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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Does Your Bishop Enforce The GIRM?

Jeff Ostrowski · August 1, 2016

277 Cardinal Sarah “ad orientem” N 23 NOVEMBER 2014, Cardinal Sarah was appointed CDW Prefect by Pope Francis. Recently, he encouraged priests—“with prudence and the necessary catechesis”—to face the same direction as the congregation during the Eucharistic Prayer, which the current rubrics assume (though “versus populum” is also allowed). 1 Mass was said that way 99% of the time until the 1960s, and “versus populum” was never mentioned by any Vatican II document. Nevertheless, the words of the Vatican’s chief liturgical officer caused quite a stir.

Some claim the GIRM favors “versus populum” celebration, but enormous obstacles fly in the face of such an assertion. First of all, the sentence erroneously used to justify this assertion comes from the GIRM’s section on constructing new churches and simply doesn’t mean what they claim. More importantly, on 10 April 2000, the Congregation for Divine Worship specifically said nobody is allowed to say the GIRM “favors” either position. 2

Even some bishops have attempted to be “rigid” about the GIRM, trying to outlaw “ad orientem” celebrations in their dioceses. For example, Bishop Martin J. Amos (Davenport, Iowa) recently sent a letter which is absolutely bizarre considering what the Vatican’s Congregation for Divine Worship said on 10 April 2000 (SEE ABOVE).

IF BISHOPS WANT STRICT ENFORCEMENT of the GIRM, why do they ignore certain paragraphs? For example, numerous sections of the GIRM specifically say texts replacing the 1970 propers—Entrance, Offertory, and so forth—must be approved in advance by the local bishop. This is stipulated by both the “universal” GIRM and the “American adaptation” of the GIRM. So what happened to the alleged RIGIDITY we heard so much about following the “ad orientem” suggestion of Cardinal Sarah?

Some maintain that their hymnals were approved by the USCCB, but this is not true. For more than four decades, the front of many hymnals has “approved by the United States Conference”—but that doesn’t apply to any of the hymns! The BCL has confirmed this over and over again, for example:

I point out that the designation in hymnals “published with the approval of the Conference of Bishops” applies only to liturgical texts per se, and not to hymnody or other paraphrased texts.
—Msgr. Richard Hilgartner (21 December 2011)


Monsignor Hilgartner is correct, but most Catholics will never accept that. They will assume—and why shouldn’t they?—that “approved by the USCCB” applies to the hymns and songs, although it never has. You can stand on your head and shout till your face is blue, but you’ll still be doubted. Was this counterintuitive wording written on purpose to confuse? Readers must decide for themselves…

A tremendous amount of musicians in the Ordinary Form replace the propers (illicitly) with songs not approved by the local bishop, in spite of the GIRM requirement. Again, I ask: “What happened to the rigidity?”

For example, when Bishop Amos ends his letter (SEE ABOVE) by saying “I am confident of your obedience in this matter,” does he also expect priests to obey paragraph 48 of the GIRM?



NOTES FROM THIS ARTICLE:

1   Furthermore, even when Ordinary Form Masses are offered “ad orientem,” the vast majority is still done facing the people (Liturgy of the Word, Homily, and so forth).

2   Let’s remember that this congregation—which Cardinal Sarah currently heads—is the same congregation which drafted the famous clause in paragraph 299 and got it approved by the pope!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, General Instruction Roman Missal, GIRM Paragraph 299, Hymns Replacing Propers, Robert Cardinal Sarah Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Life need not mean something. Life is something. And what is it? It is: —the present moment (the only one I really have); —my body and soul; —the task at hand; Almighty God, (source of everything) asks just one thing: that I put my body and my soul into this one moment, this one task … that I might do it as God desires it to be done.”

— Based on an article by Robert Keim

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