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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop of Manchester • Letter Re: “Ad Orientem”

Jeff Ostrowski · December 5, 2016

O MY KNOWLEDGE, three American bishops have attempted to forbid “ad orientem” celebration. The first was the bishop of Little Rock, whose letter went out in July. That was followed quickly by the bishop of Davenport, Iowa, who also sent a letter. Now—by means of the CCW Facebook—I was sent this letter from the diocese of Manchester, New Hampshire:

599 ad orientem


Some have argued “expectation” is different than “command”—but that doesn’t hold up. I worked at a Cathedral for four years. When our bishop said “I expect XYZ to happen…” you better believe we made XYZ happen.

It’s difficult to understand how the bishop can require a “personal, in-depth conversation” before priests choose a legitimate option, especially in light of the CDW statement (SEE BELOW). 1

Celebration facing the people is certainly a legitimate option. The GIRM paragraphs dealing with altar construction clearly say:

{ 299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit. }
299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

The CDW on 10 April 2000 (PROTOCOL NO. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

“This dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct. There is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”

Bishop Amos (of Davenport, Iowa) has argued that “versus populum” celebration is necessary so everyone can face the Altar:

“However, it is clear that the normative position of the priest when presiding at Mass in the Ordinary Form is facing the people, or, better, of the priest and the assembly facing the Altar together, the Altar that is a symbol of Christ in our midst and of our participation in the feast of the Kingdom.”

But don’t we all face the Altar either way?

598 ad orientem


The rector at the Cathedral where I served for four years had all the Masses “ad orientem” one Sunday, even the Spanish Mass. I asked him what the response was, and he said hardly anyone noticed! Remember that—in Ordinary Form Masses—when “ad orientem” is chosen, the priest and people face the same way only about 10% of the time. (It’s primarily during the Canon.)

The universal practice of the Church, as far back as we have documentation, has always been to have priest and people face the same direction:

593 Cardinal Sarah ad orientem


I was taught that Christ will return from the East, and the priest is leading us to Christ—but there are many other explanations.



NOTES FROM THIS ARTICLE:

1   I wonder if the letter could (perhaps) be amended? Perhaps Bishop Libasci could simply recommend that priests switching to “ad orientem” come to him for advice and tips first.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Pope Francis breaks Catholic traditions whenever he wants because he is free from disordered attachments. Our Church has indeed entered a new phase: with the advent of this first Jesuit pope, it is openly ruled by an individual rather than by the authority of Scripture alone or even its own dictates of tradition plus Scripture.”

— Fr. Thomas Rosica (31 July 2018)

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  • Pipe Organ “Answers” in Plainsong?

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