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Views from the Choir Loft

How Does Benedict XVI Perceive His Retirement?

Fr. David Friel · December 1, 2018

JulianNorwich IGHT YEARS have passed since Pope Benedict XVI participated in a rather ordinary, Wednesday general audience. The date was December 1, 2010, and the Holy Father offered a thoughtful catechesis on Julian of Norwich, the English mystic of the late-14th/early-15th centuries whose Revelations of Divine Love is counted among the spiritual classics.

At the time, the speech delivered at this audience seemed like a nice, albeit inconspicuous, reflection. At various points in his life as a cardinal and as the Roman Pontiff, after all, Benedict XVI had spoken admiringly of such notable Catholic women as Hildegard of Bingen, Catherine of Siena, Bridget of Sweden, Teresa of Avila, and Clare of Assisi.

In hindsight, however, his reflections upon Julian stand apart.

From our present vantage point—knowing that Benedict XVI would ultimately step down from the chair of Peter and become the Pope Emeritus—the 2010 catechesis on Julian of Norwich appears prescient. In that talk, the Holy Father made the following observations:

Inspired by divine love, Julian made a radical decision. Like an ancient anchoress, she decided to live in a cell located near the church called after St. Julian, in the city of Norwich—in her time an important urban center not far from London. . . .

This decision to live as a “recluse,” the term in her day, might surprise or even perplex us. But she was not the only one to make such a choice. In those centuries a considerable number of women opted for this form of life, adopting rules specially drawn up for them, such as the rule compiled by St. Aelred of Rievaulx.

The anchoresses, or “recluses,” in their cells, devoted themselves to prayer, meditation and study. In this way, they developed a highly refined human and religious sensitivity which earned them the veneration of the people. Men and women of every age and condition in need of advice and comfort, would devoutly seek them. It was not, therefore, an individualistic choice; precisely with this closeness to the Lord, Julian developed the ability to be a counsellor to a great many people and to help those who were going through difficulties in this life.

We also know that Julian received frequent visitors, as is attested by the autobiography of another fervent Christian of her time, Margery Kempe, who went to Norwich in 1413 to receive advice on her spiritual life. This is why, in her lifetime, Julian was called “Dame Julian,” as is engraved on the funeral monument that contains her remains. She had become a mother to many.

Men and women who withdraw to live in God’s company acquire by making this decision a great sense of compassion for the suffering and weakness of others. As friends of God, they have at their disposal a wisdom that the world—from which they have distanced themselves—does not possess, and they amiably share it with those who knock at their door.

The entire address is available on the Vatican website.

ITH THE PERSPECTIVE afforded by a few years’ distance from Pope Benedict XVI’s resignation, it is not unreasonable for us to believe that his reflections on the solitary life of Julian of Norwich might serve as a point of access into his own view of his present existence. Secluded in the near-silence of a former convent inside Vatican City, does the Pope Emeritus see his retirement as an entrance into the life of the “recluse,” poised for growth in compassion, wisdom, and holiness?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Benedict XVI Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

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