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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do Not Let Your Voice be Silenced

Andrea Leal · April 10, 2020

HEN the news broke that public Masses were suspended, it is an understatement to say that many of us were quite distraught. In fact, some of us were downright heartbroken. Several of my friends were determined that they should not be deprived of the Sacraments and went to SSPX. When the suspension of public Masses extended to all sacraments, my shock and sorrow was even greater. I was sorely tempted to go the SSPX route as well.

The debate about whether going to SSPX is acceptable has been ongoing amongst my friends, with people on both sides of the fence. But since I am wholly unqualified to make any public assertions about whether that is a good decision or a bad decision, I will simply refer to my own personal situation. Under obedience to my husband, who has made the decision for our family, we are on full lockdown and we will not go to SSPX. We instead pray at home, watch Masses on live stream, pray the family rosary and make our perfect Act of Contrition. I know of many other families who seem to be enjoying this time at home and their spiritual fruitfulness is flowering beautifully in a way that they had not previously experienced. They read spiritual books, they watch homilies, commiserate with friends about spiritual things via text loops, and pray a lot.

I wish I could say that this is the case for me as well, but the loss of the sacraments and more specifically not being able to attend Holy Mass has caused a spiritual dryness in me. For those who draw close to the Lord through music, singing at Mass is how we pray, how we connect with God, and how we hear his voice.

Perhaps this lockdown is teaching us an important lesson. While I’m sure we always thought that we were singing or leading music to draw others closer to God, perhaps another reason is that it draws us closer to God. I do not only refer to music directors, but to all the singers in the choir who dedicate their entire week to perfecting their parts so that they may glorify the Lord on Sundays. Their voices, too, have been silenced by the quarantine. Because our preferred method of prayer has been silenced, we have come to know a deep spiritual dryness.

I would like to encourage church musicians (both singers and directors) who are now home and can no longer sing at Mass to not to stop singing. We have lost the anchor of weekly practices and Sunday Mass, but you still have your music. Sing!

Sing the Stella Caeli Extirpavit, which is a supplication to the Virgin Mary in times of plague. When the pressures of home and children are making you angry and irritable, chant the St. Michael prayer. Chant the Holy Rosary. And since today is Good Friday, sing the Vexilla Regis! The Lord, after all, still hears you. Don’t stop talking to him in the language you know best.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 10, 2020

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

By far, the event that caused the biggest increase in requests for indults from the morning Mass requirement was the Second World War. The unusual requirements of providing Mass during wartime led to some unique legislation accommodating the time of Mass. Already in 1940, Pope Pius XII issued a motu proprio addressing the situation of holding Mass in countries where a “Black-out” had been ordered.

— Father Shawn P. Tunink

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.