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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Another “Oops” Moment For Liturgical Press

Jeff Ostrowski · December 30, 2015

EARCHING GOOGLE, I stumbled across a book published by the Collegeville Liturgical Press. According to the author, “the purpose of the book is to show the excellence and superiority of the reformed liturgy over the previous one … the ordinary form over the extraordinary one.”

Like so many Collegeville books, this book is riddled with false statements:

893 Patrick Regan Extraordinary Form Ordinary


False! When the subdeacon chants the Epistle in the Extraordinary Form, the priest does not read it in a quiet voice. Likewise, when the deacon chants the Gospel according to the 1962 Missal, the priest does not read it in a low voice.

Msgr. Kevin W. Irwin of CUA says this book “reflects the best of liturgical scholarship and wisdom gleaned from the liturgy.” Julia Upton of St. John’s in New York says, “For those of us who were shaped by the 1962 Missal, this analysis enables us to see how richer our lives and spirituality are following the Vatican II reforms.” The book’s author, Fr. Patrick Regan, claims it was proofread by Fr. Jeremy Driscoll.

Are all these people comfortable with blatant errors such as the one cited above? The author references Catholics attached to the EF, who are “unaware of the deficiencies of the 1962 Missal.” Yet, shouldn’t Fr. Regan have taken the time to become familiar with the EF before writing his book? 1 Moreover, shouldn’t someone at Liturgical Press have proofread the book before publication?

COLLEGEVILLE LITURGICAL PRESS seems “unhinged” since the publication of Summorum Pontificum. One of their blogs recently published an article by Paul Inwood claiming that excessive dynamic equivalence was more “accurate” than formal equivalence. Yet, that same author admitted elsewhere that the 1970s version (“dynamic equivalence”) CONCEALED the true meaning of the prayers. Here are Inwood’s exact words:

Seventh-century theology, spirituality, and culture are very far from where most of the Church is now. The 1973 translation concealed this fact from us. If we had known what the prayers really said, we would not have wanted to pray them any longer. Now we are faced with that question 40 years later, and it is not any easier.

Not long before that, a Liturgical Press blog published an article attacking the “ad populum conversus” rubric—even claiming this phrase never occurs in postconciliar legislation—but we published screen shots proving this assertion to be false.

Those who write about the “deficiencies” (Fr. Regan’s word) of the Extraordinary Form have an obligation to learn something about it first. My pet peeve is haughty liturgical “experts” telling everyone how horrible the 1962 Missal was, and I’ll never forget reading a comment by the man who ran the Bishops’ Liturgy Committee during the 1990s. This person is an outspoken critic of the old liturgy, yet doesn’t realize the Prayers of the Foot of the Altar were not sung!



NOTES FROM THIS ARTICLE:

1   Fr. Regan specifically deals with the Extraordinary Form—i.e. the 1962 Missale Romanum—which he calls “the last edition of the preconciliar one.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgical Press Oops Moment Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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