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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Craving the Body of Christ

Fr. David Friel · April 5, 2020

ACH year during Holy Week, I focus on a different character from the Passion narrative, trying to experience the whole of Holy Week through his or her eyes. Usually I let the Holy Spirit guide me in the selection process. Over the years, I have experienced Holy Week alongside John the Apostle, Mary, Simon of Cyrene, St. Dismas (the Good Thief), Mary Magdalene, the Roman soldiers, Pontius Pilate, Barabbas, Veronica, and others. Once or twice, I have repeated a character.

Whether you find that idea appealing or not, I have a recommendation for this year, when COVID-19 will prevent so many followers of Christ from attending public celebrations of this most sacred week.

My recommendation is to spend some time this week identifying with Joseph of Arimathea.

What do we know about Joseph of Arimathea? Frankly, not much. Like many other characters in the Gospels, what we know of Joseph of Arimathea is gleaned through snippets.

He was from a place called Arimathea, which was a town of Judah (Lk 23:51). He was evidently a wealthy man, since he could afford to have a new tomb hewn out of rock for himself (Mt 27:60). According to Luke’s description, he may have been a member of the Sanhedrin (Lk 23:50). He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (Jn 19:38). So he was a man of faith, but a man, in some ways, reticent in his faith.

Although we do not know a great deal about him, what we do know is very telling. Two matters stand out—two actions that Joseph of Arimathea undertook on the day of Christ’s crucifixion and that are worthy of our reflection today.

First, the Gospel of Luke records that Joseph of Arimathea “went to Pilate and asked for the Body of Jesus” (Lk 23:52). The word “asked” demands our attention. In Greek, it is a very strong word (ᾐτήσατο), a verb that can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus.

The second major action he undertook that day is described by the Gospel of Matthew: “Joseph took the Body, and wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock; and he rolled a great stone to the door of the tomb, and departed” (Mt 27:59-60). Had it not been for this one great gift, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. On account of his generosity, however, he is well and favorably remembered.

It is significant that this was not just any tomb, but rather “a new tomb where no one had ever been laid” (Jn 19:41). The cultural norm of the time and place was to reuse burial places, which often took the form of hillside necropolises. As Bishop Sheen observed: “Born of a virgin womb, He was buried in a virgin tomb, and as Crashaw said: ‘And a Joseph did betroth them both’” (Life of Christ, Chapter 53).

By giving Jesus a tomb, of course, Joseph of Arimathea was not consigning Him to death. Although not yet possessing faith in the Resurrection, he unwittingly gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. In our own day, each one of us is called to repeat these same very acts.

The widespread lack of access to the Sacraments at present has already cultivated a sincere craving for the Body of Christ in the hearts of many of the faithful. Have these circumstances also prompted us to hew a new place in our hearts from which the Lord can come to life again?

Certainly, the present situation is far from ideal. Indeed, it is unlivable for any length of time. Lacking the power to alter our conditions, though, we might at least seek the graces that remain always on offer from the Lord.

I invite you to follow the sacred events of this Holy Week alongside Joseph of Arimathea. By sharing with him a deep craving for the Body of Christ, may we also be united with him in offering the Lord a place to rise up and stand forth and declare newness of life.


COVID-19 Pandemic Reflections

On Separation from the Sacraments:

• A Word of Encouragement
• Stories from Walter Ciszek, SJ
• Insights from Joseph of Arimathea

On Returning to the Sacraments:

• Insights from Gerard Manley Hopkins, SJ
• Stories from Bl. Pier Giorgio Frassati

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Holy Week Last Updated: May 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The Second Plenary Council of Baltimore (Tit. VI, Cap. iii, 379) did order that Vespers be sung, and in their entirety, in all churches on Sundays and feast days and that Vespers be not omitted on account of other services. However, the Fathers of the Council inserted the clause, “quatenus fieri potest,” in consideration of practical difficulties in the carrying out of the decree.

— The American Ecclesiastical Review (Febr. 1949)

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