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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sir Colin Mawby Composes Special “Ave Maria” For Kansas Choristers

Dr. Lucas Tappan · December 2, 2015

LMT Colin Mawby EVERAL MONTHS AGO I posted about Colin Mawby and his time at Westminster Cathedral as Master of Music and director of the cathedral’s world famous men and boys choir. I included information he had sent me several years prior, so Jeff Ostrowski asked if I had received Mawby’s permission to include his remarks. I told Jeff he had given me permission at the time, but decided it wouldn’t hurt to ask him again.

I am grateful for Jeff’s prodding, because in the midst of my conversation with Mawby over the post, he told me he would love to compose a work for my parish’s children’s choir (The Children of the Most Pure Heart of Mary Schola Cantorum) should I ever want him to. I mentioned our upcoming trip to Rome and said we would love to premier one of his works in the Eternal City. A great priest/friend of mine agreed to pay the commission, and we decided on the text of the Ave Maria, since our parish is under Our Lady’s patronage. Within two weeks Mr. Mawby sent me the finished score, set in five parts (SSATB). I passed it out to the choir—and they loved it! As one of the high school boys in the choir put it, “this is the piece that every other composer wishes he had written.” The work vacillates between D minor and D major, and is very contemplative in nature. Every time I listen to it, I find myself present at that historic moment when St. Gabriel uttered the words Ave, gratia plena to a young Galilean women so totally absorbed in prayer that the Eternal Word pitched His tent in her and dwelt in her very body.

So… thank you, Jeff, for a little extra prodding. Not only did the world gain a beautiful new piece of sacred music, but the choristers of our parish are able to contemplate the Incarnation in a new light. They are also excited to meet Mr. Mawby, who emailed me two weeks after he sent me the music saying he had already purchased his plane ticket and would see us in Rome!


Editor’s Note: Dr. Tappan will be in Rome with his choristers. He will not be able to post any blogs while he is in Rome. He also has a brand new member of the family, so let’s be patient with him!

We hope that Dr. Tappan will consider sharing this piece with our readers when the time is right, but we must wait until after it is premiered in Rome.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colin Mawby Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

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