Views from the Choir Loft

Ronald Knox • His Actual Voice!

Jeff Ostrowski · September 18, 2018

ONSIGNOR RONALD KNOX is definitely in the “Top Five” when it comes to men who have influenced the creation of the Saint Jean de Brébeuf Hymnal. The Breviary translations by Msgr. Knox—which so few people today know about—are absolutely fantastic and sui generis. Each word is carefully chosen, and he often brings out hidden meanings from the Pre-Urbanite versions in ways only a genius could. Moreover, Knox was heavily involved with the creation of the New Westminster Hymnal; something confirmed by his biographer, Evelyn Waugh. ¹

We can reveal more about our project once the Brébeuf Hymnal has been released…and it’s very close to hitting the market. Perhaps as soon as October!

One of the committee members sent me the voice of Msgr. Knox, giving a splendid lecture:

* * Mp3 Download • “The Incarnation and Childhood” (Ronald Knox)

By the way, I love his accent; especially the way he pronounces “history” and “theory.” Knox was a close friend of the young Fulton J. Sheen, and it’s not hard to imagine the influence the older priest had on the younger preacher:

One of these days, I hope some brilliant author comes out with a modern biography of Knox—it would be a bestseller!

NOTES FROM THIS ARTICLE:

1 The New Westminster Hymnal—in terms of what they set out to do in that era and how they went about accomplishing their goal—was a major inspiration for our project.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Common” Responsorial Psalm?

I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.

—Jeff Ostrowski

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker