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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Another “Oops” Moment For Liturgical Press

Jeff Ostrowski · December 30, 2015

EARCHING GOOGLE, I stumbled across a book published by the Collegeville Liturgical Press. According to the author, “the purpose of the book is to show the excellence and superiority of the reformed liturgy over the previous one … the ordinary form over the extraordinary one.”

Like so many Collegeville books, this book is riddled with false statements:

893 Patrick Regan Extraordinary Form Ordinary


False! When the subdeacon chants the Epistle in the Extraordinary Form, the priest does not read it in a quiet voice. Likewise, when the deacon chants the Gospel according to the 1962 Missal, the priest does not read it in a low voice.

Msgr. Kevin W. Irwin of CUA says this book “reflects the best of liturgical scholarship and wisdom gleaned from the liturgy.” Julia Upton of St. John’s in New York says, “For those of us who were shaped by the 1962 Missal, this analysis enables us to see how richer our lives and spirituality are following the Vatican II reforms.” The book’s author, Fr. Patrick Regan, claims it was proofread by Fr. Jeremy Driscoll.

Are all these people comfortable with blatant errors such as the one cited above? The author references Catholics attached to the EF, who are “unaware of the deficiencies of the 1962 Missal.” Yet, shouldn’t Fr. Regan have taken the time to become familiar with the EF before writing his book? 1 Moreover, shouldn’t someone at Liturgical Press have proofread the book before publication?

COLLEGEVILLE LITURGICAL PRESS seems “unhinged” since the publication of Summorum Pontificum. One of their blogs recently published an article by Paul Inwood claiming that excessive dynamic equivalence was more “accurate” than formal equivalence. Yet, that same author admitted elsewhere that the 1970s version (“dynamic equivalence”) CONCEALED the true meaning of the prayers. Here are Inwood’s exact words:

Seventh-century theology, spirituality, and culture are very far from where most of the Church is now. The 1973 translation concealed this fact from us. If we had known what the prayers really said, we would not have wanted to pray them any longer. Now we are faced with that question 40 years later, and it is not any easier.

Not long before that, a Liturgical Press blog published an article attacking the “ad populum conversus” rubric—even claiming this phrase never occurs in postconciliar legislation—but we published screen shots proving this assertion to be false.

Those who write about the “deficiencies” (Fr. Regan’s word) of the Extraordinary Form have an obligation to learn something about it first. My pet peeve is haughty liturgical “experts” telling everyone how horrible the 1962 Missal was, and I’ll never forget reading a comment by the man who ran the Bishops’ Liturgy Committee during the 1990s. This person is an outspoken critic of the old liturgy, yet doesn’t realize the Prayers of the Foot of the Altar were not sung!



NOTES FROM THIS ARTICLE:

1   Fr. Regan specifically deals with the Extraordinary Form—i.e. the 1962 Missale Romanum—which he calls “the last edition of the preconciliar one.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgical Press Oops Moment Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

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