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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop of Manchester • Letter Re: “Ad Orientem”

Jeff Ostrowski · December 5, 2016

O MY KNOWLEDGE, three American bishops have attempted to forbid “ad orientem” celebration. The first was the bishop of Little Rock, whose letter went out in July. That was followed quickly by the bishop of Davenport, Iowa, who also sent a letter. Now—by means of the CCW Facebook—I was sent this letter from the diocese of Manchester, New Hampshire:

599 ad orientem


Some have argued “expectation” is different than “command”—but that doesn’t hold up. I worked at a Cathedral for four years. When our bishop said “I expect XYZ to happen…” you better believe we made XYZ happen.

It’s difficult to understand how the bishop can require a “personal, in-depth conversation” before priests choose a legitimate option, especially in light of the CDW statement (SEE BELOW). 1

Celebration facing the people is certainly a legitimate option. The GIRM paragraphs dealing with altar construction clearly say:

{ 299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit. }
299. Where it is possible to do so, the main altar should be built separated from the wall. This allows for the possibility of Mass “facing the people” and also walking around the altar.

The CDW on 10 April 2000 (PROTOCOL NO. 564/00/L) settled the question of “ad orientem” in the 2000 (2002) Missal:

“This dicastery wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct. There is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”

Bishop Amos (of Davenport, Iowa) has argued that “versus populum” celebration is necessary so everyone can face the Altar:

“However, it is clear that the normative position of the priest when presiding at Mass in the Ordinary Form is facing the people, or, better, of the priest and the assembly facing the Altar together, the Altar that is a symbol of Christ in our midst and of our participation in the feast of the Kingdom.”

But don’t we all face the Altar either way?

598 ad orientem


The rector at the Cathedral where I served for four years had all the Masses “ad orientem” one Sunday, even the Spanish Mass. I asked him what the response was, and he said hardly anyone noticed! Remember that—in Ordinary Form Masses—when “ad orientem” is chosen, the priest and people face the same way only about 10% of the time. (It’s primarily during the Canon.)

The universal practice of the Church, as far back as we have documentation, has always been to have priest and people face the same direction:

593 Cardinal Sarah ad orientem


I was taught that Christ will return from the East, and the priest is leading us to Christ—but there are many other explanations.



NOTES FROM THIS ARTICLE:

1   I wonder if the letter could (perhaps) be amended? Perhaps Bishop Libasci could simply recommend that priests switching to “ad orientem” come to him for advice and tips first.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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