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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

The Tradition Continues! • Seven Organists Perform

Richard J. Clark · October 18, 2019

F YOU MISSED Leo Abbott’s rededication recital, here is another opportunity to hear him and several other wonderful organists perform at Boston’s Cathedral of the Holy Cross on Sunday, October 27, 2019 at 3:00pm. This will be the Thirtieth Annual Cathedral Organ Benefit Recital—a remarkable streak!

For decades, Leo Abbott, Music Director and Organist Emeritus of the Cathedral of the Holy Cross, has very generously invited multiple organists to play on fundraising recitals. These concerts were among my fondest memories, enjoying the camaraderie of fellow organists and those passionate about the music. This tradition must continue!

SEVEN ORGANISTS WILL PERFORM:
Carson Cooman composer-in-residence
The Memorial Church, Harvard University
Mark Dwyer The Church of the Advent
Dr. Janet E. Hunt Saint John’s Seminary, Boston
Peter Krasinski international concert organist
Rosalind Mohnsen Immaculate Conception, Malden
AND
Leo D. Abbott & Richard J. Clark Cathedral of the Holy Cross

• SUGGESTED DONATION: $20 | $10 for AGO Members, Seniors, and students Donations are gratefully accepted for the ongoing maintenance and restoration of the Cathedral’s historic E. & G. G. Hook and Hastings Opus 801 (1875)

• Download the concert poster here.

• Click here for specifications of the 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

CONSIDER DONATING TO THE CATHEDRAL ORGAN RESTORATION FUND!
You can now donate online to the Cathedral Organ Restoration Fund here. You will receive an automated letter for tax purposes. You may also set up regular giving to assist with maintenance and tuning. Even $10 per month is a big help! This Fund was established by Leo Abbott in 1987 in memory of his father, Arthur J. Abbott.

ITH THE REMOVAL of carpeting and installation of marble and stone floors, the acoustic of the cathedral has been transformed. As such, the instrument is now being heard as it has never been in our lifetimes. Msgr. Kevin O’Leary’s opening remarks, prior to Leo Abbott’s recent rededication recital, was interrupted with wild applause. He could not finish this sentence: “During the renovation of the Cathedral, every bit of carpeting was removed and replaced with marble and stone…” Applause burst out here for what seemed like a few minutes! He continued: “…allowing this instrument to sing God’s praises more fully and gloriously.”

Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cathedral of the Holy Cross, Pipe Organ Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

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