• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

How Does Benedict XVI Perceive His Retirement?

Fr. David Friel · December 1, 2018

JulianNorwich IGHT YEARS have passed since Pope Benedict XVI participated in a rather ordinary, Wednesday general audience. The date was December 1, 2010, and the Holy Father offered a thoughtful catechesis on Julian of Norwich, the English mystic of the late-14th/early-15th centuries whose Revelations of Divine Love is counted among the spiritual classics.

At the time, the speech delivered at this audience seemed like a nice, albeit inconspicuous, reflection. At various points in his life as a cardinal and as the Roman Pontiff, after all, Benedict XVI had spoken admiringly of such notable Catholic women as Hildegard of Bingen, Catherine of Siena, Bridget of Sweden, Teresa of Avila, and Clare of Assisi.

In hindsight, however, his reflections upon Julian stand apart.

From our present vantage point—knowing that Benedict XVI would ultimately step down from the chair of Peter and become the Pope Emeritus—the 2010 catechesis on Julian of Norwich appears prescient. In that talk, the Holy Father made the following observations:

Inspired by divine love, Julian made a radical decision. Like an ancient anchoress, she decided to live in a cell located near the church called after St. Julian, in the city of Norwich—in her time an important urban center not far from London. . . .

This decision to live as a “recluse,” the term in her day, might surprise or even perplex us. But she was not the only one to make such a choice. In those centuries a considerable number of women opted for this form of life, adopting rules specially drawn up for them, such as the rule compiled by St. Aelred of Rievaulx.

The anchoresses, or “recluses,” in their cells, devoted themselves to prayer, meditation and study. In this way, they developed a highly refined human and religious sensitivity which earned them the veneration of the people. Men and women of every age and condition in need of advice and comfort, would devoutly seek them. It was not, therefore, an individualistic choice; precisely with this closeness to the Lord, Julian developed the ability to be a counsellor to a great many people and to help those who were going through difficulties in this life.

We also know that Julian received frequent visitors, as is attested by the autobiography of another fervent Christian of her time, Margery Kempe, who went to Norwich in 1413 to receive advice on her spiritual life. This is why, in her lifetime, Julian was called “Dame Julian,” as is engraved on the funeral monument that contains her remains. She had become a mother to many.

Men and women who withdraw to live in God’s company acquire by making this decision a great sense of compassion for the suffering and weakness of others. As friends of God, they have at their disposal a wisdom that the world—from which they have distanced themselves—does not possess, and they amiably share it with those who knock at their door.

The entire address is available on the Vatican website.

ITH THE PERSPECTIVE afforded by a few years’ distance from Pope Benedict XVI’s resignation, it is not unreasonable for us to believe that his reflections on the solitary life of Julian of Norwich might serve as a point of access into his own view of his present existence. Secluded in the near-silence of a former convent inside Vatican City, does the Pope Emeritus see his retirement as an entrance into the life of the “recluse,” poised for growth in compassion, wisdom, and holiness?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Benedict XVI Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.