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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

O Happy Fault • Nine things that are pure privilege

Richard J. Clark · April 1, 2016

MONG THE MOST extraordinary texts of the Roman Rite, the Exsultet is sung but once a year. That’s it. Once. Sung during the Easter Vigil, the Exsultet is perhaps the most astonishingly merciful and loving texts, and it comes at the culmination of the liturgical calendar when we await the Risen Christ.

“Our birth would have been no gain, had we not been redeemed.” God’s mercy is expressed in words humankind could never conceive of on our own. Read and reread this astounding phrase:

O truly necessary sin of Adam, destroyed completely by the Death of Christ! O happy fault that earned so great, so glorious a Redeemer!

Such a reference to original sin—a positive reference—seems quite strange to us. We’ve always been programmed to think negatively upon our sin and for good reason. But such is the mercy of God who sent his only begotten Son. Such is Christ’s Redeeming power: “Who for our sake paid Adam’s debt to the eternal Father…”

OLY WEEK IS EXHAUSTING BOTH PHYSICALLY AND EMOTIONALLY. It is beautiful in that it consumes us completely in prayer. Much of it is pure privilege. (Not to be confused with professional compensation. Church musicians are as a rule overworked and underpaid.)

The older I get, the more I savor the joy and privilege that is Holy Week. It demands complete gratitude to God.

The following is my personal list of things I find to be pure privilege. It is but a small and very incomplete list and in no particular order, but these immediately come to mind. You certainly may have your own list!

1 • Anyone who sings the Exsultet (or truly prays on it) will be forever changed spiritually. To sing and proclaim these words at the Easter Vigil is pure privilege.

2 • It is pure privilege to sing the threefold (and polyphonic) Lumen Christi in procession with a choir scattered throughout the Church—yet sung sing as one voice.

3 • Pure privilege to watch a full church fully lit only by the flame of the Paschal Candle. “…a fire into many flames divided, yet never dimmed by the sharing of its light…”

4 • It is pure privilege to make music in prayer with so many night after night. They become family.

5 • Pure privilege to witness the tears of joy a woman watching her fiancé be baptized at the Easter Vigil.

6 • Pure privilege to sing the Easter Sequence, the Nos Autem on Holy Thursday, and the Resurrexi on Easter Sunday, etc…

7 • Opportunity to evangelize on Easter Sunday to hundreds who don’t frequently attend Mass is pure privilege.

8 • Sacred music is part of the formation of the catechumens and candidates. It is pure privilege to support them throughout the year as well as when they become neophytes.

9 • Pure privilege to serve God and His people.

What is on your list?

Surrexit Dominus vere, alleluia!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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