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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sir Colin Mawby Composes Special “Ave Maria” For Kansas Choristers

Dr. Lucas Tappan · December 2, 2015

LMT Colin Mawby EVERAL MONTHS AGO I posted about Colin Mawby and his time at Westminster Cathedral as Master of Music and director of the cathedral’s world famous men and boys choir. I included information he had sent me several years prior, so Jeff Ostrowski asked if I had received Mawby’s permission to include his remarks. I told Jeff he had given me permission at the time, but decided it wouldn’t hurt to ask him again.

I am grateful for Jeff’s prodding, because in the midst of my conversation with Mawby over the post, he told me he would love to compose a work for my parish’s children’s choir (The Children of the Most Pure Heart of Mary Schola Cantorum) should I ever want him to. I mentioned our upcoming trip to Rome and said we would love to premier one of his works in the Eternal City. A great priest/friend of mine agreed to pay the commission, and we decided on the text of the Ave Maria, since our parish is under Our Lady’s patronage. Within two weeks Mr. Mawby sent me the finished score, set in five parts (SSATB). I passed it out to the choir—and they loved it! As one of the high school boys in the choir put it, “this is the piece that every other composer wishes he had written.” The work vacillates between D minor and D major, and is very contemplative in nature. Every time I listen to it, I find myself present at that historic moment when St. Gabriel uttered the words Ave, gratia plena to a young Galilean women so totally absorbed in prayer that the Eternal Word pitched His tent in her and dwelt in her very body.

So… thank you, Jeff, for a little extra prodding. Not only did the world gain a beautiful new piece of sacred music, but the choristers of our parish are able to contemplate the Incarnation in a new light. They are also excited to meet Mr. Mawby, who emailed me two weeks after he sent me the music saying he had already purchased his plane ticket and would see us in Rome!


Editor’s Note: Dr. Tappan will be in Rome with his choristers. He will not be able to post any blogs while he is in Rome. He also has a brand new member of the family, so let’s be patient with him!

We hope that Dr. Tappan will consider sharing this piece with our readers when the time is right, but we must wait until after it is premiered in Rome.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colin Mawby Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

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