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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Triptych on Mercy • Reflection III

Fr. David Friel · November 20, 2016

ODAY brings an end to the Extraordinary Jubilee Year of Mercy, which began last December on the solemnity of the Immaculate Conception. Announced by the bull of Pope Francis, Misericordiae Vultus, this jubilee has provided the Church with an opportunity to reflect deeply on the richness, power, and incomprehensibility of God’s mercy.

Today also concludes this Triptych on Mercy, a threefold reflection on mercy that I began two Sundays ago (see Part I and Part II).

We have already considered “The Meaning of Mercy” and “The Need for Mercy.” This final reflection takes as its theme “The Beauty of Mercy.”

There are leaders in our world today who talk a great deal about mercy. In some cases, though, it would appear that these leaders do not know what mercy really is. In speaking about mercy, they give the impression that sin really isn’t so bad or really doesn’t matter. They give the impression that mercy does away with the distinctions between right & wrong, good & evil.

That is not mercy.

Mercy does not dismiss sin; it does not minimize sin; it does not overlook sin. Rather, true mercy assumes sin. That is to say, the experience of true mercy is always in response to sin, to the brokenness of our fallen world. This becomes especially clear when one considers that it is a work of mercy to “admonish the sinner.”

Mercy is not a stance of passivity or indifference to the nature of sin; it is, rather, a profound sensitivity to the damage sin does. Mercy assumes sin and desires to do something concrete to heal it. Mercy is the visible form of love for sinners.

This is “the beauty of mercy.” To say that sin does not matter is too easy. It’s flimsy, and there is no beauty to it. But real mercy, which takes sin as a starting point, is deeply beautiful precisely because it wrestles with the darkness and dirtiness of sin.

Consider these words from St. Paul’s Letter to the Romans: “God proves His love for us in that, while we were still sinners, Christ died for us” (Romans 5:8). There is great richness and beauty in these words. The Lord does not wait for all the messiness of sin to get cleaned up before He comes to save us. The Lord doesn’t pretend that sin doesn’t exist in order to save us. Rather, the Lord steps right into the middle of our mess, and it is there that He brings us His mercy.

If anything should be clear to us from reading the Gospels, it is this: Christ is not indifferent to sin. Think about the story of the adulterous woman, who is about to be stoned to death by the religious authorities who caught her in the act. The Lord comes along and intervenes, famously challenging the crowd to let the one who is without sin be the first to cast a stone. This is a masterful approach, as Jesus appeals to the virtue of justice in order to set Himself up for an act of great mercy toward the woman being condemned.

The Lord looks at everyone in the scene and sees sinners. He acknowledges that everyone wielding a stone is a sinner. He also acknowledges that the woman, herself, is a sinner. Only after this acknowledgment of sin does the Lord turn the tables toward mercy.

He lets the woman walk away unharmed, challenging her to go and sin no more. In perhaps an even greater act of mercy, Jesus lets the religious authorities in the crowd drop their stones and walk away. This is true mercy, and it is beautiful.

The scene would be so much less beautiful, so much less compelling, if Jesus had walked up to the crowd and said, “Don’t worry about it. Everything’s cool. She didn’t really do anything that bad. You’re okay and I’m okay.” The beauty of mercy comes from confronting sin head on.

This understanding comes through clearly in a line that appears near the end of the Roman Canon. In this prayer, the priest says:

Admit us, we beseech you, into their company, not weighing our merits, but granting us Your pardon.

This line is a humble, earnest prayer for God’s mercy, asking to be brought at last to heaven. What this prayer asks is phenomenal. It asks that we be admitted to the company of the saints, not because of our merits—not because of how great we are or anything good we have done. It asks, rather, that we be admitted to heaven because of God’s goodness.

This is the beauty of Divine Mercy. The hesed of the Lord—His loving-kindness, His Divine Mercy—is not dependent on our goodness. Nor is it a reward for our good deeds. It is free; it is unearned; it is unconditional.

God’s mercy is deeply meaningful, critically necessary, and extravagantly beautiful.

Part 1 • The Meaning of Mercy

Part 2 • The Need for Mercy

Part 3 • The Beauty of Mercy

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026
  • “Rare Photographs” • Hannibal Bugnini
  • “Regina Caeli” • More Than You Wanted To Know

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