on both sides of the fence. But since I am wholly unqualified to make any public assertions about whether that is a good decision or a bad decision, I will simply refer to my own personal situation. Under obedience to my husband, who has made the decision for our family, we are on full lockdown and we will not go to SSPX. We instead pray at home, watch Masses on live stream, pray the family rosary and make our perfect Act of Contrition. I know of many other families who seem to be enjoying this time at home and their spiritual fruitfulness is flowering beautifully in a way that they had not previously experienced. They read spiritual books, they watch homilies, commiserate with friends about spiritual things via text loops, and pray a lot.

I wish I could say that this is the case for me as well, but the loss of the sacraments and more specifically not being able to attend Holy Mass has caused a spiritual dryness in me. For those who draw close to the Lord through music, singing at Mass is how we pray, how we connect with God, and how we hear his voice.

Perhaps this lockdown is teaching us an important lesson. While I’m sure we always thought that we were singing or leading music to draw others closer to God, perhaps another reason is that it draws us closer to God. I do not only refer to music directors, but to all the singers in the choir who dedicate their entire week to perfecting their parts so that they may glorify the Lord on Sundays. Their voices, too, have been silenced by the quarantine. Because our preferred method of prayer has been silenced, we have come to know a deep spiritual dryness.

I would like to encourage church musicians (both singers and directors) who are now home and can no longer sing at Mass to not to stop singing. We have lost the anchor of weekly practices and Sunday Mass, but you still have your music. Sing!

Sing the Stella Caeli Extirpavit, which is a supplication to the Virgin Mary in times of plague. When the pressures of home and children are making you angry and irritable, chant the St. Michael prayer. Chant the Holy Rosary. And since today is Good Friday, sing the Vexilla Regis! The Lord, after all, still hears you. Don’t stop talking to him in the language you know best.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 10, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Taking into account the “barrenness of the times” and the fact that Father Francisco Guerrero is scarcely able to feed his choirboys, the chapter decides (by a close vote) to give him money to buy new robes, surplices, and caps for his six young charges.

— Resolution: 14 February 1562

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