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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christmas • When Jackie Gleason Broke Character (Updated)

Jeff Ostrowski · December 24, 2016

ATERSHED OWES so much to supporters like you. Below is a small Christmas gift I hope you’ll enjoy. It’s the conclusion of a HONEYMOONERS episode; the only one in which Gleason steps out of character:


Gleason had something to teach choirmasters. He avoided over-rehearsing his cast. He believed things turned out better that way. A good choirmaster knows when to “hammer” something hard during rehearsal—but avoids rehearsing a piece so much the choir begins to hate it.

LEASON AND HIS CAST made live performance seem so easy & natural. Few realize how diligently Gleason had to work to produce such phenomenal results. The same is true of the choirmaster. We do so many things and make so many decisions we’ll never get credit for—our jobs are incredibly demanding.

I know we can become discouraged, but I have some good news.

In order to understand the good news, you must first learn about Jerry Seinfeld, who was a master of “situational comedy.” To be clear, I have nothing against Seinfeld; and he’s quite good at situational comedy. But there’s more to his story. Seinfeld was incredibly successful and soon reached the highest echelon of his profession. He was rich and powerful. He did whatever he wanted. 1 But in a recent interview, Jerry Seinfeld said that—after attaining those heights—his life lost all meaning. He ended his show and “basically played pool” (his words) for about two years. But his life still had no meaning. So Seinfeld began working again—and said something terrifying about this! He said that, in his opinion, the meaning of life is a “hard day’s work,” when you come home totally exhausted from working so hard.

We Roman Catholics know better. We know the meaning of life is absolutely not throwing ourselves into “work” (whatever “work” might be).

I know we can sometimes feel discouraged as choirmasters. We often suffer tremendously and deal with major frustrations. But “say not the struggle naught availeth.” Let Jerry Seinfeld be our reminder that nothing can replace our longing for God: not money, not fame, not power, not work. As St. Augustine said, “Our hearts were made for Thee, O Lord; and they are restless until they rest in Thee.” When you’re near the end of your rope, rejoice that you have something worth fighting for—namely JESUS CHRIST, His Church, and your eternal salvation!

UPDATE :   (24 December 2016)

I forgot something important. When we’re “too close” to the choir, we can become convinced things sound bad. However, that’s not always true. I recently found an old recording by my high school girls (circa 2009), which—at the time—I thought was severely flawed. When I listen after all these years, I must admit it doesn’t sound horrible:

    * *  Mp3 • High School Girls’ Choir (“Tantum Ergo”)

My little son likes to bring me pine cones, which he carefully collects. It may not seem like much, but it means everything to me. In the end, our offerings to God are like his pine cones. God doesn’t need them, and doesn’t need us. At the same time, they are priceless in His eyes!



NOTES FROM THIS ARTICLE:

1   When Seinfeld was 39 years old, he dated a 17-year-old girl (still in high school) named Shoshanna Lonstein. Sadly, our celebrity-obsessed culture tolerates such inappropriate things. It was not always so, but that’s another story.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

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