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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Most Devastating Change By Pope Paul VI

Jeff Ostrowski · July 28, 2015

462 Gradual vs. Missal Reformers frequently cited a statement 1 by Pope Pius X to justify their actions. But if they truly loved THE LITURGY, why did they mutilate it? Consider the words of Christoph Tietze:

In 1968, a questionnaire was sent to 12,000 liturgical experts. The first question was whether the proper texts of the introit should be omitted in recited Masses. Of the 1,388 responses, 71% voted in favor of recited introits and 29% voted to omit them.

To the next question, whether the “antiphons of the introit should be revised, so that they could be recited for spiritual fruit,” 91% answered affirmative. On the basis of these results, the Consilium of April 1968 decided that both the introit and communion antiphons should be recited in Masses without music, and that these texts should be revised for the new Missale Romanum.

Did you get that? 12,000 letters sent … yet only 1,388 responded. Moreover, the questionnaire only asked about Introits. Nothing was said about the Communion antiphons! This would indicate they really didn’t love the liturgy; they wanted to change the liturgy. And they did so based on responses from less than 11%.

The changes were only meant to apply to spoken Masses (“Masses without music”). Tietze correctly points out 2 that “it was always made clear that the Gregorian texts had primacy in sung Masses”—but this was ignored. Pew books like the Jogues Missal do restore the proper way (placing English versions alongside the official Latin) but why did it take five decades for such a book to arrive?

Bishop Charrière of Switzerland wrote the following around the time of the Second Vatican Council. The emphases are his, not mine:

E DO ACKNOWLEDGE that … more or less substantial changes are being requested from Rome. But those who are pleased with today’s situation—those who live the Liturgy as given by the Roman Church—are not complaining and do not say anything. Don’t we also have to give large consideration to the majority who are content? Isn’t their number as great—maybe greater—than the number of those who complain?

We are being told of a desire, which then tends to become widespread, for a substantial modification of the Liturgy. What is really universal is the desire to see the faithful always participating in the Mass to a greater extent and to see the priests always living from their liturgical prayer. But as for how this better participation of the faithful and priests can be achieved, we do not believe that those who speak the more loudly, those who somehow impatiently keep asking for endless changes, do represent the majority. A general survey of all the bishops would perhaps let us know the thoughts of those who do not say anything but who are content to see the Liturgy kept in its present form.

Finally, after such a long time, individual groups—and I believe CCW is one such group—are going back to the true liturgical movement, which was meant to help Catholics better appreciate the sacred liturgy.




NOTES FROM THIS ARTICLE:

1   The 1903 Motu Proprio of Pope Pius X said: “Filled as we are with a most ardent desire to see the true Christian spirit flourish in every respect and be preserved by all the faithful, we deem it necessary to provide before anything else for the sanctity and dignity of the temple, in which the faithful assemble for no other object than that of acquiring this spirit from its foremost and indispensable font, which is the active participation in the most holy mysteries and in the public and solemn prayer of the Church.”

2   You can read Tietze’s full article.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop of Chur, Missal Antiphons Dont Match Roman Gradual, Reform of the Reform, Sung Vs Spoken Propers Novus Ordo Last Updated: July 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

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