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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Fruit of Silence is Prayer

Richard J. Clark · March 19, 2020

EAREST musicians, colleagues, and friends, I wish you all God’s peace and protection during this exceptionally difficult time. Societal lockdown and cancelation of Mass is unprecedented in any of our lifetimes. It’s a spiritual, emotional, and economic challenge. It is difficult to know where to place our energies while remaining physically safe and adhering to our grave responsibility to keep others safe.

I’m concerned about those who may suffer creeping depression from prolonged isolation or underutilization. I am concerned about underemployed and unemployed liturgical musicians,  pastoral staffs, and teachers who are not lucratively paid during the best of times. I am concerned for the safety of our priests.

I am worried about volunteers who depend on their choirs and communities to sustain their spirit. I am concerned for more vulnerable volunteers.

The litany of worry is endless. We are forced to trust in God, perhaps to a degree that makes us uncomfortable. (I am speaking for myself.) We are brutally — and mercifully — confronted with the necessity of prayer.

Likewise, there are opportunities such as learning new repertoire, composing, or preparing for the future — or better yet — opportunities and blessings to be more present to our families, friends, and neighbors.

“Music arises out of silence and returns to silence.”

Perhaps the greatest opportunity is for prayer. Under normal circumstances, most of us would be exceedingly busy preparing for Holy Week. Now Holy Week celebrations are shrouded with a big question mark. The likelihood is that we are facing prolonged silence.

Yet the fruit of silence is prayer. Cardinal Seán O’Malley is fond of quoting Saint Theresa of Calcutta:

“The fruit of silence is prayer, the fruit of prayer is faith, the fruit of faith is love, the fruit of love is service, and the fruit of service is peace.”

On the surface, silence is antithetical to musicians. But prayer is not. Church musicians are familiar with sacred silence; its importance cannot be underestimated. Today, we may be given the gift of an overabundance of silence, but perhaps its fruit will reverberate for years. “Music arises out of silence and returns to silence.” (Sing to the Lord: Music in Divine Worship, No. 118)

My mother is quite fond of saying, “Man proposes. God disposes.” (Homo proponit, sed Deus disponit) Thomas à Kempis writes in The Imitation of Christ:

“Just men depend on the grace of God rather than on their own wisdom in keeping their resolutions. In Him they confide every undertaking, for man, indeed, proposes but God disposes, and God’s way is not man’s.” (Book I, Chapter 19)

Disruption

Plans and lives uprooted, we may be called to examine aspects of our lives otherwise neglected. With silence and prayer comes faith and love. Faith and love may drive inspiration, call to service, and renewed action. Certain opportunities may be limited today. God will assuredly bless you tomorrow with renewed plans that arise unexpectedly and joyfully.

Gratitude

Meanwhile, our Lenten fast has radically shifted course just before Laetare Sunday. We likely don’t feel the inspiration to rejoice, but we might with a spirit of gratitude. Rejoice in gratitude for each other’s prayers. Rejoice in gratitude for God’s eternal love. Rejoice in the Lord always who will see us through hardship while drawing us to Him closer than we have ever been before.

Furthermore, we have Pope Saint Pius X to thank for the paradigm shift of encouraging frequent reception of communion — something we take for grated now, but was rare throughout the Church’s history. In fasting from the Eucharist now, we may have greater appreciation for the grace of the sacraments, prayer, and a renewed understanding of the power of Spiritual Communion. Our joy when receiving the Eucharist again may be boundless!

I don’t pretend to have any answers or possess wisdom greater than any of you. I am attempting to learn with each passing hour. I am greatly comforted by your prayers. Know you are in mine every minute of every day.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 20, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading in the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (d. 1976)

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