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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Sacred Music & Babies

Jeff Ostrowski · November 17, 2015

112 planning ONGRATULATIONS to the Tappan household, which recently welcomed a new child. (You probably remember a recent post in which Dr. Tappan mentioned that he and his wife were expecting.) Let us pray for them; raising children is anything but easy in today’s culture. 1

Bringing children into the world and raising them properly—as I’m sure the Tappan family does—is one step in the right direction of restoring sacrality to our Masses; but is there more?

Most of us spend our energies trying to do our very best at local parishes—which is how it should be. Most of us do not worry about “saving the word” because we realize typing on the internet does very little to advance that goal—and this view is correct. Most of us are not as concerned about the liturgical life in places we will never visit as we are about the liturgical life for our children, friends, and members of our parish—and this is a good thing. Most of us do not worry about everyone else’s business—because saving our own souls (and those of our loved ones) is what God wants us to focus upon preëminently. The internet has become a cesspool of unqualified people (who believe they’re brilliant, of course) spending hours creating unsolicited advice/warnings/ravings for everyone except themselves.

Occasionally, however, it is appropriate to ask the question: “What is our END GAME regarding Sacred music?”

I used to think local parishes could do such a marvelous job with Sacred music that this would spread to the entire Church; but now I’m beginning to think this might be insufficient. There will have to be more institutions created to train Church musicians by folks who have proven their worth in the real world. Moreover, there will have to be excellent (mandatory) programs created for Catholic school kids, and successful Church musicians must visit bishops, convincing them to implement these programs. At this point in time, however, I feel that we’re still in the “germination” stage, which relies on individual priests and musicians working together at individual parishes.



NOTES FROM THIS ARTICLE:

1   By the way, some children don’t begin talking right away. Parents try to teach them, but some children are not easily convinced to start making sounds. Eventually, most do; and this seems to be an “instinct.” Certainly children feel a desire to communicate—which is why interaction with other children can help—but there’s more to it than that. Making sounds (I repeat) appears to be an instinct and something “fun and natural” for kids. I sometimes wonder if this “instinct” has anything to say regarding nature of singing at Mass, in terms of our “need” to create sounds.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski
    William Byrd • “Mass for Five Voices”
    Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire to use it as an example proving volunteers can sing complicated polyphony.
    —Jeff Ostrowski
    “Baptism” • A Unique Hymn
    Father Christopher Phillips is the founding Pastor of Our Lady of the Atonement Catholic Church. One of his hymns is unique and (in my humble opinion) quite beautiful. His hymn is basically a prayer to the Holy Trinity but also speaks of Baptism and the Holy Eucharist. It would be an ideal Communion hymn on Trinity Sunday or the feast of the Baptism of the Lord. You can hear live recording from last Sunday by clicking here.
    —Jeff Ostrowski

Random Quote

Soloists are dangerous in any church choir! Their voices frequently do not blend with those of the other singers to form a rich, integrated tone.

— Roger Wagner

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