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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • A Eucharistic Piece My Choir Loves

Jeff Ostrowski · November 8, 2019

80854 Brébeuf Hymnal ODAY, I am going to make news. For months, I have been assisting in proofreading the Choral Supplement to the Brébeuf Hymnal. Folks, a choirmaster’s life will never be the same once this book is released. It’s about 1,100 pages, and totally magnificent: unlike anything I’ve ever seen. We all know Catholic music is a mess right now, but this publication—in my humble opinion—will go a long way towards fixing things!

What Is The Purpose?

Put simply, the Choral Supplement provides SATB settings for the hymns in the Brébeuf Pew edition. For many reasons, we encourage choirmasters to emphasize “German style” in parishes: Unison + Organ. But there can be certain moments when SATB singing is desired, and that’s why this book was created. 1

Here is a sample score:

    * *  PDF Download • EARLY RELEASE SAMPLE (Choral Supplement)

My choirs love to sing “Sancti Venite” from the Brébeuf Hymnal. We usually sing Unison + Organ, alternating between ladies and men—and it works extremely well. But the 9:00am choir really wanted to try SATB. A member of the Tenor section sent me an iPhone recording:

When you listen, please remember that this choir is 100% volunteers, and very few members read music. The more we sing it, the better it will get.


You can rehearse each individual part at the Brébeuf website. I wish more people would go explore the rehearsal videos; but nobody ever does. I’m not sure why this is…they are so much fun!  Anyhow, the JP2 Institute has requested that no more rehearsal videos be posted until the Choral Supplement has been released—so be prepared for a whole bunch more videos soon!

When Is The Release Date?

The Choral Supplement is expected to be released on 8 December 2019, a date which had special meaning for Saint Jean de Brébeuf and his companions. One reason it took so long is the beautiful formatting. Do you see the difference between “standard” formatting by a program such as Sibelius?

80858-why-we-format-yellow-sm


This book is a supplement.

In other words, the Choral Supplement only makes sense used in conjunction with the Pew Edition. All the literal translations, color pages, footnotes, etc. are found in the Pew Edition.



NOTES FROM THIS ARTICLE:

1   To say nothing of descants, alternatim between genders, organ interludes, and so on.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Oldest Latin Eucharistic Hymn, Sancti Venite Eucharistic Last Updated: May 3, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!

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