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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Catastrophic Results of USCCB “Interpretation”

Jeff Ostrowski · September 20, 2016

HEN YOU ENCOUNTER something surprising, it’s only natural to investigate further. For example, if I told you the chief of staff for RONALD REAGAN was someone named DONALD REGAN, you’d check it out for yourself—and that’s just fine. The internet has made it possible for every Tom, Dick, or Harry to become a “journalist.” 1 Bloggers spend hours creating sensationalist titles used as click-bait. After a while, the notion of “truth” becomes blurred—and not all liturgical blogs are immune, sadly.

What you’re about to hear may shock you, but it’s 100% accurate.

SEVERAL DECADES AGO, the USCCB decided on a fateful “interpretation” of the GIRM. The GIRM has always said that Propers can be replaced with a text approved by the local bishop. The same holds true for variants of the Responsorial Psalm. But the USCCB created an interpretation saying the “local bishop” actually means “the bishop of some other diocese.”

Composers discovered this and began using their own translations—copyrighting them to assure more royalties—even though they had zero training in Sacred Scripture translation. We now have thousands of “variant texts,” which are fully approved and can never be revoked. If one accepts the USCCB notion of tacit approval, the number increases exponentially.

Consider this “variant translation” written and copyrighted by Dan Schutte, for a Responsorial Psalm. It is fully approved for liturgical use in the USA:

Translation by Dan Schutte
I can count on your mercy
to feed my hungry heart,
for when I lift my hands in need
a banquet you will provide.

Official Text
Quóniam mélior est misericórdia tua super vitas,
lábia mea laudábunt te.
Sic benedícam te in vita mea,
et in nómine tuo levábo manus meas.

The USCCB has also approved many “variant texts” for the Mass Ordinary. Consider the following, whose text and music (©1983) are by Mike Anderson:

Peace, peace, peace on earth;
peace to God’s people, all people on earth.

There was discussion about eliminating Mass Ordinary variants when MR3 came out, but Jeffrey Tucker has demonstrated that the USCCB is still doing this sort of thing. (I’m told only certain composers receive this treatment.) On the CMAA forum, Richard R. recently wrote as follows:

Along with this textual instability goes the proprietary nature of the English, with copyright spread among several groups, and reproduction (for profit or otherwise) requiring excessively hoop-jumping permissions—and, in the case of for-profit, the resulting fees. […] This leads inevitably to the marketplace stranglehold enjoyed by a few Catholic publishers (who can afford the hoop-jumping) that has perpetuated musical banality for decades. How can composers hope to improve upon the status quo without the sort of openness that would make meaningful competition possible?

I know several people who publish with major Catholic corporations, including the so-called “big three.” Without exception, all have described the way the USCCB handles liturgical texts (which are sold by them) using one word: ruthless. Some publishers were even threatened when they requested permission to correct glaring errors. They were told to print the errors or all permissions would be withdrawn. When I say “glaring errors,” I’m speaking of incidents like the Second Responsorial Psalm at the Easter Vigil:

Current Lectionary
R. You are my inheritance, O Lord.

Official Text
R. Consérva me, Deus, quóniam sperávi in te.

There are many such errors—as the official edition illustrates—and it’s difficult to understand why keeping them was considered crucial. Moreover, when publishers wanted to make corrections, the standard response was the same answer given for why liturgical texts are under copyright in the first place: to maintain the integrity of our rites.

But how does it “maintain the integrity of our rites” when we have thousands of variant texts? Indeed, there are so many Responsorial Psalm variant texts, I’m told the USCCB doesn’t even have a current list!

 

113 Reagan Pope

 


NOTES FROM THIS ARTICLE:

1   To be fair, such people are frequently an improvement over the “real” journalists we have in our times.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Hilgartner 20 November 2012, Hymns Replacing Propers, Sung Vs Spoken Propers Novus Ordo, Traditionis Custodes Vernacular, USCCB approval Last Updated: October 15, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

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