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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Fruit of Silence is Prayer

Richard J. Clark · March 19, 2020

EAREST musicians, colleagues, and friends, I wish you all God’s peace and protection during this exceptionally difficult time. Societal lockdown and cancelation of Mass is unprecedented in any of our lifetimes. It’s a spiritual, emotional, and economic challenge. It is difficult to know where to place our energies while remaining physically safe and adhering to our grave responsibility to keep others safe.

I’m concerned about those who may suffer creeping depression from prolonged isolation or underutilization. I am concerned about underemployed and unemployed liturgical musicians,  pastoral staffs, and teachers who are not lucratively paid during the best of times. I am concerned for the safety of our priests.

I am worried about volunteers who depend on their choirs and communities to sustain their spirit. I am concerned for more vulnerable volunteers.

The litany of worry is endless. We are forced to trust in God, perhaps to a degree that makes us uncomfortable. (I am speaking for myself.) We are brutally — and mercifully — confronted with the necessity of prayer.

Likewise, there are opportunities such as learning new repertoire, composing, or preparing for the future — or better yet — opportunities and blessings to be more present to our families, friends, and neighbors.

“Music arises out of silence and returns to silence.”

Perhaps the greatest opportunity is for prayer. Under normal circumstances, most of us would be exceedingly busy preparing for Holy Week. Now Holy Week celebrations are shrouded with a big question mark. The likelihood is that we are facing prolonged silence.

Yet the fruit of silence is prayer. Cardinal Seán O’Malley is fond of quoting Saint Theresa of Calcutta:

“The fruit of silence is prayer, the fruit of prayer is faith, the fruit of faith is love, the fruit of love is service, and the fruit of service is peace.”

On the surface, silence is antithetical to musicians. But prayer is not. Church musicians are familiar with sacred silence; its importance cannot be underestimated. Today, we may be given the gift of an overabundance of silence, but perhaps its fruit will reverberate for years. “Music arises out of silence and returns to silence.” (Sing to the Lord: Music in Divine Worship, No. 118)

My mother is quite fond of saying, “Man proposes. God disposes.” (Homo proponit, sed Deus disponit) Thomas à Kempis writes in The Imitation of Christ:

“Just men depend on the grace of God rather than on their own wisdom in keeping their resolutions. In Him they confide every undertaking, for man, indeed, proposes but God disposes, and God’s way is not man’s.” (Book I, Chapter 19)

Disruption

Plans and lives uprooted, we may be called to examine aspects of our lives otherwise neglected. With silence and prayer comes faith and love. Faith and love may drive inspiration, call to service, and renewed action. Certain opportunities may be limited today. God will assuredly bless you tomorrow with renewed plans that arise unexpectedly and joyfully.

Gratitude

Meanwhile, our Lenten fast has radically shifted course just before Laetare Sunday. We likely don’t feel the inspiration to rejoice, but we might with a spirit of gratitude. Rejoice in gratitude for each other’s prayers. Rejoice in gratitude for God’s eternal love. Rejoice in the Lord always who will see us through hardship while drawing us to Him closer than we have ever been before.

Furthermore, we have Pope Saint Pius X to thank for the paradigm shift of encouraging frequent reception of communion — something we take for grated now, but was rare throughout the Church’s history. In fasting from the Eucharist now, we may have greater appreciation for the grace of the sacraments, prayer, and a renewed understanding of the power of Spiritual Communion. Our joy when receiving the Eucharist again may be boundless!

I don’t pretend to have any answers or possess wisdom greater than any of you. I am attempting to learn with each passing hour. I am greatly comforted by your prayers. Know you are in mine every minute of every day.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: March 20, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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