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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Hymns Ancient & Modern”

Jeff Ostrowski · August 7, 2017

OOGLE HAS UPLOADED a complete copy of HYMNS ANCIENT & MODERN, and I’ve included the PDF (41MB) toward the end of this article. HYMNS A&M is a famous Anglican hymn book containing many praiseworthy melodies and texts later adopted by Catholic hymnals. Number 145, for example, is an English translation of “Rex Sempiterne Coelitum,” a Roman Catholic hymn. (Orby Shipley has reminded us that the majority of Anglican hymns are ancient Catholic hymns translated into English.) I’m part of a team creating the St. Jean de Brébeuf Hymnal, and the marvelous hymns we’ve uncovered along the way are bewildering—to say nothing of the many contemporary works we’ve commissioned.

We love exploring hymns sung in two parts, for choirs who struggle with SATB. 1 Here is a glorious example:

    * *  PDF Download • “Rex Sempiterne” (English & Latin)

REHEARSAL VIDEOS for each individual voice await you at #4736.

That link (#4736) also contains a version totally in English—in case your choir is scared of seeing Latin!

EARLIER, I MADE REFERENCE to Number 145 in HYMNS A&M, which uses a translation by the compilers beginning with “O Christ the Heaven’s Eternal King.” There’s nothing wrong with that translation; indeed, about fifteen other translations might have been chosen. My choice, however—as shown above—was the excellent English translation by Fr. Fitzpatrick. Make sure to download Google’s scan of HYMNS A&M (1904 edition). The 1972 edition is also worth obtaining, but isn’t available online.

The hymn above (“Rex Sempiterne”) is actually a Renaissance revision of the ancient hymn “Rex Aeterne Domine.” This hymn can be sung at any time during the liturgical year. Indeed, we have made a special effort in the St. Jean de Brébeuf Hymnal to include pieces suitable for use throughout the year. We believe many hymnals fall short in this area, yet provide abundant choices for Advent, Christmas, Easter, and so on. Those hymnals would be adequate if church musicians only worked on major feasts—but the reality is, choirmasters must choose music throughout the entire year.

Consider two literal translations of this hymn:

    * *  PDF Download • REX AETERNE DOMINE (Two Literal Translations)

Do you know a more beautiful hymn? I do not.



NOTES FROM THIS ARTICLE:

1   Unfortunately, many choirs—both Catholic and Protestant—feel they are “good enough” to sing SATB, but the results are unsatisfactory. SATB singing is supposed to sound good. If it’s not sounding good, the choirmaster should switch back to unison or 2-voice.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

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