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Views from the Choir Loft

Do Not Let Your Voice be Silenced

Andrea Leal · April 10, 2020

HEN the news broke that public Masses were suspended, it is an understatement to say that many of us were quite distraught. In fact, some of us were downright heartbroken. Several of my friends were determined that they should not be deprived of the Sacraments and went to SSPX. When the suspension of public Masses extended to all sacraments, my shock and sorrow was even greater. I was sorely tempted to go the SSPX route as well.

The debate about whether going to SSPX is acceptable has been ongoing amongst my friends, with people on both sides of the fence. But since I am wholly unqualified to make any public assertions about whether that is a good decision or a bad decision, I will simply refer to my own personal situation. Under obedience to my husband, who has made the decision for our family, we are on full lockdown and we will not go to SSPX. We instead pray at home, watch Masses on live stream, pray the family rosary and make our perfect Act of Contrition. I know of many other families who seem to be enjoying this time at home and their spiritual fruitfulness is flowering beautifully in a way that they had not previously experienced. They read spiritual books, they watch homilies, commiserate with friends about spiritual things via text loops, and pray a lot.

I wish I could say that this is the case for me as well, but the loss of the sacraments and more specifically not being able to attend Holy Mass has caused a spiritual dryness in me. For those who draw close to the Lord through music, singing at Mass is how we pray, how we connect with God, and how we hear his voice.

Perhaps this lockdown is teaching us an important lesson. While I’m sure we always thought that we were singing or leading music to draw others closer to God, perhaps another reason is that it draws us closer to God. I do not only refer to music directors, but to all the singers in the choir who dedicate their entire week to perfecting their parts so that they may glorify the Lord on Sundays. Their voices, too, have been silenced by the quarantine. Because our preferred method of prayer has been silenced, we have come to know a deep spiritual dryness.

I would like to encourage church musicians (both singers and directors) who are now home and can no longer sing at Mass to not to stop singing. We have lost the anchor of weekly practices and Sunday Mass, but you still have your music. Sing!

Sing the Stella Caeli Extirpavit, which is a supplication to the Virgin Mary in times of plague. When the pressures of home and children are making you angry and irritable, chant the St. Michael prayer. Chant the Holy Rosary. And since today is Good Friday, sing the Vexilla Regis! The Lord, after all, still hears you. Don’t stop talking to him in the language you know best.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 10, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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