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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christmas • When Jackie Gleason Broke Character (Updated)

Jeff Ostrowski · December 24, 2016

ATERSHED OWES so much to supporters like you. Below is a small Christmas gift I hope you’ll enjoy. It’s the conclusion of a HONEYMOONERS episode; the only one in which Gleason steps out of character:


Gleason had something to teach choirmasters. He avoided over-rehearsing his cast. He believed things turned out better that way. A good choirmaster knows when to “hammer” something hard during rehearsal—but avoids rehearsing a piece so much the choir begins to hate it.

LEASON AND HIS CAST made live performance seem so easy & natural. Few realize how diligently Gleason had to work to produce such phenomenal results. The same is true of the choirmaster. We do so many things and make so many decisions we’ll never get credit for—our jobs are incredibly demanding.

I know we can become discouraged, but I have some good news.

In order to understand the good news, you must first learn about Jerry Seinfeld, who was a master of “situational comedy.” To be clear, I have nothing against Seinfeld; and he’s quite good at situational comedy. But there’s more to his story. Seinfeld was incredibly successful and soon reached the highest echelon of his profession. He was rich and powerful. He did whatever he wanted. 1 But in a recent interview, Jerry Seinfeld said that—after attaining those heights—his life lost all meaning. He ended his show and “basically played pool” (his words) for about two years. But his life still had no meaning. So Seinfeld began working again—and said something terrifying about this! He said that, in his opinion, the meaning of life is a “hard day’s work,” when you come home totally exhausted from working so hard.

We Roman Catholics know better. We know the meaning of life is absolutely not throwing ourselves into “work” (whatever “work” might be).

I know we can sometimes feel discouraged as choirmasters. We often suffer tremendously and deal with major frustrations. But “say not the struggle naught availeth.” Let Jerry Seinfeld be our reminder that nothing can replace our longing for God: not money, not fame, not power, not work. As St. Augustine said, “Our hearts were made for Thee, O Lord; and they are restless until they rest in Thee.” When you’re near the end of your rope, rejoice that you have something worth fighting for—namely JESUS CHRIST, His Church, and your eternal salvation!

UPDATE :   (24 December 2016)

I forgot something important. When we’re “too close” to the choir, we can become convinced things sound bad. However, that’s not always true. I recently found an old recording by my high school girls (circa 2009), which—at the time—I thought was severely flawed. When I listen after all these years, I must admit it doesn’t sound horrible:

    * *  Mp3 • High School Girls’ Choir (“Tantum Ergo”)

My little son likes to bring me pine cones, which he carefully collects. It may not seem like much, but it means everything to me. In the end, our offerings to God are like his pine cones. God doesn’t need them, and doesn’t need us. At the same time, they are priceless in His eyes!



NOTES FROM THIS ARTICLE:

1   When Seinfeld was 39 years old, he dated a 17-year-old girl (still in high school) named Shoshanna Lonstein. Sadly, our celebrity-obsessed culture tolerates such inappropriate things. It was not always so, but that’s another story.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

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