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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Your Bishop Enforce The GIRM?

Jeff Ostrowski · August 1, 2016

277 Cardinal Sarah “ad orientem” N 23 NOVEMBER 2014, Cardinal Sarah was appointed CDW Prefect by Pope Francis. Recently, he encouraged priests—“with prudence and the necessary catechesis”—to face the same direction as the congregation during the Eucharistic Prayer, which the current rubrics assume (though “versus populum” is also allowed). 1 Mass was said that way 99% of the time until the 1960s, and “versus populum” was never mentioned by any Vatican II document. Nevertheless, the words of the Vatican’s chief liturgical officer caused quite a stir.

Some claim the GIRM favors “versus populum” celebration, but enormous obstacles fly in the face of such an assertion. First of all, the sentence erroneously used to justify this assertion comes from the GIRM’s section on constructing new churches and simply doesn’t mean what they claim. More importantly, on 10 April 2000, the Congregation for Divine Worship specifically said nobody is allowed to say the GIRM “favors” either position. 2

Even some bishops have attempted to be “rigid” about the GIRM, trying to outlaw “ad orientem” celebrations in their dioceses. For example, Bishop Martin J. Amos (Davenport, Iowa) recently sent a letter which is absolutely bizarre considering what the Vatican’s Congregation for Divine Worship said on 10 April 2000 (SEE ABOVE).

IF BISHOPS WANT STRICT ENFORCEMENT of the GIRM, why do they ignore certain paragraphs? For example, numerous sections of the GIRM specifically say texts replacing the 1970 propers—Entrance, Offertory, and so forth—must be approved in advance by the local bishop. This is stipulated by both the “universal” GIRM and the “American adaptation” of the GIRM. So what happened to the alleged RIGIDITY we heard so much about following the “ad orientem” suggestion of Cardinal Sarah?

Some maintain that their hymnals were approved by the USCCB, but this is not true. For more than four decades, the front of many hymnals has “approved by the United States Conference”—but that doesn’t apply to any of the hymns! The BCL has confirmed this over and over again, for example:

I point out that the designation in hymnals “published with the approval of the Conference of Bishops” applies only to liturgical texts per se, and not to hymnody or other paraphrased texts.
—Msgr. Richard Hilgartner (21 December 2011)


Monsignor Hilgartner is correct, but most Catholics will never accept that. They will assume—and why shouldn’t they?—that “approved by the USCCB” applies to the hymns and songs, although it never has. You can stand on your head and shout till your face is blue, but you’ll still be doubted. Was this counterintuitive wording written on purpose to confuse? Readers must decide for themselves…

A tremendous amount of musicians in the Ordinary Form replace the propers (illicitly) with songs not approved by the local bishop, in spite of the GIRM requirement. Again, I ask: “What happened to the rigidity?”

For example, when Bishop Amos ends his letter (SEE ABOVE) by saying “I am confident of your obedience in this matter,” does he also expect priests to obey paragraph 48 of the GIRM?



NOTES FROM THIS ARTICLE:

1   Furthermore, even when Ordinary Form Masses are offered “ad orientem,” the vast majority is still done facing the people (Liturgy of the Word, Homily, and so forth).

2   Let’s remember that this congregation—which Cardinal Sarah currently heads—is the same congregation which drafted the famous clause in paragraph 299 and got it approved by the pope!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, General Instruction Roman Missal, GIRM Paragraph 299, Hymns Replacing Propers, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

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