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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Los Angeles Pontifical Mass • This Coming Sunday!

Jeff Ostrowski · June 24, 2016

402 Bishop Schneider Mass HIS COMING SUNDAY, in two days, our FSSP.la Apostolate in Los Angeles will be joined by the Most Rev’d Athanasius Schneider, auxiliary bishop of Astana, Kazakhstan (underneath Russia). We will also be joined by our FSSP District Superior, Very Rev’d Gerard Saguto, several FSSP seminarians, and of course our chaplain, Fr. James Fryar.

The Solemn Pontifical Mass will begin at 7:00pm:

St. Victor Catholic Church
8634 Holloway Drive
West Hollywood, CA 90069

You’re invited to the reception & potluck dinner which will follow.

PROCESSIONAL   •   Organist.


ASPERGES   •   No Asperges for a Pontifical Mass.


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

Visit this website and locate #3347, #3661, and #3579.


GLORIA IN EXCELSIS

The Mercier “Canonic Gloria” is #3610.

And please be in the process of starting to learn #7709.


GRADUAL & ALLELUIA

We sing #3524 with the verses which you don’t need to practice.


CREDO IV   •   Alternatim

We sing this version: #3445.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY POLYPHONY

To rehearse “AVE MARIS STELLA” (Lhoumeau), you must locate #4669.


SANCTUS & HOSANNA

We have been singing #3496.


AGNUS DEI

Here is the musical score. To learn this piece, locate #2978.
The lyrics are different, but the music is the same.


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY

We will sing at least the first four pages of #3473, “Hymn to the Trinity.”

You also need to be putting aside time each week to learn Verse 3b, which is #7722 because eventually we will sing that verse.


RECESSIONAL HYMN   •   #908 Hail, Holy Queen

From the Campion Hymnal — with choir descant as #3175 (de Nouë).



OPENING PRAYER WITH THE CHOIR • from the Campion Hymnal:

406 6th Sn


407 Christ Saves


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Perhaps he had too much sense of humour to be altogether a great man: he lacked pomposity.”

— Msgr. Ronald Knox writing about Father Adrian Fortescue

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns

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