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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • Palm Sunday (1962) 1

Jeff Ostrowski · April 7, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.


PROCESSIONAL

Asperges is omitted.

There is a special ceremony & procession before Mass, described HERE.

FSSP.la choir will assemble in the choir loft, and setup as usual. Then, immediately before the opening rites, they go downstairs. The music required for FSSP.la is:

“Hosánna Fílio Dávid”

“Púeri Hebraeórum”

“Glória Laus”


AS THE PRIEST ENTERS   •   Sung by the men only.

“Ingrediénte Dómino”   •   Score   •   Mp3


INTROIT   •   Sung by the men.

PDF Score (Singer)


KYRIE ELEISON

We will sing #6995.

We also know a KYRIE with three sections: #3347, #3661, and #7332.


GLORIA IN EXCELSIS

The GLORIA is not said from Septuagesima Sunday until Easter,
except on Maundy Thursday, Holy Saturday, and Feast days.


GRADUAL & ALLELUIA

There is no Alleluia until Easter arrives.

As always, the verses are found in our Goupil Gradual books.


CREDO III   •   Alternatim

For the first time ever at FSSP.la, we will do Credo III from the Campion hymnals.

Does the 1955 Pius XII “Revised” Holy Week have a CREDO
on Palm Sunday?   Yes, it does.   That’s from a 1956 book by
Frederick R. McManus that deals with “The New Holy Week.”


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

#4063 “Te Saeculorum” (RAPHAËL MERCIER)


SANCTUS & HOSANNA

Choir members should be learning #6962 and #6926.

We also know #3496.


AGNUS DEI

We will sing #4347 by Du Fay.


COMMUNION OTHER

#3316 • Lenten Hymn “Herzliebster Jesu”


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from the “color” markings posted on Saint Goupil, printed with a color printer.


RECESSIONAL HYMN   •   #837 O Sacred Head, Surrounded

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

First Station: Jesus is Condemned to Death

Archbishop Fulton J. Sheen

We adore Thee, O Christ, and we praise Thee,
Because by Thy Holy Cross Thou hast redeemed the world.

Pilate, the time-serving politician, stepped forward on his sunlit portico. On his right stood Christ, the Just One who came to give His life for the redemption of many; on his left stood Barabbas, the wicked one, who had incited a revolt and taken a life. Pilate asked the mob to choose between the two: “Whether you will that I release unto you, Christ, or Barabbas”?

How would I have answered that question, had I been in the courtyard that Good Friday morning? I cannot escape answering by saying that the question belongs only to the past, for it is as actual now as ever. My conscience is the tribunal of Pilate. Daily, hourly, and every minute of the day, Christ comes before that tribunal, as virtue, honesty and purity. Barabbas comes as vice, dishonesty and uncleanness. As often as I choose to speak the uncharitable word, do the dishonest action, or consent to the evil thought, I say in so many words, “Release unto me, Barabbas,” and to choose Barabbas means to crucify Christ.

Pray for us, O Holy Mother of God,
That we may be made worthy of the promises of Christ.

O Jesus, many times in my life I have preferred Barabbas to Thee. There is no way that I can undo that choice, but to make my way to Thy feet, and beg Thy forgiveness. But that is so humiliating, for Thou wearest the garment of a fool, and Thou bearest in Thy hand the reed sceptre of a mock king. It is so hard to do penance and admit that I am guilty! It is so hard to be seen with Thee, who art wearing Thy crown of thorns. It is hard! But let me see, Jesus, that it is harder to wear the crown of thorns!


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The introduction of the vernacular will certainly be a great sacrifice for those who know the beauty, the power and the expressive sacrality of Latin. We are parting with the speech of the Christian centuries; we are becoming like profane intruders in the literary preserve of sacred utterance. We will lose a great part of that stupendous and incomparable artistic and spiritual thing, the Gregorian chant. We have reason indeed for regret […] We are giving up something of priceless worth.”

— Pope Paul VI

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  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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