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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Craving the Body of Christ

Fr. David Friel · April 5, 2020

ACH year during Holy Week, I focus on a different character from the Passion narrative, trying to experience the whole of Holy Week through his or her eyes. Usually I let the Holy Spirit guide me in the selection process. Over the years, I have experienced Holy Week alongside John the Apostle, Mary, Simon of Cyrene, St. Dismas (the Good Thief), Mary Magdalene, the Roman soldiers, Pontius Pilate, Barabbas, Veronica, and others. Once or twice, I have repeated a character.

Whether you find that idea appealing or not, I have a recommendation for this year, when COVID-19 will prevent so many followers of Christ from attending public celebrations of this most sacred week.

My recommendation is to spend some time this week identifying with Joseph of Arimathea.

What do we know about Joseph of Arimathea? Frankly, not much. Like many other characters in the Gospels, what we know of Joseph of Arimathea is gleaned through snippets.

He was from a place called Arimathea, which was a town of Judah (Lk 23:51). He was evidently a wealthy man, since he could afford to have a new tomb hewn out of rock for himself (Mt 27:60). According to Luke’s description, he may have been a member of the Sanhedrin (Lk 23:50). He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (Jn 19:38). So he was a man of faith, but a man, in some ways, reticent in his faith.

Although we do not know a great deal about him, what we do know is very telling. Two matters stand out—two actions that Joseph of Arimathea undertook on the day of Christ’s crucifixion and that are worthy of our reflection today.

First, the Gospel of Luke records that Joseph of Arimathea “went to Pilate and asked for the Body of Jesus” (Lk 23:52). The word “asked” demands our attention. In Greek, it is a very strong word (ᾐτήσατο), a verb that can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus.

The second major action he undertook that day is described by the Gospel of Matthew: “Joseph took the Body, and wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock; and he rolled a great stone to the door of the tomb, and departed” (Mt 27:59-60). Had it not been for this one great gift, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. On account of his generosity, however, he is well and favorably remembered.

It is significant that this was not just any tomb, but rather “a new tomb where no one had ever been laid” (Jn 19:41). The cultural norm of the time and place was to reuse burial places, which often took the form of hillside necropolises. As Bishop Sheen observed: “Born of a virgin womb, He was buried in a virgin tomb, and as Crashaw said: ‘And a Joseph did betroth them both’” (Life of Christ, Chapter 53).

By giving Jesus a tomb, of course, Joseph of Arimathea was not consigning Him to death. Although not yet possessing faith in the Resurrection, he unwittingly gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. In our own day, each one of us is called to repeat these same very acts.

The widespread lack of access to the Sacraments at present has already cultivated a sincere craving for the Body of Christ in the hearts of many of the faithful. Have these circumstances also prompted us to hew a new place in our hearts from which the Lord can come to life again?

Certainly, the present situation is far from ideal. Indeed, it is unlivable for any length of time. Lacking the power to alter our conditions, though, we might at least seek the graces that remain always on offer from the Lord.

I invite you to follow the sacred events of this Holy Week alongside Joseph of Arimathea. By sharing with him a deep craving for the Body of Christ, may we also be united with him in offering the Lord a place to rise up and stand forth and declare newness of life.


COVID-19 Pandemic Reflections

On Separation from the Sacraments:

• A Word of Encouragement
• Stories from Walter Ciszek, SJ
• Insights from Joseph of Arimathea

On Returning to the Sacraments:

• Insights from Gerard Manley Hopkins, SJ
• Stories from Bl. Pier Giorgio Frassati

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Holy Week Last Updated: May 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“[Sacrosanctum Conclium’s implementation was] horrible, if we judge the debate on the liturgy as we have it today. Very few bishops would be proud to say they had a hand in it. Communion in the hand was never mentioned in the debate, neither was the word table (mensa) to take the place of altar—place of sacrifice… In my opinion the Debate on the Liturgy has been hijacked. The Council was…to reform, not to change completely.”

— Bishop Ignatius Doggett (who took part in Vatican II)

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