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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

One more regrettable mistake by the Bishop of Boise, Idaho

Veronica Moreno · April 8, 2020

Y PANDEMIC DAYS are full of the life of my children and my husband. After that, I prepare to cantor at Mass and somewhere in all of this, try to cook dinner. I don’t have time for “liturgy wars”. I am obedient to my pastor, to my bishop, to my choir director every week as I diligently prepare my role in the Mass to the best of my ability. But I could not remain quiet when my husband told me this: Bishop Christensen’s recent letter was plagiarized.

See for yourself. On the left is the letter from 2020; a 2016 blog post is on the right:

My thoughts about this:

1) I started this post by saying that I don’t have time for “liturgy wars”, but this letter is terrifying. Everything about its “record-keeping” request to tally all Extraordinary Form Masses sounds ominous when paired with the rhetoric of the rest of the letter. This fear prompted me—and my husband—to re-read the text, and with a simple internet search…he found the original from 2016.

It took all of seven seconds to find the original.

2) Which then brought up a second thought direct from the Bishop’s letter: “Sources such as independent websites and social media platforms that are unaffiliated with the Holy See or the USCCB are not to be considered trustworthy or appropriate for catechesis.”

I thought about this line over and over last night.


Surely much more can be written, and will be written.

As for me, I have to finish this because my pastor needs me to prepare for Good Friday liturgy. But if we worshiped in the Diocese of Boise, I would find myself increasingly confused by this letter and wondering what to do about the inevitable effects of one Rite’s “gravitational pull” on the other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Ad Orientem, Bishop Peter Christensen, GIRM Paragraph 299, Mass Facing The People Last Updated: November 15, 2020

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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