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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Personal Issues Manifested in the Mass

Richard J. Clark · July 31, 2015

HAVE STATED BEFORE that I have few original ideas. Nor do I have any to offer now: A friend and highly respected colleague keenly observes that personal issues almost always play themselves out in the liturgy, subtly and sometimes not so subtly.

Corporate or communal prayer is a beautiful challenge. It requires handing over one’s will and individual desires–as exhorted by St. Ignatius in his Spiritual Exercises. Furthermore, we are familiar with the phrase “Where two or three are gathered in my name…” Heck, “two or three” is easy. Try two or three hundred–or two or three thousand over the course of a weekend. Someone is going to be unhappy, get irritated, or become downright upset with someone else. This will happen as surely as the rising and setting of the sun.

The Roman Rite was not followed perfectly? Someone gets upset. The Roman Rite was followed perfectly? Someone gets upset.

There is little reason to discuss why. There is no need to get into the myriad factions that drive the “Liturgy Wars.” There is no need to discuss the stereotyped differences between younger priests and older priests or the inaccurate perceptions we all have about each other. We are human. As human nature goes, tensions rise to the highest boiling point during Mass as in no other place.

Why is this? As it turns out, there’s a pretty interesting reason.

F PERSONAL AGENDAS OR ISSUES MANIFEST themselves during or because of the Mass, it points to something positive–something we all intuitively understand. Regardless of enormous differences of personal opinion, the Mass is perceived universally (and quite correctly) as central. The Mass is our greatest prayer. As such, it fortifies us to live our lives according to what we pray, profess and believe. (Lex Orandi, Lex Credendi, Lex Vivendi) In fact, many, including Goffredo Boselli, have stated that “The celebration of the Liturgy is the most important act of evangelization.”

While tensions should not play out in the liturgy, they often do not unlike how tension exists in families. We often take out our frustrations on those closest to us, because we know they love us and will forgive us in an instant. And like the Mass, family is everything; it is central to our lives. It touches nearly every aspect of our being, past, present, and future (hence the evil of abuse in the Church and in families.) While our family members may drive us crazy–and we them–there is a bond like no other. We will defend to the ends of the earth those very people that drive us crazy.



IS THERE A SOLUTION?

Not really. But we me must be mindful of certain things. First of all, what we do, we do together as a Church. It is not about conformity. It is about unity. This is reflected in our postures and in our songs of praise to God.

Furthermore, the Mass belongs to all of us. Many times I’ve heard the words “I can’t pray to that music.” Guess what. You’re not the only one here. Mass is not a private devotion. The mass is theocentric, not anthropocentric. Ironically, remembering this makes our worshiping communities stronger. Furthermore, when we sing in the Gloria, “We praise You, we bless you, we adore you, we glorify you…” we are singing the praises of God and not of ourselves. As such, it is also another act of unity.

“The Gloria in excelsis…is a most ancient and venerable hymn by which the Church, gathered in the Holy Spirit, glorifies and entreats God the Father and the Lamb.” (GIRM §53)

Human nature also seeks self-expression. But the Mass is not the venue for personal creativity. This fosters disunity and further tension. It is therefore helpful to find another healthy outlet for personal creativity. You may discover something wonderful you can contribute! Or, one may find a new creative solution within the structure and perceived limitations of the Roman Rite. Ironically, the environment of set boundaries is where great artists develop some of their most lasting works.

INALLY, LIKE A FAMILY, we often do what is best for the greater good. As a parent, our desires take a back seat. Everything is about our children—those in our care. Having children curtails personal freedom quite drastically. Yet they are the highest blessing one may receive. (With all the struggles that go along with having young children, I am certain these are the greatest days of my life.) It is helpful to think as a parent does when it comes to the Mass. And the greater good is the glorification of God and through which we are “edified and sanctified.” (Tra le Sollecitudini)

TALK A PRETTY GOOD GAME . But my online presence is whitewashed and cherry-picked. I am a fraud. Anyone who has had to deal with me in the flesh knows I can be difficult and a pain in the you-know-what. Anyone want to testify to this? Take a number and get in line. Keep walking. Way back.

So what I write here week in and week out is more for me than anyone else. I am human with personal issues. I hope I have improved in my service to God and others. Pray for me, as I will for you.

AMDG
Soli Deo Gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

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