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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Your Bishop Enforce The GIRM?

Jeff Ostrowski · August 1, 2016

277 Cardinal Sarah “ad orientem” N 23 NOVEMBER 2014, Cardinal Sarah was appointed CDW Prefect by Pope Francis. Recently, he encouraged priests—“with prudence and the necessary catechesis”—to face the same direction as the congregation during the Eucharistic Prayer, which the current rubrics assume (though “versus populum” is also allowed). 1 Mass was said that way 99% of the time until the 1960s, and “versus populum” was never mentioned by any Vatican II document. Nevertheless, the words of the Vatican’s chief liturgical officer caused quite a stir.

Some claim the GIRM favors “versus populum” celebration, but enormous obstacles fly in the face of such an assertion. First of all, the sentence erroneously used to justify this assertion comes from the GIRM’s section on constructing new churches and simply doesn’t mean what they claim. More importantly, on 10 April 2000, the Congregation for Divine Worship specifically said nobody is allowed to say the GIRM “favors” either position. 2

Even some bishops have attempted to be “rigid” about the GIRM, trying to outlaw “ad orientem” celebrations in their dioceses. For example, Bishop Martin J. Amos (Davenport, Iowa) recently sent a letter which is absolutely bizarre considering what the Vatican’s Congregation for Divine Worship said on 10 April 2000 (SEE ABOVE).

IF BISHOPS WANT STRICT ENFORCEMENT of the GIRM, why do they ignore certain paragraphs? For example, numerous sections of the GIRM specifically say texts replacing the 1970 propers—Entrance, Offertory, and so forth—must be approved in advance by the local bishop. This is stipulated by both the “universal” GIRM and the “American adaptation” of the GIRM. So what happened to the alleged RIGIDITY we heard so much about following the “ad orientem” suggestion of Cardinal Sarah?

Some maintain that their hymnals were approved by the USCCB, but this is not true. For more than four decades, the front of many hymnals has “approved by the United States Conference”—but that doesn’t apply to any of the hymns! The BCL has confirmed this over and over again, for example:

I point out that the designation in hymnals “published with the approval of the Conference of Bishops” applies only to liturgical texts per se, and not to hymnody or other paraphrased texts.
—Msgr. Richard Hilgartner (21 December 2011)


Monsignor Hilgartner is correct, but most Catholics will never accept that. They will assume—and why shouldn’t they?—that “approved by the USCCB” applies to the hymns and songs, although it never has. You can stand on your head and shout till your face is blue, but you’ll still be doubted. Was this counterintuitive wording written on purpose to confuse? Readers must decide for themselves…

A tremendous amount of musicians in the Ordinary Form replace the propers (illicitly) with songs not approved by the local bishop, in spite of the GIRM requirement. Again, I ask: “What happened to the rigidity?”

For example, when Bishop Amos ends his letter (SEE ABOVE) by saying “I am confident of your obedience in this matter,” does he also expect priests to obey paragraph 48 of the GIRM?



NOTES FROM THIS ARTICLE:

1   Furthermore, even when Ordinary Form Masses are offered “ad orientem,” the vast majority is still done facing the people (Liturgy of the Word, Homily, and so forth).

2   Let’s remember that this congregation—which Cardinal Sarah currently heads—is the same congregation which drafted the famous clause in paragraph 299 and got it approved by the pope!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, General Instruction Roman Missal, GIRM Paragraph 299, Hymns Replacing Propers, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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