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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christmas • When Jackie Gleason Broke Character (Updated)

Jeff Ostrowski · December 24, 2016

ATERSHED OWES so much to supporters like you. Below is a small Christmas gift I hope you’ll enjoy. It’s the conclusion of a HONEYMOONERS episode; the only one in which Gleason steps out of character:


Gleason had something to teach choirmasters. He avoided over-rehearsing his cast. He believed things turned out better that way. A good choirmaster knows when to “hammer” something hard during rehearsal—but avoids rehearsing a piece so much the choir begins to hate it.

LEASON AND HIS CAST made live performance seem so easy & natural. Few realize how diligently Gleason had to work to produce such phenomenal results. The same is true of the choirmaster. We do so many things and make so many decisions we’ll never get credit for—our jobs are incredibly demanding.

I know we can become discouraged, but I have some good news.

In order to understand the good news, you must first learn about Jerry Seinfeld, who was a master of “situational comedy.” To be clear, I have nothing against Seinfeld; and he’s quite good at situational comedy. But there’s more to his story. Seinfeld was incredibly successful and soon reached the highest echelon of his profession. He was rich and powerful. He did whatever he wanted. 1 But in a recent interview, Jerry Seinfeld said that—after attaining those heights—his life lost all meaning. He ended his show and “basically played pool” (his words) for about two years. But his life still had no meaning. So Seinfeld began working again—and said something terrifying about this! He said that, in his opinion, the meaning of life is a “hard day’s work,” when you come home totally exhausted from working so hard.

We Roman Catholics know better. We know the meaning of life is absolutely not throwing ourselves into “work” (whatever “work” might be).

I know we can sometimes feel discouraged as choirmasters. We often suffer tremendously and deal with major frustrations. But “say not the struggle naught availeth.” Let Jerry Seinfeld be our reminder that nothing can replace our longing for God: not money, not fame, not power, not work. As St. Augustine said, “Our hearts were made for Thee, O Lord; and they are restless until they rest in Thee.” When you’re near the end of your rope, rejoice that you have something worth fighting for—namely JESUS CHRIST, His Church, and your eternal salvation!

UPDATE :   (24 December 2016)

I forgot something important. When we’re “too close” to the choir, we can become convinced things sound bad. However, that’s not always true. I recently found an old recording by my high school girls (circa 2009), which—at the time—I thought was severely flawed. When I listen after all these years, I must admit it doesn’t sound horrible:

    * *  Mp3 • High School Girls’ Choir (“Tantum Ergo”)

My little son likes to bring me pine cones, which he carefully collects. It may not seem like much, but it means everything to me. In the end, our offerings to God are like his pine cones. God doesn’t need them, and doesn’t need us. At the same time, they are priceless in His eyes!



NOTES FROM THIS ARTICLE:

1   When Seinfeld was 39 years old, he dated a 17-year-old girl (still in high school) named Shoshanna Lonstein. Sadly, our celebrity-obsessed culture tolerates such inappropriate things. It was not always so, but that’s another story.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

Recent Posts

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  • 2-Voice Arrangement for Lent
  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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