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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Josquin Desprez • A Marian Masterpiece

Dr. Alfred Calabrese · May 25, 2017

160 Mary AY IS MARY’S MONTH, and before it gets away from us, I would like to promote one of the most beautiful and truly great motets of the Renaissance, Josquin Desprez’ AVE MARIA…VIRGO SERENA.

In the monumental New Grove Dictionary of Music and Musicians (Stanley Sadie, ed., 1980), Gustave Reese and Jeremy Noble begin their entry on Josquin thusly:

“Josquin Desprez, one of the greatest composers of the entire Renaissance and certainly the most important before the second half of the 16th century, was born about 1440.”

This statement is not hyperbole, yet the name of Josquin today pales in comparison with those of Palestrina, Byrd, and even lesser composers of the era. His genius during his lifetime was, however, met with widespread recognition. His numerous masses and motets were regarded as models for composers of the day. The first important music publisher, Petrucci, dedicated three full books to Josquin’s Masses alone; no other composer was given more than one book. So admired was the motet Ave Maria…virgo serena, that it was placed at the head of Petrucci’s first motet collection, printed in 1502 (although it may have been composed as early as 1476).

The poem was well known in its day. Beginning with the ubiquitous Hail Mary, full of grace the Lord is with thee, the poem then commemorates the major events in the life of the Virgin: conception, birth, annunciation, purification, and assumption, all vividly depicted amongst the percolating polyphony. These events are then followed by a personal plea to the Blessed Mother, O Mother of God, remember me. Amen, sung to Josquin’s signature solemn homophony.

Listen to this motet, read the poem, and see if you don’t agree that this is a real masterpiece, and that Josquin Desprez belongs in the pantheon of the most important composers in history:

Translation :

Hail Mary, full of grace, the Lord is with thee, joyous Virgin. Hail thee whose conceiving, full of solemn gladness, fills heaven and earth with a new joy. Hail thee whose birth was to us a holy day, of thou who surpasses the shining light in the east, the very sun. Hail thy humanity, thy conception without a man, thou whose annunciation was our salvation. Hail thy true virginity, thy spotless chastity, thou whose purification was our expiation. Hail thee, most excellent in all angelic goodness, thou whose assumption was our glorification. O Mother of God, remember me. Amen.

(Translation by William Earle Nettles)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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  • PDF • Our Lady of Guadalupe (12 Dec.)

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