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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Personal Issues Manifested in the Mass

Richard J. Clark · July 31, 2015

HAVE STATED BEFORE that I have few original ideas. Nor do I have any to offer now: A friend and highly respected colleague keenly observes that personal issues almost always play themselves out in the liturgy, subtly and sometimes not so subtly.

Corporate or communal prayer is a beautiful challenge. It requires handing over one’s will and individual desires–as exhorted by St. Ignatius in his Spiritual Exercises. Furthermore, we are familiar with the phrase “Where two or three are gathered in my name…” Heck, “two or three” is easy. Try two or three hundred–or two or three thousand over the course of a weekend. Someone is going to be unhappy, get irritated, or become downright upset with someone else. This will happen as surely as the rising and setting of the sun.

The Roman Rite was not followed perfectly? Someone gets upset. The Roman Rite was followed perfectly? Someone gets upset.

There is little reason to discuss why. There is no need to get into the myriad factions that drive the “Liturgy Wars.” There is no need to discuss the stereotyped differences between younger priests and older priests or the inaccurate perceptions we all have about each other. We are human. As human nature goes, tensions rise to the highest boiling point during Mass as in no other place.

Why is this? As it turns out, there’s a pretty interesting reason.

F PERSONAL AGENDAS OR ISSUES MANIFEST themselves during or because of the Mass, it points to something positive–something we all intuitively understand. Regardless of enormous differences of personal opinion, the Mass is perceived universally (and quite correctly) as central. The Mass is our greatest prayer. As such, it fortifies us to live our lives according to what we pray, profess and believe. (Lex Orandi, Lex Credendi, Lex Vivendi) In fact, many, including Goffredo Boselli, have stated that “The celebration of the Liturgy is the most important act of evangelization.”

While tensions should not play out in the liturgy, they often do not unlike how tension exists in families. We often take out our frustrations on those closest to us, because we know they love us and will forgive us in an instant. And like the Mass, family is everything; it is central to our lives. It touches nearly every aspect of our being, past, present, and future (hence the evil of abuse in the Church and in families.) While our family members may drive us crazy–and we them–there is a bond like no other. We will defend to the ends of the earth those very people that drive us crazy.



IS THERE A SOLUTION?

Not really. But we me must be mindful of certain things. First of all, what we do, we do together as a Church. It is not about conformity. It is about unity. This is reflected in our postures and in our songs of praise to God.

Furthermore, the Mass belongs to all of us. Many times I’ve heard the words “I can’t pray to that music.” Guess what. You’re not the only one here. Mass is not a private devotion. The mass is theocentric, not anthropocentric. Ironically, remembering this makes our worshiping communities stronger. Furthermore, when we sing in the Gloria, “We praise You, we bless you, we adore you, we glorify you…” we are singing the praises of God and not of ourselves. As such, it is also another act of unity.

“The Gloria in excelsis…is a most ancient and venerable hymn by which the Church, gathered in the Holy Spirit, glorifies and entreats God the Father and the Lamb.” (GIRM §53)

Human nature also seeks self-expression. But the Mass is not the venue for personal creativity. This fosters disunity and further tension. It is therefore helpful to find another healthy outlet for personal creativity. You may discover something wonderful you can contribute! Or, one may find a new creative solution within the structure and perceived limitations of the Roman Rite. Ironically, the environment of set boundaries is where great artists develop some of their most lasting works.

INALLY, LIKE A FAMILY, we often do what is best for the greater good. As a parent, our desires take a back seat. Everything is about our children—those in our care. Having children curtails personal freedom quite drastically. Yet they are the highest blessing one may receive. (With all the struggles that go along with having young children, I am certain these are the greatest days of my life.) It is helpful to think as a parent does when it comes to the Mass. And the greater good is the glorification of God and through which we are “edified and sanctified.” (Tra le Sollecitudini)

TALK A PRETTY GOOD GAME . But my online presence is whitewashed and cherry-picked. I am a fraud. Anyone who has had to deal with me in the flesh knows I can be difficult and a pain in the you-know-what. Anyone want to testify to this? Take a number and get in line. Keep walking. Way back.

So what I write here week in and week out is more for me than anyone else. I am human with personal issues. I hope I have improved in my service to God and others. Pray for me, as I will for you.

AMDG
Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Since the English is not meant to be sung—but only to tell people who do not understand Latin what the hymn text means—a simple paraphrase in prose is sufficient. The versions are not always very literal. (Literal translations from Latin hymns would often look odd in English.) I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Father Adrian Fortescue (d. 1923)

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