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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God or Nothing

Dr. Lucas Tappan · January 3, 2017

507 God or Nothing HEN THE LAST PIECE of wrapping paper fell from my presents at my in-laws on Christmas morning, I couldn’t wait to crack the spine of one particular gift, Nicolas Diat’s conversation with Cardinal Sarah, entitled God or Nothing. I heartily recommend the book to anyone who hasn’t yet read it. Today I would like to share with you the good cardinal’s assessment of the crisis of Faith in the modern western world and how it relates to the topics of liturgy and music in particular.

Sarah rightly notes that this crisis of Faith, or silent apostasy, is primarily a “Crisis of God,” which has been going on since long before the middle of the 20th century. In 2000, then Cardinal Ratzinger referred to the 1933 words of a European priest that “[t]he crisis reached by European Christianity is no longer primarily or at least exclusively an ecclesial crisis… The crisis is more profound: it is not only rooted in the situation of the Church: the crisis has become a crisis of God.”

It is absolutely essential to keep this reality before us (the “crisis of God”), especially in light of the Church’s focus on evangelization in the last few decades. Both St. John Paul II and Pope Benedict XVI were acutely aware of this problem and confronted it continually. They even began their pontificates with encyclicals focused on the person of God (Redemptor hominis and Deus caritas est, respectively). Sarah, following the thought of Pope Benedict XVI, then makes the point that the Second Vatican Council was primarily aimed at battling this problem. Rather than summarize Sarah, I would like to share with you his very own words:

Indeed, on the subject of Vatican Council II, we will never be able to thank Pope Benedict XVI enough for his hermeneutical work and his authentic interpretation of the will of the Council Fathers. The fact that I refer to his analysis goes to show that the intention of the Council has not been understood full.

Joseph Ratzinger grasped quite accurately the fact that John XXIII wanted first of all to respond to a major challenge for the modern world: receiving God as he manifested himself in Jesus Christ…

From the start of Vatican II, although concerned about aggiornamento, the renewal of the Church, and the reunion of Christians, the pope had strongly emphasized that the Council’s chief task was to reveal God to the world [my emphasis], to defend and promote doctrine.

(I find this last part interesting.)

Sarah notes that Pope Benedict “invited us to focus our attention on the way in which [the constitutions of the council] are ordered,” revealing the intrinsically theological nature (my emphasis) of the council.  First of all comes Sacrosanctum concilium, focused on the Work of God, which should be preferred to all else. Speaking about the liturgy, Sarah says “Before all else, in the Church, there is adoration; and therefore God.”

Following the upon the council’s cornerstone, Sacrosantum concilium, comes Lumen gentium (Christ is the light of the nations), which expounds a theological vision of the Church, since the Church is “not a self-enclosed reality” but must be seen “in terms of Christ. The Church is like the moon. She does not shine with her own light but reflects the light of Christ.” After Lumen gentium comes Dei Verbum and finally Gaudium et spes. The Word of God (Dei Verbum) “is the heart of the message that the Church must reveal and transmit to the world,” while Gaudium et spes gives a vision for what the Church, fully alive and active in the modern world, should look like, namely a light shining in the darkness, bringing all men to the light of Christ and eternal salvation, praising and glorifying God.

To return to my original thought on this crisis of Faith and its relationship to liturgy and music, I think we can slay the current and popular belief that by making the liturgy, and by extension liturgical music, “relevant” to people we will somehow bring them back to God. Neither can we do it by recreating marriage, theology, morality or anything else, even God Himself, in human likeness and form. This is nothing but the Devil distracting us from God Himself. Only when we learn once again to kneel in silent adoration before Christ in the Blessed Sacrament and with the apostle Philip ask Him to “show us the Father,” will the work of salvation be brought to fulfillment in us and in the world. Only then will His love transform us and the world. Stop the gimmicks, the committees, the meetings, the reports and knock on the door of the Father’s Heart. Trust Him. Let this be our goal in the new year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The council did not say Latin should be abolished. It said Latin should be used. […] While at Ecclesia Dei, I once received a letter from a chancery office in the United States, asking me if I didn’t know that the council had abolished Latin!”

— Cardinal Mayer, Prefect (1985–1988) of the Vatican’s Congregation for Divine Worship

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  • Dom Pothier • Photo from 1904
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  • PDF Download • “Hymn for 2 Voices”

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