Views from the Choir Loft

PDF • “Creator Alme Siderum” (Organ Accompaniment)

Jeff Ostrowski · December 8, 2018

HEN I LOOK BACK at things I’ve done in the past, I usually hate them. Can you relate? I always look back at something and feel I could have done much better. I’m also somebody who forgets what they do—even if it happened yesterday!

Here is something I created in 2014:

* * PDF • ORGANIST (“Creator Alme Siderum”)

* * PDF • Singer Score (“Creator Alme Siderum”)

If I find the time, I’ll make a new version using the harmonies found in the Nova Organi Harmonia by Flor Peeters. Until then, this version will have to do… You will notice the translation for the Singer Score is by Fr. Adrian Fortescue (d. 1923). By the way, the way this hymn is treated in the Brébeuf Hymnal is nothing short of magnificent—but, of course, I am biased!

Writing out every verse is crucial. That’s why a team of people spent five years writing out more than 3,000 pages of accompaniments for the Brébeuf hymnal. By the way, the Brébeuf hymnal has a special version of this melody as #182.

Updated:

The life of a choirmaster is mentally and physically demanding, but there are glorious moments, too—and hearing the entire congregation sing this at Vespers (alternating men & women, accompanied by organ) is absolutely one of those fantastic moments! We pause at the end of each line; and I smile from ear to ear because of the beauty. So gorgeous! But it would not have been a success if we used a technique which has every verse “piled up,” such as this example of the Pentecost hymn:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Dr. Mahrt explains the ‘Spoken’ Propers

In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).

—Jeff Ostrowski

PDF • “Music List” (1st Sunday of Advent)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Music List” • Christ the King Sunday

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Translations Approved for Liturgical Use”

According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.

—Corpus Christi Watershed

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski