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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Ordinary Form’s Incredible Freedom

Jeff Ostrowski · August 29, 2015

354 Pope Paul VI ANY AUTHORS HAVE COMMENTED on a paradox of the post-conciliar reforms which—sooner or later—will have to be addressed. On the one hand, the reformers said they wanted to return to an ancient “pristine” liturgical tradition. But on the other, they tried to make the liturgy more acceptable to a creature they called “modern man.”

Yet another paradox exists, which has not received that much commentary. On one hand, the reformers claimed that modern priests were so busy they required (for example) a much shorter version of the Divine Office. On the other hand, they provided priests with an unthinkable amount of choices when it comes to (for example) readings at daily Masses, naïvely thinking priests would spend hours each week choosing them. Ten years later—having conceded that no priests were actually doing this—they went back and provided a “cheat sheet” (explained here).

Did you know that the Ordinary Form rubrics allow musicians to choose anything they like? Consider, for example, what the 1974 Graduale says:

    * *  PDF Download • The choices of the Ordinary Form

Those are just a few of the possibilities, and that’s why the JOGUES MISSAL shows only the most traditional chants:

    * *  PDF Download • Sample Page from the Jogues Missal

The whole idea was to make it easy on the congregation.

IF I MAKE IT TO HEAVEN, I would like to ask Pope Paul VI why he was in such a hurry to promulgate the Ordinary Form. (If you doubt he was in a hurry, read the quote on Page iii.) I believe that someday the Ordinary Form will be reformed and some problematic elements—such as the numerous options described above—will be eliminated. However, I believe the Ordinary Form can only be reformed if the Church leaders reach consensus, like when the bishops voted to adopt the 2011 Missal translation by an overwhelming majority. 1

Speaking of options, Pope Benedict in 2007 promulgated Summorum Pontificum, which said that any priest desiring to do so can celebrate the 1962 Missal. The same folks who always pushed for as many liturgical options as possible—I’m speaking here of the ones who hate the Traditional Latin Mass—could say nothing in the face of the document, because it was presented as an option. It reminds me of a famous quote by Professor László Dobszay:

If the right is given to African tribes to include their pagan traditions in the liturgy, I think the same should also be given to the rite of a thousand year-old Christian Church, based on a much older Roman tradition.




NOTES FROM THIS ARTICLE:

1   I have yet to come across a bishop who argues in favor of the previous version. By the way, a common argument made after the Council said “one must accept the reforms in their entirety or reject them in their entirey; but don’t quibble about individual changes.” Sensible people have rejected this argument, because how can a thing be judged except by the thing itself? Their argument would be as bogus as saying, “You must either accept Janet’s behavior entirely or reject it entirely; but don’t start questioning individual incidents where she did this or that.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Professor Laszlo Dobszay Last Updated: January 13, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Why do we never sing “De Spiritu Sancto” (St. Athenogenes) in our churches? There are a dozen translations in English verse. Where could anyone find a better evening hymn than this, coming right down from the catacombs? Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.

— Rev’d Adrian Fortescue (d. 1923)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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