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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Craving the Body of Christ

Fr. David Friel · April 5, 2020

ACH year during Holy Week, I focus on a different character from the Passion narrative, trying to experience the whole of Holy Week through his or her eyes. Usually I let the Holy Spirit guide me in the selection process. Over the years, I have experienced Holy Week alongside John the Apostle, Mary, Simon of Cyrene, St. Dismas (the Good Thief), Mary Magdalene, the Roman soldiers, Pontius Pilate, Barabbas, Veronica, and others. Once or twice, I have repeated a character.

Whether you find that idea appealing or not, I have a recommendation for this year, when COVID-19 will prevent so many followers of Christ from attending public celebrations of this most sacred week.

My recommendation is to spend some time this week identifying with Joseph of Arimathea.

What do we know about Joseph of Arimathea? Frankly, not much. Like many other characters in the Gospels, what we know of Joseph of Arimathea is gleaned through snippets.

He was from a place called Arimathea, which was a town of Judah (Lk 23:51). He was evidently a wealthy man, since he could afford to have a new tomb hewn out of rock for himself (Mt 27:60). According to Luke’s description, he may have been a member of the Sanhedrin (Lk 23:50). He is, furthermore, described as “a disciple of Jesus,” but, notably, “a secret one, for fear of the Jews” (Jn 19:38). So he was a man of faith, but a man, in some ways, reticent in his faith.

Although we do not know a great deal about him, what we do know is very telling. Two matters stand out—two actions that Joseph of Arimathea undertook on the day of Christ’s crucifixion and that are worthy of our reflection today.

First, the Gospel of Luke records that Joseph of Arimathea “went to Pilate and asked for the Body of Jesus” (Lk 23:52). The word “asked” demands our attention. In Greek, it is a very strong word (ᾐτήσατο), a verb that can mean to ask, or beg, or desire, or crave, or even demand.

Imagine that: Joseph of Arimathea desired, even craved the body of Jesus.

The second major action he undertook that day is described by the Gospel of Matthew: “Joseph took the Body, and wrapped it in a clean linen shroud, and laid it in his own new tomb, which he had hewn in the rock; and he rolled a great stone to the door of the tomb, and departed” (Mt 27:59-60). Had it not been for this one great gift, in which he gave our Lord a tomb, the name “Joseph of Arimathea” would have been forgotten centuries ago. On account of his generosity, however, he is well and favorably remembered.

It is significant that this was not just any tomb, but rather “a new tomb where no one had ever been laid” (Jn 19:41). The cultural norm of the time and place was to reuse burial places, which often took the form of hillside necropolises. As Bishop Sheen observed: “Born of a virgin womb, He was buried in a virgin tomb, and as Crashaw said: ‘And a Joseph did betroth them both’” (Life of Christ, Chapter 53).

By giving Jesus a tomb, of course, Joseph of Arimathea was not consigning Him to death. Although not yet possessing faith in the Resurrection, he unwittingly gave the Lord a place to come to life again.

There is a tremendous beauty in these two great acts of Joseph of Arimathea—the acts whereby he “asked for the Body of Jesus” and offered Him a tomb. In our own day, each one of us is called to repeat these same very acts.

The widespread lack of access to the Sacraments at present has already cultivated a sincere craving for the Body of Christ in the hearts of many of the faithful. Have these circumstances also prompted us to hew a new place in our hearts from which the Lord can come to life again?

Certainly, the present situation is far from ideal. Indeed, it is unlivable for any length of time. Lacking the power to alter our conditions, though, we might at least seek the graces that remain always on offer from the Lord.

I invite you to follow the sacred events of this Holy Week alongside Joseph of Arimathea. By sharing with him a deep craving for the Body of Christ, may we also be united with him in offering the Lord a place to rise up and stand forth and declare newness of life.


COVID-19 Pandemic Reflections

On Separation from the Sacraments:

• A Word of Encouragement
• Stories from Walter Ciszek, SJ
• Insights from Joseph of Arimathea

On Returning to the Sacraments:

• Insights from Gerard Manley Hopkins, SJ
• Stories from Bl. Pier Giorgio Frassati

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Coronavirus Pandemic, Holy Week Last Updated: May 28, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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