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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Hymns Ancient & Modern”

Jeff Ostrowski · August 7, 2017

OOGLE HAS UPLOADED a complete copy of HYMNS ANCIENT & MODERN, and I’ve included the PDF (41MB) toward the end of this article. HYMNS A&M is a famous Anglican hymn book containing many praiseworthy melodies and texts later adopted by Catholic hymnals. Number 145, for example, is an English translation of “Rex Sempiterne Coelitum,” a Roman Catholic hymn. (Orby Shipley has reminded us that the majority of Anglican hymns are ancient Catholic hymns translated into English.) I’m part of a team creating the St. Jean de Brébeuf Hymnal, and the marvelous hymns we’ve uncovered along the way are bewildering—to say nothing of the many contemporary works we’ve commissioned.

We love exploring hymns sung in two parts, for choirs who struggle with SATB. 1 Here is a glorious example:

    * *  PDF Download • “Rex Sempiterne” (English & Latin)

REHEARSAL VIDEOS for each individual voice await you at #4736.

That link (#4736) also contains a version totally in English—in case your choir is scared of seeing Latin!

EARLIER, I MADE REFERENCE to Number 145 in HYMNS A&M, which uses a translation by the compilers beginning with “O Christ the Heaven’s Eternal King.” There’s nothing wrong with that translation; indeed, about fifteen other translations might have been chosen. My choice, however—as shown above—was the excellent English translation by Fr. Fitzpatrick. Make sure to download Google’s scan of HYMNS A&M (1904 edition). The 1972 edition is also worth obtaining, but isn’t available online.

The hymn above (“Rex Sempiterne”) is actually a Renaissance revision of the ancient hymn “Rex Aeterne Domine.” This hymn can be sung at any time during the liturgical year. Indeed, we have made a special effort in the St. Jean de Brébeuf Hymnal to include pieces suitable for use throughout the year. We believe many hymnals fall short in this area, yet provide abundant choices for Advent, Christmas, Easter, and so on. Those hymnals would be adequate if church musicians only worked on major feasts—but the reality is, choirmasters must choose music throughout the entire year.

Consider two literal translations of this hymn:

    * *  PDF Download • REX AETERNE DOMINE (Two Literal Translations)

Do you know a more beautiful hymn? I do not.



NOTES FROM THIS ARTICLE:

1   Unfortunately, many choirs—both Catholic and Protestant—feel they are “good enough” to sing SATB, but the results are unsatisfactory. SATB singing is supposed to sound good. If it’s not sounding good, the choirmaster should switch back to unison or 2-voice.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski
    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

Recent Posts

  • PDF • “Communion” (5th Sunday in Ordin.)
  • “Pipe Organ Interlude During Funerals?” • (Reader Feedback)
  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”
  • Heretical Hymns

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