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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium 2016 • Day 4

Fr. David Friel · June 24, 2016

T WAS a privilege for me to be the main celebrant of the Colloquium Mass on Wednesday morning, and I would like to reflect a bit on the experience.

The Mass was celebrated in the Ordinary Form with a mixture of Latin and English elements. The liturgical celebration was the Memorial of Saints John Fisher & Thomas More, Martyrs. The church was the Shrine of St. Joseph in the Columbus Square neighborhood of St. Louis. Originally founded in 1843 by the Jesuits, the church is impressive in its design. Particularly notable is the woodwork in the sanctuary and sacristies.

Because of what transpires sacramentally, every Mass is beautiful. Not every Mass, however, is adorned with the same degree of beautiful elements. It was a joy for me, as a priest, to offer this particular Mass, adorned as it was by such beauty in the music, vestments, and architecture of the place.

It is my custom, at Sunday Masses in my parish, to chant the orations and most of the dialogues, so doing so on Wednesday was natural. Rarely, however, are the responses of the people so strong as they were from the Colloquium participants. Celebrating Mass in the presence of so many music directors and choristers is a rare joy. The chanting of the readings is one special addition that elevates the Colloquium liturgies each year beyond what most parish liturgies offer.

One of the things I enjoyed most about celebrating this Mass was the beautiful singing of the Kyrie, the Gloria, and the gradual. Both the Kyrie and the Gloria were plainsong (Mass IV, I believe), and the liveliness and sweetness of the singing was truly uplifting. The gradual, so expertly sung, gracefully fulfilled its purpose of fostering meditation on the Word of God. I felt more recollected during these portions of the Mass than I often do.

Rarely do I begin Mass, either on Sundays or on weekdays, without first having read the readings. Wednesday’s Mass was a rare exception. Why? The celebrants of the Colloquium liturgies are expected to give a short sermon (a “fervorino”). When I saw the Introit chant (Multae tribulatiónes justórum) printed in the Colloquium music book, I knew at that moment what direction I would go with the homily, and so I found it unnecessary to ask what the readings would be. Sacrosanctum Concilium, after all, specifically calls for preaching to “draw its content mainly from Scriptural and liturgical” sources (SC 35, emphasis added). It was delightful, then, to discover that the (beautifully chanted) readings resonated very well with the message of the Introit and the message that I tried to convey in the sermon.

This Mass provided a welcome respite from the optional practice of daily intercessions. I have written about this tiresome practice before. When the Roman Canon is offered, all the traditional categories for general intercessions are well covered, thus making the bidding prayers superfluous.

The offertory was particularly beautiful, with its focus toward the magnificent high altar, the use of incense, and the complement of quality music. As the motet Sacerdotes offerunt was sung, my thoughts were focused on the task at hand. I was also reminded of the lives of the two saints being celebrated, whose self-offerings are exemplary models of ministerial priesthood and the priesthood of the lay faithful.

Distributing Holy Communion is a humbling act for every priest. It is so much more than a perfunctory task (as I recently reflected). In the Extraordinary Form, the priest actually vocalizes a prayer for each individual who comes forward to receive from him. In the Ordinary Form, although there is no such prescription, I make a private prayer for each person as he or she receives. At the Colloquium Masses, as in the Masses I celebrate in parishes and other places, the genuine devotion of the people is inspiring for priests. Surely we have all experienced exceptions to this, but just as surely, during the Communion Rite at Wednesday’s Mass, the people were able to lead me (and I presume one another) more deeply into the sacred mysteries.

This will conclude my series of reflections on Colloquium XXVI in St. Louis. Pastoral duties required me to leave a bit early, so I will not have reflections to offer about Friday or Saturday. I am grateful for the chance to spend time with Colloquium friends, as well as the opportunity to make new ones.

With gratitude to the CMAA board and all the organizers of the annual Colloquium, I hope to join everyone again next year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“A vigorous search is instituted for the best tenor and bass singers to be found in the realm. Luys de Villafranca, master of the altar boys and instructor of plainchant, petitions on November 27 that the boy-bishop festivities be combined this year with those for the Feast of St. Nicholas.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (20 November 1562)

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