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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

O Happy Fault • Nine things that are pure privilege

Richard J. Clark · April 1, 2016

MONG THE MOST extraordinary texts of the Roman Rite, the Exsultet is sung but once a year. That’s it. Once. Sung during the Easter Vigil, the Exsultet is perhaps the most astonishingly merciful and loving texts, and it comes at the culmination of the liturgical calendar when we await the Risen Christ.

“Our birth would have been no gain, had we not been redeemed.” God’s mercy is expressed in words humankind could never conceive of on our own. Read and reread this astounding phrase:

O truly necessary sin of Adam, destroyed completely by the Death of Christ! O happy fault that earned so great, so glorious a Redeemer!

Such a reference to original sin—a positive reference—seems quite strange to us. We’ve always been programmed to think negatively upon our sin and for good reason. But such is the mercy of God who sent his only begotten Son. Such is Christ’s Redeeming power: “Who for our sake paid Adam’s debt to the eternal Father…”

OLY WEEK IS EXHAUSTING BOTH PHYSICALLY AND EMOTIONALLY. It is beautiful in that it consumes us completely in prayer. Much of it is pure privilege. (Not to be confused with professional compensation. Church musicians are as a rule overworked and underpaid.)

The older I get, the more I savor the joy and privilege that is Holy Week. It demands complete gratitude to God.

The following is my personal list of things I find to be pure privilege. It is but a small and very incomplete list and in no particular order, but these immediately come to mind. You certainly may have your own list!

1 • Anyone who sings the Exsultet (or truly prays on it) will be forever changed spiritually. To sing and proclaim these words at the Easter Vigil is pure privilege.

2 • It is pure privilege to sing the threefold (and polyphonic) Lumen Christi in procession with a choir scattered throughout the Church—yet sung sing as one voice.

3 • Pure privilege to watch a full church fully lit only by the flame of the Paschal Candle. “…a fire into many flames divided, yet never dimmed by the sharing of its light…”

4 • It is pure privilege to make music in prayer with so many night after night. They become family.

5 • Pure privilege to witness the tears of joy a woman watching her fiancé be baptized at the Easter Vigil.

6 • Pure privilege to sing the Easter Sequence, the Nos Autem on Holy Thursday, and the Resurrexi on Easter Sunday, etc…

7 • Opportunity to evangelize on Easter Sunday to hundreds who don’t frequently attend Mass is pure privilege.

8 • Sacred music is part of the formation of the catechumens and candidates. It is pure privilege to support them throughout the year as well as when they become neophytes.

9 • Pure privilege to serve God and His people.

What is on your list?

Surrexit Dominus vere, alleluia!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I am now old but I was young when I was received into the Church. I was not at all attracted by the splendour of her great ceremonies—which the Protestants could well counterfeit. Of the extraneous attractions of the Church which most drew me was the spectacle of the priest and his server at Low Mass, stumping up to the altar without a glance to discover how many or how few he had in his congregation; a craftsman and his apprentice; a man with a job which he alone was qualified to do.”

— Evelyn Waugh (7 August 1964)

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