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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Domestic Church and the domestic schola

Christopher Mueller · February 29, 2016

MFS-kids the domestic church REMEMBER well the preparations for the baptism of my first child. My wife and I met with the pastor of our parish (and my boss at the time), a mild-mannered fellow who was quick to smile. We went through the questions on the form fairly quickly and arrived at the ones where we name the Godparents. At that moment, the good Father became unexpectedly stern, and said to us, “You must remember that the first role of parents is to teach their own children the faith. This is not something that can be outsourced to the Godparents. It is not their job to ‘pick up the slack’ if you fail in this area. This is your job, and their role is to assist and support you, but not to do it for you.”

We were not planning on having our Godparents teach our children the faith, of course, but Fr. Andrew’s gravity suggested that perhaps some parents have thought this way over the years.

We know that our role as parents is to build the domestic church, by praying together, teaching our kids in the faith, and taking them to regular Mass and confession.

We thought that one way to strengthen our domestic church would be to start up a family schola, so that we could pray together through singing. After all, St. Augustine tells us that “singing is a lover’s thing,” or “singing is for one who loves” (depending on your preferred translation), and what is the domestic church if not a school of love?

The other thing we hope to do with our family schola is to encourage other families to sing together. In my present work as both a “regular sub” with a children’s choir and a schola teacher at a Catholic school, I’m constantly surprised at how unwilling children are to sing, or how uncomfortable they seem using their voices in song. My own children love to sing—they sing around the house all the time, and make up songs together—and my feeling is that musical expression is a birthright. Children who don’t sing—who lack either the encouragement or the environment to do so—are missing something essential to the very joy of living.

And so I’d like to offer below videos of the Mueller Family Schola, singing polyphony and chant. My wife and I are both trained musicians, so the children have the advantage of musical parents, but contra some of the positive comments we’ve received, our musical success is not a product of talent. It’s a product of working together, of patience, of daily labor, and most of all, of love. Each of our children has different strengths when it comes to learning music, and different challenges. We try our best to nurture each soul during the rehearsal process, so that the result is not just growth in musical skill, but also growth in faith.

We’re singing for a Lenten Mass in a few days, and I was passing out some new music. My seven-year-old son picked up one of the sheets, which said “Gospel Acclamation” at the top, featuring an antiphon with the text, “Glory and praise to you, Lord Jesus Christ.” He gave me a big smile and said, “Normally the Gospel Acclamation should have an ‘alleluia,’ but we can’t sing ‘alleluia’ here because it’s in Lent!”

Ah, the perfect reflection of the domestic church in the domestic schola.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Christopher Mueller

Christopher Mueller is a conductor and composer who aims to write beautiful music out of gratitude to God, Author of all beauty.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

Recent Posts

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  • PDF • “Music List” (Sunday, 28 December)
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  • PDF • “Music List” (Xmas Midnight Mass)

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