Views from the Choir Loft

HYMN • “Vexilla Regis” (SATB setting in English)

Jeff Ostrowski · March 27, 2020

ATHER Adrian Fortescue (d. 1923) called Vexilla Regis Prodeunt “perhaps the greatest of all hymns.” I must confess that I’m slightly taken aback by his praise, because—in a particular sense—this hymn is a bit of a hodgepodge. That is to say, the original version was an altered version of Bishop Fortunatus. (Father John Connelly provides the missing verses in his volume on the Breviary hymns.) Then, Pope Urban VIII made the situation even more confused, as you can see if you scroll down to the bottom of this page and read the excerpt from the Brébeuf hymnal, which contains annotations. Of course, it’s still a superb hymn, and the Brébeuf hymnal contains multiple musical settings and translations. If you have not read my February 6th article on this tune (“ALTONA”) I really hope you will:

* Article • “What Makes A Good Hymn?”
—Published 6 February by Jeff Ostrowski.

I am proud of that article, and it includes many examples. I don’t want to repeat all that stuff here, because that would be confusing. Today (27 March 2020) there has been a new addition to the collection of “English Hymns with rehearsal videos for each individual voice”—which is posted towards the middle of the Brébeuf website:

* Access free rehearsal videos for each individual voice by clicking on #546.

Here are two pages from the Brébeuf hymnal which give a literal English translation:

The Brébeuf hymnal contains abundant settings of Vexilla Regis Prodeunt. Some people have assaulted the book for this reason—but we consider it to be a very important hymn for the Catholic Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Reminder” — Month of December (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Dr. Mahrt explains the ‘Spoken’ Propers

In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).

—Jeff Ostrowski

PDF • “Music List” (1st Sunday of Advent)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Translations Approved for Liturgical Use”

According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.

—Corpus Christi Watershed

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski