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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Tweaking Linebreaks Online with Gregorio

Veronica Brandt · January 6, 2018

AST WEEK I MADE A SHORT VIDEO about how easy it is to use Benjamin Bloomfield’s GABC Propers Tool. I used the online tool to make a booklet interleaving the propers and the ordinaries in under five minutes.

One comment was that this method lacked the ability to add linebreaks. But you can add linebreaks! This Sunday’s propers provided two opportunities to showcase this ability. Here I run through finding the best points to insert linebreaks.

The links in case you would like to try this out yourself:

    * *  GABC Propers Tool

    * *  Gregorio Cheat Sheet

I used the Traditional Calendar setting and chose the First Sunday After Epiphany (Holy Family), full propers, PDF (Further Options). Then in Illuminare I selected a width of 4.5 inches and height of 9 inches. I print these out scaled up to fit the page to be easy to read.

And the text of the changes to the code:

At the end of the Alleluia I changed:
Sal(gh)vá(fvEDef/gfhvGF’g)tor.(g.) (;) (hgjvvIH’kvJH’hg.) (,) (hvGF’EDgv.fg!hvhgjvIH’hg.) (::)
to
Sal(gh)vá(fvEDef/gfhvGF’g)tor.(g.) (;) (hgjvvIH’kvJH’hg.) (,)(z) (hvGF’EDgv.fg!hvhgjvIH’hg.) (::)

In the Gradual I ended up adding in a z into this line:
Dó(hg/hf/g_f)mi(ef)ni(f.) (;) óm(h)ni(g)bus(h)
resulting in this:
Dó(hg/hf/g_f)mi(efz)ni(f.) (;) óm(h)ni(g)bus(h)

And here are the before and after shots:

Gradual before gabc tweaks Gradual after gabc tweaks Alleluia pre gabc tweaks Alleluia post gabc tweaks
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorio Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

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  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

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