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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Only Hymn Father Fortescue Ever Wrote

Jeff Ostrowski · November 24, 2018

HE BRÉBEUF HYMNAL is finally available for purchase, after five years of painstaking production. The hymnal came out a million times better than any of us could have hoped. We began the project with a “no garbage” policy; we would only accept excellent texts, excellent tunes, and excellent translations. We never broke this policy, and the resulting hymnal—932 pages long!—is absolutely breathtaking.

The Church’s oldest known Latin Eucharistic Hymn is “Sancti Venite,” from the 7th century. Father Adrian Fortescue wrote a translation in 1913…matching the original meter! The Brébeuf Hymnal contains multiple settings. Consider this contemporary melody by Peter Lejeune:


As far as I know, that is the only rhyming hymn Fortescue ever wrote.

THAT IS JUST ONE SETTING, OF COURSE. The Brébeuf Hymal contains several more, as well as additional translations. Moreover, the Brébeuf provides a literal translation—which it does for all the major Latin hymns. Ours is the only source containing literal English translations for certain hymns, such as Jam Desinant Suspiria and Rebus Creatis Nil Egens—how cool is that?

Those of us who participated in editorial work received “proof” copies, printed on loose-leaf paper. Here’s a sneak peek:

87052 - Fr Adrian Fortescue Hymn • SANCTI VENITE

By the way, you will notice that rehearsal videos are starting to appear.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal, Oldest Latin Eucharistic Hymn, Rev Fr Adrian Fortescue Liturgy, Sancti Venite Eucharistic Last Updated: May 3, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Worse, composers are now setting the introits of the missal [instead of the Graduale] to music, even to chant, though these texts were explicitly for spoken recitation only.”

— ‘Dr. William Mahrt (Fall, 2015)’

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