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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium 2016 • Day 4

Fr. David Friel · June 24, 2016

T WAS a privilege for me to be the main celebrant of the Colloquium Mass on Wednesday morning, and I would like to reflect a bit on the experience.

The Mass was celebrated in the Ordinary Form with a mixture of Latin and English elements. The liturgical celebration was the Memorial of Saints John Fisher & Thomas More, Martyrs. The church was the Shrine of St. Joseph in the Columbus Square neighborhood of St. Louis. Originally founded in 1843 by the Jesuits, the church is impressive in its design. Particularly notable is the woodwork in the sanctuary and sacristies.

Because of what transpires sacramentally, every Mass is beautiful. Not every Mass, however, is adorned with the same degree of beautiful elements. It was a joy for me, as a priest, to offer this particular Mass, adorned as it was by such beauty in the music, vestments, and architecture of the place.

It is my custom, at Sunday Masses in my parish, to chant the orations and most of the dialogues, so doing so on Wednesday was natural. Rarely, however, are the responses of the people so strong as they were from the Colloquium participants. Celebrating Mass in the presence of so many music directors and choristers is a rare joy. The chanting of the readings is one special addition that elevates the Colloquium liturgies each year beyond what most parish liturgies offer.

One of the things I enjoyed most about celebrating this Mass was the beautiful singing of the Kyrie, the Gloria, and the gradual. Both the Kyrie and the Gloria were plainsong (Mass IV, I believe), and the liveliness and sweetness of the singing was truly uplifting. The gradual, so expertly sung, gracefully fulfilled its purpose of fostering meditation on the Word of God. I felt more recollected during these portions of the Mass than I often do.

Rarely do I begin Mass, either on Sundays or on weekdays, without first having read the readings. Wednesday’s Mass was a rare exception. Why? The celebrants of the Colloquium liturgies are expected to give a short sermon (a “fervorino”). When I saw the Introit chant (Multae tribulatiónes justórum) printed in the Colloquium music book, I knew at that moment what direction I would go with the homily, and so I found it unnecessary to ask what the readings would be. Sacrosanctum Concilium, after all, specifically calls for preaching to “draw its content mainly from Scriptural and liturgical” sources (SC 35, emphasis added). It was delightful, then, to discover that the (beautifully chanted) readings resonated very well with the message of the Introit and the message that I tried to convey in the sermon.

This Mass provided a welcome respite from the optional practice of daily intercessions. I have written about this tiresome practice before. When the Roman Canon is offered, all the traditional categories for general intercessions are well covered, thus making the bidding prayers superfluous.

The offertory was particularly beautiful, with its focus toward the magnificent high altar, the use of incense, and the complement of quality music. As the motet Sacerdotes offerunt was sung, my thoughts were focused on the task at hand. I was also reminded of the lives of the two saints being celebrated, whose self-offerings are exemplary models of ministerial priesthood and the priesthood of the lay faithful.

Distributing Holy Communion is a humbling act for every priest. It is so much more than a perfunctory task (as I recently reflected). In the Extraordinary Form, the priest actually vocalizes a prayer for each individual who comes forward to receive from him. In the Ordinary Form, although there is no such prescription, I make a private prayer for each person as he or she receives. At the Colloquium Masses, as in the Masses I celebrate in parishes and other places, the genuine devotion of the people is inspiring for priests. Surely we have all experienced exceptions to this, but just as surely, during the Communion Rite at Wednesday’s Mass, the people were able to lead me (and I presume one another) more deeply into the sacred mysteries.

This will conclude my series of reflections on Colloquium XXVI in St. Louis. Pastoral duties required me to leave a bit early, so I will not have reflections to offer about Friday or Saturday. I am grateful for the chance to spend time with Colloquium friends, as well as the opportunity to make new ones.

With gratitude to the CMAA board and all the organizers of the annual Colloquium, I hope to join everyone again next year!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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