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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Craving the Body of Christ

Fr. David Friel · April 5, 2020

ACH year during Holy Week, I focus on a different character from the Passion narrative, trying to experience the whole of Holy Week through his or her eyes. Usually I let the Holy Spirit guide me in the selection process. Over the years, I have experienced Holy Week alongside John the Apostle, Mary, Simon of Cyrene, St. Dismas (the Good Thief), Mary Magdalene, the Roman soldiers, Pontius Pilate, Barabbas, Veronica, and others. Once or twice, I have repeated a character.

Whether you find that idea appealing or not, I have a recommendation for this year, when COVID-19 will prevent so many followers of Christ from attending public celebrations of this most sacred week.

My recommendation is to spend some time this week identifying with Joseph of Arimathea.

What do we know about Joseph of Arimathea? Frankly, not much. Like many other characters in the Gospels, what we know of Joseph of Arimathea is gleaned through snippets.

He was from a place called Arimathea, which was a town of Judah (Lk 23:51). He was evidently a wealthy man, since he could afford to have a new tomb hewn out of rock for himself (Mt 27:60). According to Luke’s description, he may have been a member of the Sanhedrin (Lk 23:50). He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (Jn 19:38). So he was a man of faith, but a man, in some ways, reticent in his faith.

Although we do not know a great deal about him, what we do know is very telling. Two matters stand out—two actions that Joseph of Arimathea undertook on the day of Christ’s crucifixion and that are worthy of our reflection today.

First, the Gospel of Luke records that Joseph of Arimathea “went to Pilate and asked for the Body of Jesus” (Lk 23:52). The word “asked” demands our attention. In Greek, it is a very strong word (ᾐτήσατο), a verb that can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus.

The second major action he undertook that day is described by the Gospel of Matthew: “Joseph took the Body, and wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock; and he rolled a great stone to the door of the tomb, and departed” (Mt 27:59-60). Had it not been for this one great gift, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. On account of his generosity, however, he is well and favorably remembered.

It is significant that this was not just any tomb, but rather “a new tomb where no one had ever been laid” (Jn 19:41). The cultural norm of the time and place was to reuse burial places, which often took the form of hillside necropolises. As Bishop Sheen observed: “Born of a virgin womb, He was buried in a virgin tomb, and as Crashaw said: ‘And a Joseph did betroth them both’” (Life of Christ, Chapter 53).

By giving Jesus a tomb, of course, Joseph of Arimathea was not consigning Him to death. Although not yet possessing faith in the Resurrection, he unwittingly gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. In our own day, each one of us is called to repeat these same very acts.

The widespread lack of access to the Sacraments at present has already cultivated a sincere craving for the Body of Christ in the hearts of many of the faithful. Have these circumstances also prompted us to hew a new place in our hearts from which the Lord can come to life again?

Certainly, the present situation is far from ideal. Indeed, it is unlivable for any length of time. Lacking the power to alter our conditions, though, we might at least seek the graces that remain always on offer from the Lord.

I invite you to follow the sacred events of this Holy Week alongside Joseph of Arimathea. By sharing with him a deep craving for the Body of Christ, may we also be united with him in offering the Lord a place to rise up and stand forth and declare newness of life.


COVID-19 Pandemic Reflections

On Separation from the Sacraments:

• A Word of Encouragement
• Stories from Walter Ciszek, SJ
• Insights from Joseph of Arimathea

On Returning to the Sacraments:

• Insights from Gerard Manley Hopkins, SJ
• Stories from Bl. Pier Giorgio Frassati

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Holy Week Last Updated: May 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“A theologian who does not love art, poetry, music and nature can be dangerous since blindness and deafness toward the beautiful are not incidental: they are necessarily reflected in his theology.”

— Josef Cardinal Ratzinger (Interview, 1985)

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